Actually don’t know anything about this project, anything else that it was conceived at Warszawa, Poland, this is the second chapter of their journey into the wilderness of noises and it’s for FREE DOWNLOAD at their Bandcamp page. So, grab it, share it, announce your neighbors and friends, scream loud as you can.
This is an exploration of sounds and secrets, a ride on rhythmic noise layers, gloomy soundscapes, a contorted combination of breakbeats and industrial fueled Gothic vibe. Sometimes strange, sometimes quite cinematic, but troubled throughout, this could be perfect for the soundtrack of a weird movie. But definitively it have its exciting moments as “Outsiders”, “Lizard On Ice”, “Beautiful Day”, and “It’s Just Too Painful”. Read more Lobotomic Cohesion – Of The Missteps And The Wounds (2013)
industrial
Thot – Rhythm.Hope.Answers Remix Contest and new video
This is the new Thot video captured by the Untitled Structure team at the latest gig in Brussels of the band.
And if you are a musician or an artist and you love this song, you can now remix it! Thot just launched a contest. Read Read more Thot – Rhythm.Hope.Answers Remix Contest and new video
Thot – Rhythm.Hope.Answers – single (2013)
Thot are back. “Rhythm.Hope.Answers.” it’s their brand new single, available even for free download (name your price), but any donation will be appreciate it and re-invested in the music production of their upcoming new album.
Grégoire Fray, the brain and conductor of this self-declared Vegetal Noise Machine are here to give us a wake-up call while this world seems to sink in its own filth and hypocrisy. Still, can turn around and look the other way, but that wont change a thing. And well, you will not be able to change the world if you refuse to make some changes in your life and you are not willing to get involved in the things that going around. Not your problem? Seriously? Read more Thot – Rhythm.Hope.Answers – single (2013)
KMFDM – Kunst (2013)
Spawned in Germany during 1984, KMFDM (Kein Mehrheit Für Die Mitleid, loosely translated as “no pity for the majority”) pioneered the crossover between techno/dance and heavy metal with their signature industrial sound. Moving to Chicago in the mid-80’s KMFDM was the pride of WaxTrax! Records during the label’s peak. They relocated to Hamburg, Germany in October 2007.
Led by German multi-instrumentalist Sascha Konietzko, KMFDM has released seventeen studio albums and two dozen singles, with sales of more than two million records worldwide. The current line up incorporates: Sascha Konietzko – vocals, guitar, bass, programming, keyboards, synthesizer, percussion; Lucia Cifarelli – vocals, keyboards; Jules Hodgson – guitar, bass, keyboards; Andy Selway – drums and Steve White – guitar. But we must mention a few former key members such as Tim Skold, Raymond Watts, En Esch, Günter Schulz and Mark Durante.
The forthcoming eighteenth studio album entitled “Kunst” it’s due for release on February 26, 2013 on Metropolis Records. Read more KMFDM – Kunst (2013)
Lords Of Acid – Deep Chills (2012)
“Deep Chills” is the fifth studio album from the legendary Belgian electro-dance-industrial band Lords of Acid and marks the band’s first studio album in 12 years. With the exception of band founder Praga Khan, “Deep Chills” features an entirely new lineup from previous releases and marks the first time an American vocalist – Mea Fisher (aka DJ Mea) – to take on vocal duties for an album. The album also features guest vocals from porn star Alana Evans on “Pop That Tooshie,” as well as vocals from Zak Bagans, star of Ghost Adventures and host of Paranormal Challenge, on the track “Paranormal Energy”. “Paranormal Energy” have also a quite intriguing story, according to Khan, his studio computer took on a life of its own and began writing its own music. Khan described the experience, stating “While working on a new Lords of Acid track tremendous fear shook my heart as I tried to edit a melody line on my cubase. All of a sudden it felt like the computer came to life, notes started to change position creating a new melody, completely different from the original one.” Khan also declared that the computer was not connected to the internet, so, there was no way his computer could have been hacked.
During the recording session another incident occurred, Read more Lords Of Acid – Deep Chills (2012)
The CNK – Revisionnisme (2012)
The CNK started as a raw black metal group, named Count Nosferatu in 1996 by Nicolas St Morand (aka Mr Hreidmarr) and Jean-Sébastien Ogilvy (aka Heinrich Von B). They shortly changed their name into Count Nosferatu Kommando. Hreidmarr joined symphonic black metal act Anorexia Nervosa in 1998 and due to he’s busy schedule with his new band, the project was put aside in 1999.
The band’s real rebirth came in 2002, with the release of properly entitled “Ultraviolence Über Alles” album, on the late Kodiak Records label. Merging Rammstein and Slayer, Skinny Puppy and Deicide, The CNK delivered a furious and merciless mixture of death and industrial metal with Laibach flavored gravity.
