Traveling with Trent Reznor, Atticus Ross, Mariqueen Maandig and Rob Sheridan again. The long anticipated debut album finally it’s here and we’ve got 13 steps to go on, 13 levels of exploration, 13 ways to drowning and surfacing back to the light. Eventually.
About this Reznor’s post Nine Inch Nails project I wrote in details last year when they released their second EP entitled “An OMen”, so, if you’re interested in the full story of the bang, go back an read it HERE. Although, not really surprisingly, “An Omen” made it to my list of favorite releases of 2012 and it was definitively one of the most interesting musical experiments of the last year, a bold and ingenious method to leave the past behind, but staying true to themselves and digging into the wilderness and unknown of the future. Read more How to Destroy Angels – Welcome Oblivion (2013)
Although this might seems a supergroup incorporating Radiohead’s Thom Yorke and Radiohead producer Nigel Godrich, Red Hot Chili Peppers bassist Flea, Beck and R.E.M. drummer Joey Waronker and Brazilian percussionist Mauro Refosco – “Amok” it’s definitively a quite strange journey into the wilderness of minimal electronic and glitchy electronica and feels like the follow up of “The Eraser”, Yorke’s 2006’s debut solo album. On the other hand, this is not so different from the latest Radiohead sonic experiment, the 2011 “The King of Limbs” as well.
February 12th, 2013 – Boston producer, pianist, and singer/songwriter Kerry Leva has cemented her path into the dynamic ranks of the EDM world with a trio of original tracks, ‘ Four Eight Two’, ‘The Way Out is Through’, and ‘No Strings Attached’, and remix of Stefan Anions ‘Cosmonaut’.
This is just bloody awesome! Think of The Wildhearts, Therapy?, Backyard Babies and Terrorvision, massive, powerful guitar riffs and huge, memorable, singable and melodious vocals. Somewhere between the punk rock fury and the glam rock flavour with heavy guitar riffs and catchy, pop fueled choruses, this Newcastle Upon Tyne, England based quartet fined a damn fine path to establish themselves. And best of all, this is a FREE RELEASE, so get your ass right now and grab it from 
Nitzer Ebb is a British leading EBM group formed in 1982 by Essex school friends Vaughan “Bon” Harris (programming, synthesizers, drums, vocals), Douglas McCarthy (vocals), and David Gooday (drums). The name of the band was chosen for its harsh, supposedly German sound, although it does not carry any meaning in either English or German. Nitzer Ebb’s ninth and up to date, latest album, “Industrial Complex” was released in 2010.
Kids At The Bar have taken the progressive track “Easy” from Mat Zo & Porter Robinson and turned it into a Big Room Banger ready for the festivals. It’s available today for 
After a three years gap, “Temper Temper”, the fourth album by one of the finest Welsh’s new generation heavy metal band was finally released on February 8, 2013 in Australia, and February 11, 2013 worldwide under RCA Records. Produced by the same Don Gilmore, who worked on the group’s previous album, the 2010’s “Fever”, and mixed by noted engineer Chris Lord-Alge, “Temper Temper” consist of 11 powerful, but melodious, heavy, but simultaneously sticky, modern metal anthems. Songs like “Breaking Point”, “Truth Hurts”, “Temper Temper”, “Leech”, “Saints n Sinners” or “Riot” are bloody hard to erase from our memory once we heard them. And this mixture of Iron Maiden taste like classy heavy metal with the modern sounding, emo rooted metalcore, really make sense in the forge of Bullet For My Valentine – although, all this generation and their not so flying metalcore seems more and more hollow. But, by aggressive marketing and bought-up media, still popular. 
Back in 2011, the debut album, 
Considered as one of the leading extreme metal acts coming from Poland, Hate are back with their 8th – and probably deadliest – studio album. This is a masterpiece of dark power and absolute aggression, a perfect blending of their ambient and industrial fueled black metal and the chainsaw ferocious death/thrash metal. “Solarflesh” seems conceived and inspired by the same wicked God who breathed life into monsters like “South of Heaven” and “Seasons in the Abyss”. This album it’s brilliant and brutal just like those pillars of metal delivered by Slayer. “Solarflesh” it’s merciless, atmospheric, brutal, hypnotizing and addictive like any other vice or joyful sin.
Hailing from Portland, Oregon, Amerakin Overdose it’s a more metal then industrial, heavy sextette. Strong riffs, subtle electronic layers, furious vocals filled with consistent message and all the shock rock weaponry turn this project into a deadly machinery. Reminded me of Bile (and their killer 
