Punk’s not dead, but it deserves to die, and it’s dead because of you.
Punk means something else for everyone and can mean different things at particular moments in life.
It doesn’t matter what punk means to anybody else, and it only matters what it means to you.
Punk came kicking and screaming out of the 60s, then it was murdered at the end of the 70s, raised back to life only to be dishonoured and killed again over and over again occasionally. From being “not dead” in ’81 to “it just deserves to die” in ’86, and the final conclusion of “it’s dead coz of you” in 2024, punk proved to be a tough nut to crack.
Alive, dead or resurrected, mocked, mugged, hijacked, raped, advertised, monetised, revamped, sold out or surviving at the street level, punk comes back haunting once in a while. Some still believe in it, and others make a buck or two out of it. It’s like your first sex date, which you wouldn’t take home to present to your mom, but you sneak it into your room and can’t get enough of it.
It was the mid-80s, and Read more Not dead, deserves to die, dying because of you
Atomik Clocks it’s a jazzcore band from Firenze, Italy. They are pushing the so-called envelope over the edge to widens the unexplored borders of music.
I admit, I was afraid this will be another noiscore/crossover post-hardcore whatever album, but fortunately I was wrong. If you miss the raw energy and fury of the Bleach era Kurt Cobain, but you’re even more hardcore and garage punk oriented, it’s very possible that “In Humor And Sadness” might be your next very best friend. It’s neat, it’s wild, it’s in your face, still quite musical and hitting instantly, getting under your skin quickly and for good.
I had falling in love with (hed) p.e. a lifetime ago when drunk in a bar I heard for the first time their song “Bartender”. I write about that when they released in 2009 the killer album entitled 
“A Document Of Dissent” it’s a collection of 26 tracks spanning the best of the last 20 years (1993-2013), of the band who have partnered up once again with the FAT Wreck Chords for this release. So, if for some weird reason you missed any of the Anti-Flag’s eight studio albums, this is quiet a decent way to right that mistake. I have fall in love with Anti-Flag with their fabulous 2009’s album “
It was five years before “Three Dollar Bill, Yall” and 16 years before “Swan Songs”, the debut Hollywood Undead album. One year after the controversial self titled debut album, the soundtrack of the film “Judgement Night” bought together several rock and rap/hip hop artists and set a new trend in mixing opposite musical genres. Body Count, the rock/metal band of the (in)famous rapper Ice-T it’s definitively one of the reference points of crossover. Although, they might be inspired by artists such as Bad Brains, Living Colour, Mordred, Suicidal Tendencies, Faith No More, etc they inspired and bought to life a generation to follow.
Pure, furious, edgy and old-school hardcore. There is nothing fancy, nothing meaningless, nothing just to fill in or fill up, but brutal riff, energy and honest, reasonable anger. And while honesty and being not a clown of the media and a dumb trend follower it’s quite rare, almost exceptional nowadays, Backtrack is an exceptional band with roots both back to punk and metal.
Iggy Pop and James Williamson on a record again was one of the ultimate rock’n’roll dreams. The Stooges ever playing again was another one. Then dreams came true. The fourth Stooges studio album, “The Weirdness” was recorded and released 34 years after its killer predecessor “Raw Power” and features founding members Iggy Pop (vocals), Ron Asheton (guitar), and Scott Asheton (drums) along with new band member Mike Watt (bass guitar), but also guest musician Steve Mackay (saxophone), who also appeared on the Stooges’ 1970 album, “Fun House”. And the album was engineered by Steve Albini.
