Back in 2011, the debut album, “New Thing” by the French band, The Phantom Carriage, literally rocked my world, it was an exciting and tumultous mixture of black metal rooted extreme metal and jazz fueled experimental, avant-garde contortions and envelop-pushing. It was one of the best releases of 2011 and I was very anxious about the follow-up. Well, “Falls” unfortunately pulled off all the experimental tooth of the band and this second turn they focused exclusively on the post-modern, hardcore fueled, nowadays more and more trendy extreme metal side of the band. Don’t get me wrong, “Falls” it’s brutally good, but I miss those experimental, jazz flavoured passages, those dark and adventurous breakdowns.
“Falls” it’s a grinding to the ground collection of slaughters, you can run, but you can not hide, The Phantom Carriage will get you and rip you apart! Read more The Phantom Carriage – Falls (2013)
Considered as one of the leading extreme metal acts coming from Poland, Hate are back with their 8th – and probably deadliest – studio album. This is a masterpiece of dark power and absolute aggression, a perfect blending of their ambient and industrial fueled black metal and the chainsaw ferocious death/thrash metal. “Solarflesh” seems conceived and inspired by the same wicked God who breathed life into monsters like “South of Heaven” and “Seasons in the Abyss”. This album it’s brilliant and brutal just like those pillars of metal delivered by Slayer. “Solarflesh” it’s merciless, atmospheric, brutal, hypnotizing and addictive like any other vice or joyful sin.
Hailing from Portland, Oregon, Amerakin Overdose it’s a more metal then industrial, heavy sextette. Strong riffs, subtle electronic layers, furious vocals filled with consistent message and all the shock rock weaponry turn this project into a deadly machinery. Reminded me of Bile (and their killer
You’ve seen the movie “Branded”
3 Melbourne based bands, Asperity Within, Belle Haven and Glorified! released this free promo album, each band featuring with two original tracks. Not at least, can grab the 6 tracks for free (“name your price”) from each band’s Bandcamp page. Cool and a smart, efficient, joint way to promote their bands.
This is a journey back in time. The perfect (metal) time capsule which bring the listener back to the golden age of thrash metal, somewhere between 1986 and 1992. Maybe because this is partly the music of my restless, headbanging youth, maybe because the nowadays fancy metalcore mainly sucks, Hatriot was a quite pleasant surprise. Those wicked riffs sounds familiar, the tempo it’s fast (as a shark!!) and the Hatriot machinery seems unstoppable and exhaustless. And well, who would expect anything less from a legendary singer as Steve “Zetro” Souza? And to have a real bridge over time, there are two other Souza’s involved in the band, Steve’s son, the bass player Cody Souza, and drummer Nicholas Souza. What a murderous family business!! Impact is Imminent!!!
Extreme and brutal, dark and raw sounding, this Stockholm based post-hardcore band will rip your head off with tones of ferocious riffs and their chaotic, contorted, furious music. Both rooted to punk and metal, this pounding, post-hardcore genre became quite popular lately and many exciting new bands proved true creativity widening the borders of the extreme, avant-garde music. They call their music “hopeless and heartbreaking doomsday hardcore punk”, which actually covers quite consistently the noisy butchery and beautiful poetry they create.
The sixth studio album by Welsh post-hardcore band Funeral for a Friend was released through Distiller Records on 28 January 2013 for Europe, and will be released on 5 February 2013 through The End Records In the United States.
The opening title track, “The Calm Fire” might be misleading. Wobbling basses and the smooth, but sober electronic layers only announce the storm to come. I think a smart exploration of those fancy elements and a proper use of them along the brutal riffing, the death fueled vocals and the metalcore flavoured build-ups would add a great support to the musical experiment of Mohammed Sawan, the brain and musician behind this Abu Dhabi project.
Jamey Jasta and his killing machine are back with their sixth studio album. “Put It To the Torch” explodes literally and the merciless butchery begun. With solid roots back to Pantera, Sepultura and Machine Head, this is a dangerously groovy and modern metal mixed with brutal and intense hardcore. “Honor Never Dies” could easily fit in on any Cro-Mags, Biohazard, Madball or Sick of It All album. And everything after it’s a furious, unstoppable mixture of hardcore intensity and brutal, bone cutter metal riffs and the nervous, spitting vocals of Jamey Jasta.








