I tried to dig out some background info about this French band, but I didn’t find too much and the few things I found were in French, not a language I know. Guitarist/singer Fred Lefranc sent me a link to their teaser last December, meanwhile the 5 track EP was officially released. Unfortunately they don’t have a video yet, but fortunately, they put it on-line on the Bandcamp. (While Spotify in some countries it’s not available, on Deezer if you don’t have account, can only listen 30 seconds of each song and not everybody it’s iPhone addicted and have the iTunes applications instaled… So, for promotional purposes YouTube, SoundCloud and Bandcamp are still the best free options available. MySpace it’s a… dead space. 😆 )
Although, most of the people don’t even bother to step outside Facebook lately, so, music it’s doomed just as the whole goddamn human race!
But let’s see what Meredith propose us!
The sound of things to come it’s solid, intense, modern, alternative rock/metal. Read more Meredith – The Shape Of Things To Come, EP (2014)
Benji Webbe and his comando (Daniel Pugsley – bass; Mikey Demus – guitar, backing vocals; and Arya Goggin – drums) of reggae-metal from Welsh are back with their fifth studio album entitled “Kill the Power”. He stated about the titled and the upcoming album: “We are more than excited to unleash this Skindred bomb on the world! Kill The Power is for all them that are sick of being the underdog, and wanna step up and destroy all those who oppress and hold them down! Use this album as a backdrop to overcome and take your life back! We ain’t fighting the power no more – we are definitely killing it!!” And they delivered probably their best album so far.
Pure, furious, edgy and old-school hardcore. There is nothing fancy, nothing meaningless, nothing just to fill in or fill up, but brutal riff, energy and honest, reasonable anger. And while honesty and being not a clown of the media and a dumb trend follower it’s quite rare, almost exceptional nowadays, Backtrack is an exceptional band with roots both back to punk and metal.
Featuring drummer Benny Greb, saxophonist Mark Lockheart, Stephan Maass on percussion & electronics, guitarist Chris Montague, Edward Maclean on bass and Colin Towns (from Ian Gillan Band and Gillan) on keyboards; Blue Touch Paper it’s a Brit-German jazz-rock fusion band while ‘Drawing Breath’ it’s their second album released on the 14th October 2013. Their music it’s a rainbow like colorful mixture of sounds, styles and genres, from Garbarek to Pink Floyd and from ethnic flavored jazz to chilled down and spacy breakdowns, ‘Drawing Breath’ got it all and surprisingly, all those moving parts are coming together nicely and everything make perfect sense. We’ve got 12 songs and over one hour of exciting, groovy music. 
Maybe I’m an idiot, but I like “The Marshall Mathers LP 2”. It’s one of the best records of 2013. I can understand the fury and I can feel the pain, taste the irony. This is not a revolutionary record? Eminem did not reinvented the rapping, the rap and the hip-hop? If a bicycle do not need a third wheel – metaphorically speaking – and rap/hip-hop don’t need to be reinvented, I believe Eminem has to be invented. Rap needs Eminem. Simply and plain, just because. Because Eminem is both electric-shock therapy and vitamin. He’s probably not a God as he like to present himself (“Why be a king when you can be a god?” he sings in the song called “Rap God”), but he’s definitively a king. Behind all of his jokes, rhymes and irony I can see a very lonely, very sad, very furious human being. Don’t really give a shit about the over 220 million records he sold worldwide and that make him one of the best-selling music artists of the world, I don’t really consider him one of the greatest artists as the Rolling Stone magazine which ranked him 82nd on its list of The 100 Greatest Artists of All Time, but for sure Eminem got style and know how to say things. And his the eighth studio album, “The Marshall Mathers LP 2” it’s a really solid release.
