Julia Drums Studio Report – Band for Rent – Odds of Us by “JK”
Recording sessions for the upcoming Band for Rent EP “I know this feeling”. If you like Alice In Chains, you will love Band For Rent. Stay Read more Recording sessions for the upcoming Band for Rent EP “I know this feeling”
In a world of predictability, of products and fakes, art became a sub-product and a merchandise. It’s more important to lock-up on a large target and sell your stuff, then do something special. Tits are more important then talent and well, ass-kissing it’s more productive then any original idea. I only and always can quote Jello Biafra and his bitter-prophetic “Chickenshit Conformist” (“Ideas don’t matter it’s who you know. If the music’s gotten boring it’s because of the people who want everyone to sound the same…)
Pop music – a term that originally derives from an abbreviation of “popular” – it’s a generic genre which originated in its modern form in the 1950s, deriving from rock and roll. Rock and roll lost its sense, meaning and consistence, became a cliche while popularity last less then 15 minutes and with proper media support anybody can be a star nowadays where few people are still playing rock and roll (generically speaking) because they feel the need to play, very few people are doing music for the love of music or because they feel the need to express themselves, to communicate, to have fun doing it or – eventually -to find another path, to reveal a previously unexplored universe.
Random Being it’s an on-line creative collective and their collaboration bring to the surface a magical-mystery world of sounds and emotions, grooves and emulations. Self label it “avant-pop”, their universe it’s a melting pot of different genres and flavors, it’s a place of psychedelia, space and progressive rock, fever-burned rhythmics, contorted samplers and sound manipulations, jazz grooves and tango fueled passions. It might be post-pop as well – while post became the new (fashionable) porn. Think of David Bowie, P.I.L., Peter Gabriel and Pink Floyd jamming in the same room. Read more Random Being – World Without Memory (2014)
This is how probably The Jimi Hendrix Experience would sound if they would be still around.
I was skeptical about this as I am skeptical about any type of so-called supergroups. And this is definitively a supergroup while we have here three rock icons such as Doug Pinnick of King’s X on vocals and bass; George Lynch of Dokken and Lynch Mob on guitars and Ray Luzier of Korn behind the drum kit. On the other hand I always loved the powerful rock trios such as Cream, The Jimi Hendrix Experience, Rush, Motorhead (Ace of Spades era!), Primus, The Police, Nirvana, Muse, etc. And then again, I had my reserves regarding King’s X because their Christian affiliation/association. Don’t get me wrong, don’t care about the faith of anybody, it’s their own PRIVATE matter, but I don’t like to mix music and faith issues and don’t like to be guided, less, listening preaches on guitar riffs. But then Pinnick’s announcement in 1998 of his homosexuality. Another thing I disapprove: your sexual orientation should be another PRIVATE matter, don’t make a thing out it! (“Metal God” Rob Halford of Judas Priest did the same controversy announcement back in 1998…) As a result, the self-proclaimed religion of love (and tolerance) re-trait the support of the band and removed King’s X records from their distribution through Christian book stores. So, Pinnick has since openly discussed his agnosticism and his belief that Jesus Christ was not truly the Son of God, however, band mates Tabor and Gaskill, have a background in Christian rock and self-identify as Christians.
Too many non music related issues cloud the music… This is a quite dis-balanced and twisted world, isn’t it? And sometimes all that non music related buzz cover and kill the music. Fortunately, not this time!
While King’s X was more off then on in the last decade, Doug Pinnick had numerous guest appearances and worked on several side projects lately (as Pinnick Gales Pridgen). Read more KXM – KXM (2014)
There are very few artists (bands) who still manage to surprise me these days. The 2006’s “Volk” was a peerless release, it’s quite impossible to overtake that album and Laibach definitively had a hard time to figure out what they should do next. True, meanwhile they released in 2008 “Laibachkunstderfuge” – a concept album, the laibachian interpretation of Johann Sebastian Bach’s “The Art of Fugue” (Lai-Bach-Kunst-Der-Fuge) – and in 2012 the original soundtrack for the movie “Iron Sky”. Also they released a mind blowing live album “Monumental Retro-Avant-Garde – Live at London Tate Modern 14 April 2012” and a consistent retrospective entitled “An Introduction To… Laibach”. While “Laibachkunstderfuge” was a quite exclusivist, unfriendly album in the manner of the early Laibach albums (Nova Akropola, Opus Dei, Macbeth, etc) the “Iron Sky” soundtrack consist of 40 tracks and 80 minutes of music.
