Switzerland’s Archers and Arrows on their debut album entitled “Arrows Alone Together” delivering a tumultous, but gentle mixture of hardcore rooted energy and indie flavoured melodies. Sometimes feels and sounds like Sigur Rós playing dEUS songs, or Bullet for My Valentines start playing Mogwai covers. Sometimes quite gloomy, but very smartly build-up and gently soulful, Sebastien, Nicolas, Bunty and Yves created a world of their own and now they share it with us.
Impossible to label it, to forced into a particular genre, Arches and Arrows it’s kind of ageless and fresh, furious, teenage oriented, but simultaneously calm and mature music, something which eventually catch your little sisie’s soul, would fit nicely in your ex-hippie father’s iPod and even your mother would listen it while she’s cooking the dinner. Read more Archers and Arrows – Alone Together (2013)
Céline Bonacina plays baritone, alto and soprano saxophone, she’s a composer and leader of her own trio.
EarthBound, known in Japan as Mother, is a role-playing video game series created by Shigesato Itoi for Nintendo. The series started in 1989 with the Japan-only release of Mother (planned to be released in North America as “Earth Bound”) for the Famicom, and was then followed up by a sequel, released in North America as EarthBound for the Super NES in 1995, and followed up again 12 years later with the Japan only release of Mother 3 for the Game Boy Advance in 2006. Itoi stated in an interview that the name “Mother” was greatly influenced by the John Lennon song “Mother”.
As you eventually know, maybe not, I run my own musical project. I intentionally avoided using the word band, because it’s not a band, but a project build upon virtual internet-based friendship and collaboration between one American guitarist, an Italian bass player turned into saxophonist and me, one more or less vampiric Transylvanian (ex) singer and sampler/keyboard abuser.
Although Hendrix died pretty young, at age 27, on September 18, 1970) and he only released three studio albums (the 1967’s “Are You Experienced”, the 1967’s “Axis: Bold as Love” and his seminal 1968’s “Electric Ladyland”), he managed the unequalable performance to release 12 posthumous albums. Not bad for a dead guy and those who are still earning big bucks by exploited his inheritance.
From Västerås, Sweden, I Used To Be A Sparrow are back with their second full-length album and they gonna take you in their clear-obscure dream world made up of indie rock shreddings, shoegazer flavoured epic and bitter-sweet escapades and dream-pop hooks. Scandinavian quality, hypnotic and melodious, simple and smart, soulful, but simultaneously efficient.
Dark metal could not get darker and further into the hidden and tenebrous conscience and sub-conscience of the sick and twisted human soul and mind.
If you’re into the wildest Sonic Youth like rock experiments and generally, into borderless, adventurous, noisy and raw, garage rooted rock with additional contorted electronic layers, Miranda is exactly the kind of “girl” you’re looking for. Really “kinky” stuff for your ears.








