If you think it’s the perfect time to wider your musical horizon while the music became boring – which it’s actually f*ckin’ true -, One Morning Left might be your perfect choice and from where you kick out. Merging trance flavoured electronic layers, dubstep drops and mad wobbling, with death metal rooted extreme metal butcheries, One Morning Left delivers all. This is fun and simultaneously deadly serious. Screaming like a slaughtered pig (Mika “Miksu” Lahti), or singing loud and clear (Tomi “Tomppa” Salonen), banging on techno beats (Veli-Matti “Vesku” Kananen) or heavy basses (Tuomas “Tumppi” Teittinen), murderous guitar riffs (Ari “Arska” Levola), blood vomiting growls and total brutality – One Morning Left covers all. And – surprisingly – this sounds great and make sense! Or not really surprisingly. Geerally speaking, Scandinavians delivers quality stuffs. Eventually, in the particular case of One Morning Left, blame it on the Finnish climate, Scooter, Lauri Tähkä and the mental hospitals… Read more One Morning Left – Our Sceneration (2013)
The circus it’s back to the town! Run and hide while you still can, the freaks are out of leash! Or just turn up the volume, dig out from the corner of your soul your rusty air-guitar and bang the hell out of your head!
Über brutality – total aggression. But it feels good and sounds murderous. Raw, unpolished, furious and totally grinding into the ground type of black metal with well determined roots back to the traditional Nordic sound, but simultaneously looking boldly into the future and exploring yet virgin outer limits of the genre. Vuyvr are the new Swiss challengers and they are definitively the most devilish offspring of some glorious predecessors as Hellhammer, Celtic Frost, Samael or Coroner.
After a three years gap, “Temper Temper”, the fourth album by one of the finest Welsh’s new generation heavy metal band was finally released on February 8, 2013 in Australia, and February 11, 2013 worldwide under RCA Records. Produced by the same Don Gilmore, who worked on the group’s previous album, the 2010’s “Fever”, and mixed by noted engineer Chris Lord-Alge, “Temper Temper” consist of 11 powerful, but melodious, heavy, but simultaneously sticky, modern metal anthems. Songs like “Breaking Point”, “Truth Hurts”, “Temper Temper”, “Leech”, “Saints n Sinners” or “Riot” are bloody hard to erase from our memory once we heard them. And this mixture of Iron Maiden taste like classy heavy metal with the modern sounding, emo rooted metalcore, really make sense in the forge of Bullet For My Valentine – although, all this generation and their not so flying metalcore seems more and more hollow. But, by aggressive marketing and bought-up media, still popular.
Back in 2011, the debut album,
Considered as one of the leading extreme metal acts coming from Poland, Hate are back with their 8th – and probably deadliest – studio album. This is a masterpiece of dark power and absolute aggression, a perfect blending of their ambient and industrial fueled black metal and the chainsaw ferocious death/thrash metal. “Solarflesh” seems conceived and inspired by the same wicked God who breathed life into monsters like “South of Heaven” and “Seasons in the Abyss”. This album it’s brilliant and brutal just like those pillars of metal delivered by Slayer. “Solarflesh” it’s merciless, atmospheric, brutal, hypnotizing and addictive like any other vice or joyful sin.
Hailing from Portland, Oregon, Amerakin Overdose it’s a more metal then industrial, heavy sextette. Strong riffs, subtle electronic layers, furious vocals filled with consistent message and all the shock rock weaponry turn this project into a deadly machinery. Reminded me of Bile (and their killer
You’ve seen the movie “Branded”
3 Melbourne based bands, Asperity Within, Belle Haven and Glorified! released this free promo album, each band featuring with two original tracks. Not at least, can grab the 6 tracks for free (“name your price”) from each band’s Bandcamp page. Cool and a smart, efficient, joint way to promote their bands.
This is a journey back in time. The perfect (metal) time capsule which bring the listener back to the golden age of thrash metal, somewhere between 1986 and 1992. Maybe because this is partly the music of my restless, headbanging youth, maybe because the nowadays fancy metalcore mainly sucks, Hatriot was a quite pleasant surprise. Those wicked riffs sounds familiar, the tempo it’s fast (as a shark!!) and the Hatriot machinery seems unstoppable and exhaustless. And well, who would expect anything less from a legendary singer as Steve “Zetro” Souza? And to have a real bridge over time, there are two other Souza’s involved in the band, Steve’s son, the bass player Cody Souza, and drummer Nicholas Souza. What a murderous family business!! Impact is Imminent!!! 








