A little bit of color, life and madness from Firenze, Italy. Panzanellas is an experimental free jazz project formed by saxophonist Francesco Li Puma (the bass player of Atomik Clocks), guitarist Stefano Spataro (of Hysm? Duo) and drummers Marco Ruggiero (of Atomik Clocks), respectively Mattia Betti (of Umanzuki).
Build around the free rides and adventurous melodies of the saxophone, this is a journey of exploration and tripping in a Coltrane flavoured, gloomy, sometimes weird, but throughout expressive world of experimental/avant-garde music. Not for everybody, not for the the average or occasional music consumers, but for those who have ear for free music and border-less explorations.
Can grab it even for free (“name your price”), can share it, but most of all, listen it and enjoy it! Read more Panzanellas – Fagiano Unrequited Love (2013)
Reviews
Lobotomic Cohesion – Of The Missteps And The Wounds (2013)
Actually don’t know anything about this project, anything else that it was conceived at Warszawa, Poland, this is the second chapter of their journey into the wilderness of noises and it’s for FREE DOWNLOAD at their Bandcamp page. So, grab it, share it, announce your neighbors and friends, scream loud as you can.
This is an exploration of sounds and secrets, a ride on rhythmic noise layers, gloomy soundscapes, a contorted combination of breakbeats and industrial fueled Gothic vibe. Sometimes strange, sometimes quite cinematic, but troubled throughout, this could be perfect for the soundtrack of a weird movie. But definitively it have its exciting moments as “Outsiders”, “Lizard On Ice”, “Beautiful Day”, and “It’s Just Too Painful”. Read more Lobotomic Cohesion – Of The Missteps And The Wounds (2013)
Michel Anoia – Michel Anoia (2013)
In a world of senseless violence a to the bone brutal album actually make sense. And beneath the surface, Michel Anoia it’s more then simple and pure brutality. Merging some killer and chill jazz breaks, slow grinding and doom flavored passages and complex, technical moments with brutal, grindcore rooted death metal, Michel Anoia offers a 30 minutes (almost) non-stop hell of a ride. This is the ultimate death metal roller-coaster.
The sound of the recording it’s raw, unpolished, ideal rehearsal type of, but it’s just the perfect, live and alive, breathing and kicking sound for this kind of music. Very convincing. And the song – the 29:24 minutes butchery – it’s flawless. Smartly build up, naturally flowing, with excellent breaks and moments for breathing, technically brilliant, intense and brutal throughout. Fans of The Dillinger Escape Plan, Between the Buried and Me, The Conjuration and generally, of those brutal, but colourful, bold and experimental metal bands will be delighted and definitively satisfied.
Best of all, it’s for free, you can grab it from their Bandcamp page and share it away!!
They also made 100 limited DIY CDs, so contact them if you want your Free Price CD at: [email protected]
Michel Anoia is a power trio Read more Michel Anoia – Michel Anoia (2013)
Rob Zombie – Venomous Rat Regeneration Vendor (2013)
Mr. Zombie has sold over 15 million albums worldwide, and had six Top 20 hits on the Billboard Hot Mainstream Rock Tracks chart in the United States. His fifth album, “Venomous Rat Regeneration Vendor” will be released on April 23rd, 2013, four days after the release of Zombie’s film “The Lords of Salem”. The horror film was written, produced and directed by Mr. Zombie, and starring his wife Sheri Moon Zombie.
“Venomous Rat Regeneration Vendor” will be the first Rob Zombie album to feature drummer Ginger Fish (ex-Marilyn Manson, Martyr Plot, and Powerman 5000). Ginger replaced old-time Zombie drummer Joey Jordison who focuse on his own band, the Murderdolls. Matt Montgomery – better known as Piggy D. – guitarist in Wednesday 13 and bassist for Rob Zombie is here, just like guitar genius John 5 (ex- David Lee Roth and Marilyn Manson). With a solid band like this, you only can expect true monstrosities, isn’t it? And well, Mr. Zombie will not disappoint anybody. “Venomous Rat Regeneration Vendor” is filthy, groovy, unforgettable, rock to the bone kind of industrial metal. Somewhere half way between Revolting Cocks, Pigface, White Zombie and Marilyn Manson, but with the totally unmistakable charm and perfume of Mr. Zombie. Actually, this feels like a The Doors album on illegal drugs and perfusion. And regarding the good old days, we’ve got a Grand Funk Railroad cover, now that isn’t so sweet? Read more Rob Zombie – Venomous Rat Regeneration Vendor (2013)
Shining – One One One (2013)
Listen “Blackjazz” on a cold and dark morning in 2010 was love at first listen and it was one of the best albums of 2010 while Shining became one of my favorite bands. Although 2011 bring “Live Blackjazz”, a killer and consistent live recording, the awaiting seems longer than it actually was.
