After a three years gap, “Temper Temper”, the fourth album by one of the finest Welsh’s new generation heavy metal band was finally released on February 8, 2013 in Australia, and February 11, 2013 worldwide under RCA Records. Produced by the same Don Gilmore, who worked on the group’s previous album, the 2010’s “Fever”, and mixed by noted engineer Chris Lord-Alge, “Temper Temper” consist of 11 powerful, but melodious, heavy, but simultaneously sticky, modern metal anthems. Songs like “Breaking Point”, “Truth Hurts”, “Temper Temper”, “Leech”, “Saints n Sinners” or “Riot” are bloody hard to erase from our memory once we heard them. And this mixture of Iron Maiden taste like classy heavy metal with the modern sounding, emo rooted metalcore, really make sense in the forge of Bullet For My Valentine – although, all this generation and their not so flying metalcore seems more and more hollow. But, by aggressive marketing and bought-up media, still popular. Read more Bullet For My Valentine – Temper Temper (2013)
Reviews
The Phantom Carriage – Falls (2013)
Back in 2011, the debut album, “New Thing” by the French band, The Phantom Carriage, literally rocked my world, it was an exciting and tumultous mixture of black metal rooted extreme metal and jazz fueled experimental, avant-garde contortions and envelop-pushing. It was one of the best releases of 2011 and I was very anxious about the follow-up. Well, “Falls” unfortunately pulled off all the experimental tooth of the band and this second turn they focused exclusively on the post-modern, hardcore fueled, nowadays more and more trendy extreme metal side of the band. Don’t get me wrong, “Falls” it’s brutally good, but I miss those experimental, jazz flavoured passages, those dark and adventurous breakdowns.
“Falls” it’s a grinding to the ground collection of slaughters, you can run, but you can not hide, The Phantom Carriage will get you and rip you apart! Read more The Phantom Carriage – Falls (2013)
Hate – Solarflesh (2013)
Considered as one of the leading extreme metal acts coming from Poland, Hate are back with their 8th – and probably deadliest – studio album. This is a masterpiece of dark power and absolute aggression, a perfect blending of their ambient and industrial fueled black metal and the chainsaw ferocious death/thrash metal. “Solarflesh” seems conceived and inspired by the same wicked God who breathed life into monsters like “South of Heaven” and “Seasons in the Abyss”. This album it’s brilliant and brutal just like those pillars of metal delivered by Slayer. “Solarflesh” it’s merciless, atmospheric, brutal, hypnotizing and addictive like any other vice or joyful sin.
After the atmospheric, incantation-like intro of “Watchful Eye Of Doom”, “Eternal Might” it’s intense, brutally grinding and memorable like any of the Slayer anthems from the South/Season era. The guitar riffs and solos are impeccable while the vocals are blood spitting deadly growls. Just a perfect way to rip your head off right from the beginning!! Read more Hate – Solarflesh (2013)
Amerakin Overdose – Amerakin Overdose (2012)
Hailing from Portland, Oregon, Amerakin Overdose it’s a more metal then industrial, heavy sextette. Strong riffs, subtle electronic layers, furious vocals filled with consistent message and all the shock rock weaponry turn this project into a deadly machinery. Reminded me of Bile (and their killer “I Reject”), but also their style and sound can be associated with the music of Rob Zombie, Slipknot, Static X, Killswitch Engage, Schnitt Acht, Filter, Cop Shoot Cop, 16 Volt, Marilyn Manson, etc, a powerful, groovy mixture of groove metal strength, modern beats and industrial rock intensity.
Amerakin Overdose has been forged from six very unique individuals. Cody Perez (lead singer), “The Brick” (drums) Freeman Manfree (Guitar),“The Human” (Keyboards /Sequencing ), Enygma ( hype and shenanigans) each member embodies and personifies an element of modern Amerakin culture , power, corporate greed, pride, death, war, sex, money etc…. While the whole planet has overdosed on Amerakin culture and been consumed by double speak and cross talk , western society has lost all hope and embraced the living dead mentality. Amerakin Overdose urges you to “free your mind and see what’s inside” scare yourself to death and be reborn a free soul. Read more Amerakin Overdose – Amerakin Overdose (2012)
Hatriot – Heroes Of Origin (2013)
This is a journey back in time. The perfect (metal) time capsule which bring the listener back to the golden age of thrash metal, somewhere between 1986 and 1992. Maybe because this is partly the music of my restless, headbanging youth, maybe because the nowadays fancy metalcore mainly sucks, Hatriot was a quite pleasant surprise. Those wicked riffs sounds familiar, the tempo it’s fast (as a shark!!) and the Hatriot machinery seems unstoppable and exhaustless. And well, who would expect anything less from a legendary singer as Steve “Zetro” Souza? And to have a real bridge over time, there are two other Souza’s involved in the band, Steve’s son, the bass player Cody Souza, and drummer Nicholas Souza. What a murderous family business!! Impact is Imminent!!! Read more Hatriot – Heroes Of Origin (2013)
No Omega – Metropolis (2012)
Extreme and brutal, dark and raw sounding, this Stockholm based post-hardcore band will rip your head off with tones of ferocious riffs and their chaotic, contorted, furious music. Both rooted to punk and metal, this pounding, post-hardcore genre became quite popular lately and many exciting new bands proved true creativity widening the borders of the extreme, avant-garde music. They call their music “hopeless and heartbreaking doomsday hardcore punk”, which actually covers quite consistently the noisy butchery and beautiful poetry they create.