Due to a lack of steady line-up, CNK wasn’t able to support their album on stage. Then, because of several problems such as the label’s demise, the band was once again put aside in 2003. Read more The CNK – Revisionnisme (2012)
Artifex – Suspension of Disbelief (2013)
If there is a space between King Crimson and Marilyn Manson, that space definitively it’s filled with the Italian Artifex. With roots back to the Psychedelic/Progressive Rock of the 70s and 80s, but with gloomy resonances of the Industrial Rock and Industrial Metal of the 90s, Artifex are building a brand new world out of Hard Rock bricks and modern sounds, electronic layers, but not at least, strong emotions.
Antonio “Mircea” Olivo (voice/guitar/electronics) founded Artifex in 1997, in Bologna, Italy, wanting “to recall that “verve” which had the great bands of the 70s, developing their sound in a modern key through the “balance” between analog and digital.”. The line-up was completed by Francesco Paonessa (drums & machines) and Davide Schipani (bass guitar, synth). By now the band released four self-produced CDs: “Tristis” (1997), “In-Side” (2001), “Artifex” (2003), and an EP entitled “Redux” in 2009.
“Suspension of Disbelief” will be released on 27th January 2013 and it’s a concept album based on the MAN’s emotions, an intermittent and laborious back to basics made of suspension and disbelief as well.
The album also have two special guests: Pat Mastelotto from King Crimson on drums featuring on “Witness of Transition” and Fabrice Quagliotti from Rockets on keyboards and backing vocals featuring on “Electric Lights”. Read more Artifex – Suspension of Disbelief (2013)
Byzant At Sunset – Bang Ur Head, double EP (2012)
This is Jazzcore, Avant-garde and experimental, genres merging and envelope pusher music, weird for any average, comfortable and conservative listener, but definitively something intriguing and exciting for the people with open mind and open ears, bored of comformities and cliches.
While the album starts quite furiously with a grinding and contorted Tango followed by a genuine Punk classic in the vein of Dead Kennedys twisted into modern contortions and fueled by wildly improvising saxophone solos; the album rides in and out of genres from Post-Rock to Jazz and from Dubstep to Industrial only to quieting down to a Coltrane feel-like Jazzy smooth ballad as a closing act. Anyway, almost like a ballad. With Byzant At Sunset you never can be sure of anything.
An extended play (or EP) is a musical recording that contains more music than a single, but is too short to qualify as a full studio album or LP.
This is the second EP by Byzant At Sunset, a double EP actually, but this is really-really an ultra-mega-super extended play while the band delivered 9 original tracks (more then 44 minutes) and 10 plus 1 (hidden bonus) remixes – which are pounding more then 46 minutes.
Totally 95 minutes of music, it’s definitively hell of an extended play!!
The three members of this project are living on different continents, they never been in the same room, not even in the same country ever, but they are playing together. This is an exclusively “via internet” (on-line) collaborative-creative project. One proof of the positive effect and impact of Globalization and technology over humanity. Although they never had the opportunity and pleasure to playing together in the rehearsal room, this music sounds very alive, very fresh, raw and impossible to fit into any genre. Read more Byzant At Sunset – Bang Ur Head, double EP (2012)
Let’s Murder the Moder Arts
Cut the crap and be brutally honest: modern generally speaking means quite tasteless or even worst. That’s a fact. Art is not about express yourself anymore, but about kissing asses to cash in eventually. It helps if you’re mindlessly gay or at least bisexual, if you have at least a Jewish promoter and – most of all – if you don’t have a clue what you’re talking, singing, painting, writing and generally, doing about. It’s better to be black, Hispanic or from China, Caucasian is so fuckin’ boring and ordinary! You need – it’s hopelessly mandatory – Facebook, Twitter and… Botox.
My name is… Picasso. Let’s Murder the Modern Arts! Read more Let’s Murder the Moder Arts
Motionless In White – Infamous (2012)
Who wants to look like Marilyn Manson? Chris Cerulli, Motionless in White founder member and lead singer might be one of the right answers. “The Divine Infection” sounds just like a filthy Manson anthem picking up from where they left off with their 2003’s “The Golden Age of Grotesque”. “A-M-E-R-I-C-A” it’s fueled by the same fury, although some nowadays fancy Metalcore infusions are making room here and there like the worm eating up an apple from the inside. “Sinematic” it’s another quite Mansonish track; for a change, it’s a sick ballad. “Hatefuck” sounds like a murderous mixture of Manson and Killswitch Engage. The title traack, “Infamous” it’s another 100% Mansonish Industrial Rock sickness.
“Puppets 2 (The Rain)” – featuring Bjorn Speed Strid of Soilwork – sounds like a collision of Cradle of Filth with Bullet for My Valentine; a brutal mixture of Death and Extreme Metal with Metalcore, death-growling vocals and melodious choruses. They smartly incorporated blast beats and breakdowns in their Gothic perfumed atmosphere and Death Metal fueled massacres.
“Infamous” it’s like a constant race between good and evil. It’s like the beauty and the beast, and Dr. Jekyll and Mr. Hyde were not three, but one single person. And obviously, a headbanger!! Read more Motionless In White – Infamous (2012)