“One One One” pick up where “Blackjazz” left off, eventually Jørgen Munkeby and his bandmates get further darker, harder and more intense than ever before. The sixth album by the Norwegian Shining it’s a contorted mixture of black metal, industrial rock and jazz reminiscences, it’s blackjazz. Read more Shining – One One One (2013)
Jello Biafra and The Guantanamo School Of Medicine – White People And The Damage Done (2013)
Released on April 2, 2013 on Alternative Tentacles, the second studio album by Jello Biafra and The Guantanamo School Of Medicine it’s a very strong, classy punk rock album filled with wicked guitar riffs, good sense of humor and social and political criticism. So, this is 101% Jello Biafra and “White People And The Damage Done” might be considered the orotund follow up of the Dead Kennedy’s 1987’s “Give Me Convenience OR Give Me Death”. No fillings, no fake s*it, no pop-punk (?!), no wasted or forgettable moments, but only true, honest, neat, punk rock. 54 year old Biafra shows that it’s still possible, and goddam it! it’s more alive and kicking then most of the self-proclaimed rebel and furious so-called musical products that the industry serve us nowadays.
So, shut up and shopping!! ( 😆 )This is something you definitively need to have it in your record collection! Read more Jello Biafra and The Guantanamo School Of Medicine – White People And The Damage Done (2013)
Alexandr Vatagin – Serza (2013)
Cinematic and minimal electronic smoothly flavoured with dissonances and glitches, unexpected noise contortions and turns, but mainly staying in the smartly wide open spaces, Alexandr Vatagin’s third album it’s a chill, peaceful and enjoyable ride into minimal-modern-experimental electronic music.
Alexandr it’s also the head of Valeot Records, home of several other artists such as Tupolev, Port-Royal, Slon, Werner Kitzmüller Trio, Milhaven, Protestant Work Ethic, Dirac, The Pattern Theory, Werner Kitzmüller, Kutin and Attilio Novellino – some of them making guest appearances on this new album as well. Based in Vienna, Austria, Valeot Records supporting post-modern music that does not fit genre-classifications.
This is not an album of tumultuous, nowadays fancy bangings, drops and wobblings, but of emotions and gentle use of sounds. It’s a refreshing mixture of classic approach and modern texture, a style blending of post-modern shoegaze-like minimalism with the chill and gentle, jazz flavoured moments, all nice and smoothly dressed up in sparkling, electronic lace dresses. Read more Alexandr Vatagin – Serza (2013)
Device – Device (2013)
If not a super-group, a super-project build-up by Geno Lenardo (ex-Filter guitarist) and modern hard rock icon, singer David Draiman of Disturbed.
It all started when Lenardo reached out to Draiman to collaborate on a song for the “Underworld: Awakening” soundtrack in late 2011. Even though the song they recorded in Chicago and entitled “Hunted” didn’t ultimately make the final soundtrack, they decide to continue write and record tracks and soon they had an entire album ready to served to the audience through Warner Bros. Records.
“It started to develop very naturally and organically,” recalls the frontman. “Geno is a brilliant songwriter in his own right and a tremendously talented sound designer as far as the electronic palette is concerned. Together, we made this monster. It’s not metal. It’s got a dark electronic vibe. At the same time, these are big, anthemic, and intensely melodic songs. It’s futuristic rock.”
Although they tag it “dark, heavy, melodic, industrial” and mentioning mainly industrial influences such as Nine Inch Nails, Ministry, Marilyn Manson, Pigface, KMFDM, Front 242 and Skinny Puppy, Device sounds like a dense and powerful mixture of Godsmack with Disturbed, Fight and Filter. Read more Device – Device (2013)
Rorcal – Vilagvege (2013)
It’s something wrong with me, or it’s something wrong with the world. I’m on the edge and this seems to be a hard decision, because I can’t make up my mind if I am crazy, or the rest of the world it’s crazy. This new type of post-everything – including the yet unborn/undone – kind of depressive and noisy whatever metal/rock/hardcore it’s murderous. Literally. If you feel good about yourself – accidentally – you will commit suicide anyway after listen into it. It’s kind of conquest who can make you kill yourself first I guess. Who can deliver the most gloomiest and chaotic hurricane of noises. This world it’s full of shit, I know, people are full of shit, I know that too, but you don’t have to remind me this constantly. I know!
Apocalypse? Perhaps. Definitively it’s something very wrong with this species and it deserves to parish. But man, I’m a sentimental old fool, I love a good cup of vine, I love to watch a beautiful sunrise, well, I love to f*ck, and I love to listen music. Among a few other things. I’m 43 years old, listening music for all my life and do some music by my own and with several bands for more then two decades now. I’m kind of alarmed that one of the best albums I had listen lately was “People, Hell & Angels”, a posthumous album of Jimi Hendrix with recordings from sessions in 1968 and ’69.
And don’t get me wrong, I’m not a hippie or something!! I love down-tuned guitars as well as extreme metal. If it makes any sense. Read more Rorcal – Vilagvege (2013)
(ghost) – Departure (2013)
This is a quite emotional journey on the wings of soulful, cinematic – and ghostly – electronic music. Sensitive grooves and mysterious layers of obscure melodies are the ingredients of this moods and feelings oriented exploration. It’s like a movie without words, it gives you the wings to fly through an endless space made up of dream and fear fragments.
In a world where half of the humans acting like everything’s just fine and dancing, while the other half are drowning in depression and waiting for Apocalypse every single day, an escape into some wide open spaces like “Departure” it’s like winning a trip to heaven.
“Departure” is the debut album from Connecticut based producer (ghost). Rooted firmly at electronic music’s crossroads where electronic pop, early artificial intelligence era ‘Warpisms’ and experimental electro intersect Departure follows a thinly structured concept in which a protagonist, possibly (ghost) himself(?), escapes a type of confinement in search of freedom or immunity. Read more (ghost) – Departure (2013)