No Omega manage to define their own sound and find their own path of express their fury and desperation, although, they are recommended for fans of Touché Amoré, Dead Swans, Killing the Dream, Meleeh, Oceana and Rise and Fall.
They are also promote and support vegans and vegetarians, as well as they incorporates political ideas and civilization criticism into their lyrics. They spreading these ideas in a very open and relaxed way, but you can still enjoy their music without agreeing with their views and opinions. Best thing come last, “Metropolis” can be downloaded even for free (“name your price”) from their Bandcamp page, or can order from there the hard copy, CD for 6 Euro, respectively the 12″ vynil for 10 Euro. As I always say, artist need and deserves our support and encouragement! No Omega it’s definitively a name to keep in mind! Read more No Omega – Metropolis (2012)
Funeral For a Friend – Conduit (2013)
The sixth studio album by Welsh post-hardcore band Funeral for a Friend was released through Distiller Records on 28 January 2013 for Europe, and will be released on 5 February 2013 through The End Records In the United States.
Funeral For a Friend are considered one of the prominent influence on the British post-hardcore scene and their debut album, “Casually Dressed & Deep in Conversation” it’s considered by most of the critics and fans as a release which set a high standard for the band to rival in future releases.
With diverse roots back and gathered influences from heavy metal to melodic and post-hardcore, adding emo and screamo weaponry, Funeral For a Friend have shown a progression and maturity with each record, although, some fans disliked the changes while on the way they lost some brutality and became more melodic and the howling, screaming vocals were almost completeyly replaced by clean vocals. Read more Funeral For a Friend – Conduit (2013)
Obselion – The Calm Fire, EP (2012)
The opening title track, “The Calm Fire” might be misleading. Wobbling basses and the smooth, but sober electronic layers only announce the storm to come. I think a smart exploration of those fancy elements and a proper use of them along the brutal riffing, the death fueled vocals and the metalcore flavoured build-ups would add a great support to the musical experiment of Mohammed Sawan, the brain and musician behind this Abu Dhabi project.
“The Oppressed” it’s an intense and exciting journey on the wings of progressive death metal with several metalcore taste like breaks and neo-classic, Yngwie Malmsteen flavoured, powerful guitar passages. If Malmsteen would ever try to play death metal, that definitively would sound like “FAIL! Try Again”. Even the clean vocals reminded me of the Swedish guitar hero. The breakdown it’s very classy, heavy metal fueled, but some of the riffs are also extremely power/speed metal fueled. Extremely technical, but still soulful and expressive mixture of styles and sounds. Read more Obselion – The Calm Fire, EP (2012)
Hatebreed – The Divinity Of Purpose (2013)
Jamey Jasta and his killing machine are back with their sixth studio album. “Put It To the Torch” explodes literally and the merciless butchery begun. With solid roots back to Pantera, Sepultura and Machine Head, this is a dangerously groovy and modern metal mixed with brutal and intense hardcore. “Honor Never Dies” could easily fit in on any Cro-Mags, Biohazard, Madball or Sick of It All album. And everything after it’s a furious, unstoppable mixture of hardcore intensity and brutal, bone cutter metal riffs and the nervous, spitting vocals of Jamey Jasta.
“The Language” starts as one of the most incisive Slayer songs. And each and every song it’s memorable, groovy, no fill, no useless shit, but killer riffs and 101% intensity thought! “Indivisible” it’s a true hardcore punk anthem; “Dead Man Breathing” it’s the perfect Slayer/Pantera mixture!! Read more Hatebreed – The Divinity Of Purpose (2013)
Gliding Soul – Travelling With Mr. Who, EP (2012)
Gliding Soul deliver a quite contorted and dynamic mixture of modern metal heaving roots back to death metal, but revealing nu and groove metal resonances and metalcore infusions as well. While singer Benoit Derat mainly sings as Maynard Keenan of Tool, sometimes he shift into Serj Tankian, but he’s also capable of some deadly or furious death metal howls. The band’s music it’s same colourful and intense. Technical, progressive death metal, brutal metalcore and twisted out nu metal with experimental edge are efficiently merged here. Brutal riffs and acoustic breakdowns, complex rhythms and aggressive grindings are smartly incorporated and build together. Think of a mixture of Tool, System of A Down with a twist of Korn and death metal.
Very intense, very efficient and creative. Although they definitively have some solid influences, the final output it’s expressive and efficient. Technically flawless, Gliding Soul it’s a name to keep in mind if you love experimental, but brutal, modern metal! Read more Gliding Soul – Travelling With Mr. Who, EP (2012)
