Karl Marx Was A Broker is such an interesting choice for a band name, isn’t it? Got this album from the Italian independent label fromScratch Records and it’s an excellent ride into experimental, ground-breaking alternative rock/metal. It’s a vivid and dynamic blending of different tastes and styles from jazz and psychedelic to the so-called match rock and progressive metal, but it’s also a bridge over time, one foot is on the solid ground of the 70’s while the other kicking down the doors to the future.
Strong riffs, powerful grooves and interesting build-ups make “Director’s Cut” an exciting and memorable listening. This is practically the rearranged version of the previous album (based only in bass and drum), it adds new instruments and sonorities given by a new band member’s entry, Stefano Tocci. The powerful rhythm section of KMWAB is now reinforced and reached with guitar and synth’s riff and with sequencer tracks. Read more Karl Marx Was A Broker – Alpha to omega director’s cut (2013)
Loading Data is a French band founded in 1999, they tried their chances in the USA and toured for over 2 years, then moved back to France.
Solid, powerful heavy rock which would just fit perfectly and make probably serious waves, get acclaimed both by fans and critics as a follow up of their killer, 91’s “Slave to the Grind”. Unfortunately, 22 years late released from a band which could be one of the best American rock/metal bands – even against all the trends and media bulls*hit. But back in ’96 Sebastian Bach failed to convince his band mates to open for KISS while Rachel Bolan considered the band too big to play as opener. Just as a twist of fate, after they fired Bach, they subsequently opened for KISS both as Ozone Monday and later as Skid Row. But this is history now!! Can’t bring those days back anymore…
A little bit of color, life and madness from Firenze, Italy. Panzanellas is an experimental free jazz project formed by saxophonist Francesco Li Puma (the bass player of Atomik Clocks), guitarist Stefano Spataro (of Hysm? Duo) and drummers Marco Ruggiero (of Atomik Clocks), respectively Mattia Betti (of Umanzuki).
Actually don’t know anything about this project, anything else that it was conceived at Warszawa, Poland, this is the second chapter of their journey into the wilderness of noises and it’s for
The underground is over-populated with better then better bands and artist, unfortunately not always the best of them hit the surface. ANiMAL kicked out from the London’s EBM/Dubstep underground in late 2011. The three piece band consists of drums, laptop and guitar/vocals, started with a regular DJ takeover on Modestep Radio progressing onto guest mixes for Mista Jam on Radio 1Xtra and The Remix Show on XFM. Starting in 2012 ANiMAL went on to tour most of Europe playing at sold out Bass and EDM nights as well as some high profile supports.
In a world of senseless violence a to the bone brutal album actually make sense. And beneath the surface, Michel Anoia it’s more then simple and pure brutality. Merging some killer and chill jazz breaks, slow grinding and doom flavored passages and complex, technical moments with brutal, grindcore rooted death metal, Michel Anoia offers a 30 minutes (almost) non-stop hell of a ride. This is the ultimate death metal roller-coaster.
Mr. Zombie has sold over 15 million albums worldwide, and had six Top 20 hits on the Billboard Hot Mainstream Rock Tracks chart in the United States. His fifth album, “Venomous Rat Regeneration Vendor” will be released on April 23rd, 2013, four days after the release of Zombie’s film “The Lords of Salem”. The horror film was written, produced and directed by Mr. Zombie, and starring his wife Sheri Moon Zombie.
Listen “Blackjazz” on a cold and dark morning in 2010 was love at first listen and it was one of the best albums of 2010 while Shining became one of my favorite bands. Although 2011 bring “Live Blackjazz”, a killer and consistent live recording, the awaiting seems longer than it actually was.
Released on April 2, 2013 on Alternative Tentacles, the second studio album by Jello Biafra and The Guantanamo School Of Medicine it’s a very strong, classy punk rock album filled with wicked guitar riffs, good sense of humor and social and political criticism. So, this is 101% Jello Biafra and “White People And The Damage Done” might be considered the orotund follow up of the Dead Kennedy’s 1987’s “Give Me Convenience OR Give Me Death”. No fillings, no fake s*it, no pop-punk (?!), no wasted or forgettable moments, but only true, honest, neat, punk rock. 54 year old Biafra shows that it’s still possible, and goddam it! it’s more alive and kicking then most of the self-proclaimed rebel and furious so-called musical products that the industry serve us nowadays.






