Everybody’s praise Bowie and his brand new “The Next Day” album, which comes after a heart attack and a serious 10 years gap. The 66 year old Bowie announced the release of his new album at his 66 birthday.
True, between the fabulous 2003’s “Reality” and this brand new album we had “Toy”, in March 2011, Bowie’s previously unreleased album from 2001 (another 10 years gap fulfilled), which leaked onto the internet, containing material used for “Heathen” and most of its single B-sides, but, that was just a bitter-sweet delicatessen for inpatient fans and “pour le connaisseur”, isn’t it?
The cover for “The Next Day” was designed by Jonathan Barnbrook, and it plays on the iconic cover of 1977’s “Heroes” – witch was the second installment of his Berlin Trilogy with Brian Eno, while the cover photo was shot by Masayoshi Sukita. And somehow “The Next Day” it’s a trip back to Berlin, a journey in the search of lost (and eventually find) love, soul, spirit or anything else. Or a seek and hide with Mr. Death. But the first released single, “Where Are We Now?” take us back to Berlin literally and emotionally. So, Ziggy Stardust is back and he’s gonna eat your heart out! Read more David Bowie – The Next Day (2013)
Thot are back. “Rhythm.Hope.Answers.” it’s their brand new single, available even for
Somewhere between the classy and powerful, genuine Brit rock of John Waite (The Babys/Bad English) and the groove oriented, grungier Indie rock in the vein of Kings of Leon or OK Go, it’s Sky Burns Red, a promising young band from U.K.
Merging shoegaze flavoured gloominess and endless distorted guitar chords; slow pulsing electronic layers and bitter sweet clean vocals; cinematic tension and mechanical monotony; Thierry Arnal, the one-man army behind Fragment, is back with his new album entitled “Temporary Enlightenment”. This is a quite dizzy mixture of alternative rock and drone, post-modern psychedelia and slowcore, dream-pop and shoegaze, a bridge build of sound and noises, but on solid emotional pillars, between Sunn O)))) and Sigur Rós, between Pink Floyd and Candlemass, and everything ever-after and above.
Luca Cavina (Calibro 35, Craxi, Incident on South Street) : distorted Bass and Vocals and Paolo Mongardi (Fuzz Orchestra, Ronin, FulKanelli, ex-Jennifer Gentle) : distorted Drums, started this project in October 2010, aiming at “using the minimum in order to get the maximum and is: not metal, not punk, not math, not noise, not prog, absolutely not jazz-core, neither post-whatever” – as they firmly declared.
If you think it’s the perfect time to wider your musical horizon while the music became boring – which it’s actually f*ckin’ true -, One Morning Left might be your perfect choice and from where you kick out. Merging trance flavoured electronic layers, dubstep drops and mad wobbling, with death metal rooted extreme metal butcheries, One Morning Left delivers all. This is fun and simultaneously deadly serious. Screaming like a slaughtered pig (Mika “Miksu” Lahti), or singing loud and clear (Tomi “Tomppa” Salonen), banging on techno beats (Veli-Matti “Vesku” Kananen) or heavy basses (Tuomas “Tumppi” Teittinen), murderous guitar riffs (Ari “Arska” Levola), blood vomiting growls and total brutality – One Morning Left covers all. And – surprisingly – this sounds great and make sense! Or not really surprisingly. Geerally speaking, Scandinavians delivers quality stuffs. Eventually, in the particular case of One Morning Left, blame it on the Finnish climate, Scooter, Lauri Tähkä and the mental hospitals…
The circus it’s back to the town! Run and hide while you still can, the freaks are out of leash! Or just turn up the volume, dig out from the corner of your soul your rusty air-guitar and bang the hell out of your head!
Pierre (Bass – Vocal), Léo (Guitar) and Batiste (Drum) are the members of the French stoner rock band Electric Worry and ” Back to Motor City” it’s their four track debut EP – Digital album: name your price/free; limited edition CD for €5 at their
Spawned in Germany during 1984, KMFDM (Kein Mehrheit Für Die Mitleid, loosely translated as “no pity for the majority”) pioneered the crossover between techno/dance and heavy metal with their signature industrial sound. Moving to Chicago in the mid-80’s KMFDM was the pride of WaxTrax! Records during the label’s peak. They relocated to Hamburg, Germany in October 2007.
Über brutality – total aggression. But it feels good and sounds murderous. Raw, unpolished, furious and totally grinding into the ground type of black metal with well determined roots back to the traditional Nordic sound, but simultaneously looking boldly into the future and exploring yet virgin outer limits of the genre. Vuyvr are the new Swiss challengers and they are definitively the most devilish offspring of some glorious predecessors as Hellhammer, Celtic Frost, Samael or Coroner.