Now, listening “Spectre” I’m both excited and pleased, Laibach is the same creative, groundbreaking art collective and they prove once again that there is music outside the mainstream and the “box”. Read more Laibach – Spectre (2014)
Label Cynic as a metal band it’s at least ignorance. They grew out of that box pretty quickly and although they merged technical death metal and influences with jazz and progressive rock elements, their music was always something special and different. “Kindly Bent to Free Us”, their third full-length album, it’s a flawless mixture of modern sound and classic, progressive rock flavor with some jazzy reflections. Have some sort of King Crimson and Pink Floyd type of timeless and shiny (brilliant 🙂 ) feel.
The current line-up consist of veterans Paul Masvidal – vocals & guitars, Sean Reinert – drums & percussion and longtime, mainly studio collaborator Sean Malone – fretless bass, chapman stick.
Engineering by Jason Donaghy (Rob Zombie – Hellbilly Deluxe 2), mixed by R. Walt Vincent (Pete Yorn, Liz Phair, Tommy Keene and Jonathan Elias’ The Prayer Cycle), mastered by Maor Appelbaum (Adrenaline Mob, Sepultura, Halford, Armored Saint, Cathedral , etc), featuring the art work of Robert Venosa (among other works, the pre-sketches and conceptual design for the movie Dune), “Kindly Bent to Free Us” it’s a psychedelic sci-fi trip. Read more Cynic – Kindly Bent to Free Us (2014)
Progressive metal became pretty much synonymous with Dream Theater. It’s probably not fair, but it’s a fact. EtHERSENS it’s a French progressive metal project and “Your wandering ghost” it’s their second album after considerable a six year gap.
While the opening, almost 10 minutes long “Two For One Mind” evoke the mentioned Dream Theater spirit and it’s an intense and powerful progressive metal hurricane, the following “Same Goodbye” merge some dark, shoegaze flavored atmosphere and ambiances with the classy Porcupine Tree flavor. Another name which came up in my mind was Pain Of Salvation.
So, this is not a one track-mind type of band and not a one track type of album. And the album it’s intense and colorful throughout, make the listener to listen, keep the interest alive from riff to riff, from break to break. They not only created a positive tension and expectation, but delivered exciting, quality music. Give it a shot! Songs like “Livin’ Memory” will definitively ringing in your ears and will make you wanna listen more! Read more EtHERSENS – Your wandering ghost (2014)
Panzanella or panmolle is a Tuscan salad of bread and tomatoes popular in the summer. It includes chunks of soaked stale bread and tomatoes, sometimes also onions and basil, dressed with olive oil and vinegar. It is also popular in other parts of central Italy, but also around the world.
The concept behind Panzanellas is quite simple: just with an act of violence it is possible to conquer freedom, so they start to kill men and animals conquering their own freedom.
Two brand new tracks on the band’s second EP, the same sonic aggression, Panzanellas are grinding on the borderline between free jazz and avant-garde/experimental rock. Heavy beats, contorted and twisted out guitars with tumultuous, crazy saxophone solos throughout. They came in, kill’em all and leave. Pure madness or killer efficiency. No use to compare it with any other band, this is just Panzanellas. And it’s quite alright, we need this kind of out of the box trips and although some will probably label it as a slaughter, this is still much more exciting then most of the prefabricated, plastic and predictable “music” these days. Do yourself a favor, give it 5 minutes from your boring life and get yourself a fair share of aggression and eventually, a broken nose!! Read more Panzanellas – Aggression, EP (2013)
I’m not one of the unconditional fans of the modern guitar virtuosos. My guitar heroes were (and still are) Hendrix, Zappa, Page, Iommi, etc. More recently Buckethead and several more jazz oriented guitar players as Aram Bajakian or Marc Ribot. But I admit, I was quite into “Flying in a Blue Dream”, it was an album I loved and I still do. Although I had listen almost each and every album he played on, including the G3 project and the hard rocking Chickenfoot, I always find at least a couple of great songs, nice passages, interesting parts on his works.
