Loading Data is a French band founded in 1999, they tried their chances in the USA and toured for over 2 years, then moved back to France.
They released their debut album in 2002 through United Musics. The second album, entitled “Rodeo Ghetto-Blaster” was released 6 years later through the Argentinian label Oui-Oui Records (Los Natas) and via Deadlight Entertainment in Europe in 2010.
The band consist of Patrón – guitar and vocals, Robin Vieville – drums, Louise Decouflé – bass and Julien Ribeill – guitars and keyboards released their third album, “Double Disco Animal Style” in March 2013. Produced in Los Angeles by Alain Johannes (Eleven, Queens of the Stone Age, Chris Cornell, Them Crooked Vultures, etc) it’s a mixture of stoner, heavy grooves and post-modern indie pop/rock with sticky melodies and strange, sometimes dream-like, sometimes floating like the smoke down in the club type of vibe. Read more Loading Data – Double Disco Animal Style (2013)
rock
Skid Row – United World Rebellion: Chapter One, EP (2013)
Solid, powerful heavy rock which would just fit perfectly and make probably serious waves, get acclaimed both by fans and critics as a follow up of their killer, 91’s “Slave to the Grind”. Unfortunately, 22 years late released from a band which could be one of the best American rock/metal bands – even against all the trends and media bulls*hit. But back in ’96 Sebastian Bach failed to convince his band mates to open for KISS while Rachel Bolan considered the band too big to play as opener. Just as a twist of fate, after they fired Bach, they subsequently opened for KISS both as Ozone Monday and later as Skid Row. But this is history now!! Can’t bring those days back anymore…
After the failure of Ozone Monday featured lead vocalist Shawn McCabe, in 1999, remaining Skid Row members Dave “The Snake” Sabo, Rachel Bolan, and Scotti Hill hired Johnny Solinger to replace Bach. To date he has sung on the albums “Thickskin” (2003) and “Revolutions Per Minute” (2006), but Skid Row have been toured every summer. In 2008, Johnny Solinger pursued a country music solo career and released his debut solo album, although, previous Skid Row he had his own rock band called Solinger and released three studio albums and a live recording.
“United World Rebellion: Chapter One” is the band’s first EP since 1992’s “B-Side Ourselves”, and the first in a set of upcoming EPs releases throughout the next 12-18 months. And well, it passed seven years since “Revolutions Per Minute” as well, quite a serious gap in time between two releases for any artist. Read more Skid Row – United World Rebellion: Chapter One, EP (2013)
Dirty Shirt – Freak Show Remix Contest
Are you a musician? Would you like to “play” with the song “Freak Show” by using the original audio stems or you own recordings? Enter the “Freak Show Remix Contest” and you can win cool prizes worth more than 1,500 euros (gear, software, mix/mastering session, cash, etc).
EarthBound – The Tales of EarthBound (2013)
EarthBound, known in Japan as Mother, is a role-playing video game series created by Shigesato Itoi for Nintendo. The series started in 1989 with the Japan-only release of Mother (planned to be released in North America as “Earth Bound”) for the Famicom, and was then followed up by a sequel, released in North America as EarthBound for the Super NES in 1995, and followed up again 12 years later with the Japan only release of Mother 3 for the Game Boy Advance in 2006. Itoi stated in an interview that the name “Mother” was greatly influenced by the John Lennon song “Mother”.
About the EarthBound trio it was damn difficult to dig out useful informations, although I find them on Facebook, Bandcamp, Soundcloud and YouTube. It seems they are an Australian band and probably “The Tales of EarthBound” it’s their debut album, as they declare, “a conceptual journey through a mystical musical land called Cleftopia.” Actually, this is a simultaneously familiar and refreshing adventure around several very famous and recognizable rock themes with a great combination of rock, funk, jazz and blues elements. Incredible talented musicians, great instrumentalists. All of them.