Satriani came into focus when one of his first students, Steve Vai started mentioning his name quite often. His students included Kirk Hammett of Metallica, David Bryson of Counting Crows, Kevin Cadogan from Third Eye Blind, Larry LaLonde of Primus and Possessed, Alex Skolnick of Testament, Rick Hunolt (ex-Exodus), Phil Kettner of Lääz Rockit, Geoff Tyson of T-Ride, Charlie Hunter and David Turin. During the G3 tours, which he founded in 1996, he invited and collaborated with several famous guitarists such as Vai, LaLonde, Timmons, Steve Lukather, John Petrucci, Eric Johnson, Yngwie Malmsteen, Brian May, Patrick Rondat, Paul Gilbert, Adrian Legg, Steve Morse and Robert Fripp.
“Unstoppable Momentum” is the fourteenth studio solo album by Satriani and it’s scheduled to be released on May 7. He will tour the album with Marco Minnemann on drums and Bryan Beller on bass. The album was recorded by Joe Satriani – guitar, production, Mike Keneally – keyboard, Vinnie Colaiuta – drums, Chris Chaney – bass and engineered and co-produced by Mike Fraser. Read more Joe Satriani – Unstoppable Momentum (2013)
A band formed 45 years ago are getting to their 19th studio album and have sold over 100 million albums worldwide, including 7.5 million certified units in the US. If this isn’t a true hard rock legend, don’t know what it is.
Drummer Ian Paice was there from the beginnings in ’68, bass player Roger Glover and singer Ian Gillan joined the band for the first time in ’69, guitarist Steve Morse replaced Ritchie Blackmore in ’94 after the band was refused by the touring replacement of Blackmore, the legendary Joe Satriani. Don Airey joined in 2002, when founding member, keyboard player Jon Lord announced his amicable retirement from the band.
I heard the single “All The Time In The World” for the first time and as result, I almost skipped the album. It’s a quite tasteless, mediocre, forgettable single, pretty bad choice I think. Fortunately I was curious enough and I had the time and the patience to listen into the whole album and I was pleasantly surprised. Read more Deep Purple – Now What (2013)
Iggy Pop and James Williamson on a record again was one of the ultimate rock’n’roll dreams. The Stooges ever playing again was another one. Then dreams came true. The fourth Stooges studio album, “The Weirdness” was recorded and released 34 years after its killer predecessor “Raw Power” and features founding members Iggy Pop (vocals), Ron Asheton (guitar), and Scott Asheton (drums) along with new band member Mike Watt (bass guitar), but also guest musician Steve Mackay (saxophone), who also appeared on the Stooges’ 1970 album, “Fun House”. And the album was engineered by Steve Albini.
Unfortunately, Ron Asheton was found dead in his home on January 6, 2009 and any further The Stooges performance became – once again – improbable. Iggy released a smooth incursion into a jazzy world with his 2009 effort “Préliminaires”, then last year released a covers album entitled “Après”, which featured renditions of songs by Serge Gainsbourg, Henri Salvador, Harry Nilsson, Georges Brassens, Edith Piaf, Frank Sinatra, The Beatles and Yoko Ono.
But Iggy Pop stated that “although ‘the Stooges’ died with Ron Asheton, there is still ‘Iggy and the Stooges’ and somehow managed to convince James Williamson to return as guitarist. Williamson, who was responsible for the seminal guitar sound on 1973’s “Raw Power”, gave up the guitar and worked as an electrical engineer before becoming Vice President of Technology Standards at Sony. Read more Iggy and The Stooges – Ready to Die (2013)