Joe Jeremiah – Keys, Jon “Oshy” Ooi – Drums and Jonathan “Menjeed” Mengede – Bass manage to twist in and out and back again some great themes and tied up together several different songs and at the bottom line it’s sound brand new, fresh and their own. Some things were out of my knowledge, I wasn’t able to identify precisely the source, but almost every passage sounded familiar. I’m still thinking of “Simple Bloom” and its tango flavoured aroma. Read more EarthBound – The Tales of EarthBound (2013)
Jimi Hendrix – People, Hell and Angels (2013)
Although Hendrix died pretty young, at age 27, on September 18, 1970) and he only released three studio albums (the 1967’s “Are You Experienced”, the 1967’s “Axis: Bold as Love” and his seminal 1968’s “Electric Ladyland”), he managed the unequalable performance to release 12 posthumous albums. Not bad for a dead guy and those who are still earning big bucks by exploited his inheritance.
But while the so-called tasteless whatever called music these days it’s not even boring anymore, but directly annoying, listening Hendrix again made me feel better and enjoying turning the levels up on my loudspeaker. And honestly, it’s been a while since I actually enjoyed something released nowadays…
The tracks featured on “People, Hell & Angels” are previously unreleased recordings of songs that Jimi Hendrix and fellow band members – mainly the Band of Gypsys lineup featuring Billy Cox and Buddy Miles – were working on as the follow-up to “Electric Ladyland”, tentatively titled “First Rays of the New Rising Sun”. The majority of the recordings are drawn from sessions in 1968 and ’69 at the Record Plant Studios in New York, with a few inclusions from Hendrix’s brief residencies at Sound Centre, the Hit Factory, and his own Electric Lady Studios.
According to Eddie Kramer, the engineer who recorded most of Hendrix’s music during his lifetime, this will be the last Hendrix album to feature unreleased studio material. Kramer said that several as-yet-unreleased live recordings would be available in the coming years. I’m pretty sure, the greed will bring to the surface a few more “lost” recordings and we will have at least a couple of new recordings in the following years, but if those recordings will be just as good as this one, I do not mind! Read more Jimi Hendrix – People, Hell and Angels (2013)
David Bowie – The Next Day (2013)
Everybody’s praise Bowie and his brand new “The Next Day” album, which comes after a heart attack and a serious 10 years gap. The 66 year old Bowie announced the release of his new album at his 66 birthday.
True, between the fabulous 2003’s “Reality” and this brand new album we had “Toy”, in March 2011, Bowie’s previously unreleased album from 2001 (another 10 years gap fulfilled), which leaked onto the internet, containing material used for “Heathen” and most of its single B-sides, but, that was just a bitter-sweet delicatessen for inpatient fans and “pour le connaisseur”, isn’t it?
The cover for “The Next Day” was designed by Jonathan Barnbrook, and it plays on the iconic cover of 1977’s “Heroes” – witch was the second installment of his Berlin Trilogy with Brian Eno, while the cover photo was shot by Masayoshi Sukita. And somehow “The Next Day” it’s a trip back to Berlin, a journey in the search of lost (and eventually find) love, soul, spirit or anything else. Or a seek and hide with Mr. Death. But the first released single, “Where Are We Now?” take us back to Berlin literally and emotionally. So, Ziggy Stardust is back and he’s gonna eat your heart out! Read more David Bowie – The Next Day (2013)
Electric Worry – Back to Motor City, EP (2013)
Pierre (Bass – Vocal), Léo (Guitar) and Batiste (Drum) are the members of the French stoner rock band Electric Worry and ” Back to Motor City” it’s their four track debut EP – Digital album: name your price/free; limited edition CD for €5 at their Bandcamp page.
Although they choose their name inspired by the American band Clutch (track 6 from their 2007’s released, eighth studio album entitled “From Beale Street to Oblivion”), and they are singing in English, as a genuine French band, I did not find one single word in English about them on their official internet profiles and pages. Well, my French sucks – a lot – merde!! On the other hand, translator softwares are freaking fun, so, I’m not gonna bitching more about it. But if the band really thinking of reach out a larger audience over the borders of France, at least an official bio in English, would be nice.
But then again, this is a cool band (I mean f*ckin’ heavy!!) and they worth – at least – a listen. Read more Electric Worry – Back to Motor City, EP (2013)
Amerakin Overdose – Amerakin Overdose (2012)
Hailing from Portland, Oregon, Amerakin Overdose it’s a more metal then industrial, heavy sextette. Strong riffs, subtle electronic layers, furious vocals filled with consistent message and all the shock rock weaponry turn this project into a deadly machinery. Reminded me of Bile (and their killer “I Reject”), but also their style and sound can be associated with the music of Rob Zombie, Slipknot, Static X, Killswitch Engage, Schnitt Acht, Filter, Cop Shoot Cop, 16 Volt, Marilyn Manson, etc, a powerful, groovy mixture of groove metal strength, modern beats and industrial rock intensity.
Amerakin Overdose has been forged from six very unique individuals. Cody Perez (lead singer), “The Brick” (drums) Freeman Manfree (Guitar),“The Human” (Keyboards /Sequencing ), Enygma ( hype and shenanigans) each member embodies and personifies an element of modern Amerakin culture , power, corporate greed, pride, death, war, sex, money etc…. While the whole planet has overdosed on Amerakin culture and been consumed by double speak and cross talk , western society has lost all hope and embraced the living dead mentality. Amerakin Overdose urges you to “free your mind and see what’s inside” scare yourself to death and be reborn a free soul. Read more Amerakin Overdose – Amerakin Overdose (2012)
Best releases of 2012
You’ve seen the movie “Branded” (IMDb)? The basic idea was simple and pretty cool: the public is manipulated to follow the brands and trends, not the brands follows the public taste. The consumer it’s modeled to satisfy the need of the products and not the products are build and developed to satisfy the consumers needs. Sick idea in twisted and sick world! But true!!
We can say now, 2012 was the year of the definitive death of MySpace. DeadSpace would be a more proper name for that mammoth cemetery. On the other hand, Facefuckingbook reached a total world domination, most of the people not even leave those pages anymore, but eventually giving likes there – mainly by default and completely uninvolved. We’re getting stupider? Yes we do! Because… yes we can! 😆 And because the cancer of the crises which will eat up the whole world while we were sold out to the world finances, Obama – not really surprisingly – was re-elected. We’re f*cked! Hard! Who thought that a democrat president will be even worst then John Bush Jr.?!! Anyway, while he won in advance a Noble price for peace, I’m looking forward to see what stupid excuse he will deliver to start the war on Iran!! al-Qaeda my ass! Argo (IMDb), the film directed by Ben Affleck might be the clue: Iranians are evil! The greedy bankers are the real terrorists while the politicians are only the marionettes in their hand!! Zeros are the poster heroes nowadays. Praise the TV! Praise the radio! Praise the internet! Praise the almighty goddamn Dollar!!
Musically, 2012 was the year of Read more Best releases of 2012
Zeromancer – Bye-Bye Borderline (2013)
“Auf Wiedersehen Boy”, the opening track of Zeromancer’s new album, sounds just like a “Mechanical Animals”/”The Golden Age of Grotesque” type of Marilyn Manson anthem. The following “Bye-Bye Borderline” sounds more like a wicked mixture of David Bowie and Muse with a twist of Linkin Park in the chorus.
Smooth electronic layers, solid rock riffs, goth and gloomy vibe, cyber pop flavored melodies and powerful vocal hooks are all vital parts of the Zeromancer’s arsenal.
From the third “Lcyd”, I can distinctly hear a powerful H.I.M. influence running through the vein of their songs merged with a subtle A-HA flavour. But Zeromancer pushed their sound in a fuhrer dark direction and added a more industrial/electronic taste to it. “Bye-Bye Borderline” it’s a strong and balanced mixture of industrial rock and goth vibe, of Northern gloom and charming melodies, of electric rock and electronic pop. Read more Zeromancer – Bye-Bye Borderline (2013)
