Yo! I’m gonna be deadly honest: never was a Linkin Park fan, even further, I kind of consider them the (more or less) Rock version of New Kids On The Block, or any other prefabricated boy band. Now, Rick Florino of Artistdirect called it the band’s “best record and a landmark for rock as a whole”, which, we have to admit, set our expectations probably excessively high. And once again, it’s not the case. Don’t have to be a musicologist to figure it out, Linkin Park are not Faith No More, NIN, Ministry, Nirvana or name any other genre founder and envelope pusher, edge cutter band, but a smartly managed and marketed and generally pretty over-produced band. Don’t misunderstand me, the famous Rick Rubin and vocalist Mike Shinoda on their third collaboration of co-producing a Linkin Park album were done – again – an excellent job, but the sharp production and the bombastic sound can not cover the mediocrity and shapelessness beneath the surface. And once again, Linkin Park collected a million different sounds and musical approaches and blended them into their own spiced “thing”, but that still do not actually make it their own. Linkin Park might be the perfect prototype of a fully functional machine without its own soul which each time borrowing one. Imagine Mona Lisa (La Gioconda or La Joconde) without her mouth – and mysterious smile. Read more Linkin Park – Living Things (2012)

In 2006 John Zorn formed the hardcore voice/bass/drums trio of Mike Patton, Trevor Dunn, and Joey Baron which became known as the Moonchild Trio. The very same year the trio performed and released two albums of Zorn’s compositions: “Moonchild: Songs Without Words” – an album inspired in part by Aleister Crowley, Antonin Artaud and Edgard Varèse and “Astronome”. A third album with the trio, but also featuring Zorn, Ikue Mori, Jamie Saft and chorus, “Six Litanies for Heliogabalus”, was released in 2007. Their fourth release “The Crucible” appeared in 2008, and ![Mr. Pan[k]sament - Doomstep Prophecies - The Remixes 2012](https://brushvox.com/wp-content/uploads/2012/06/Mr.-Panksament-Doomstep-Prophecies-The-Remixes-2012-150x150.jpg)

Not a clockwork orange, but clockwork angels. Ladies and gentlemen, Geddy Lee, Alex Lifeson and Neil Peart are back after a five years gap with their 19th studio album, scheduled to be released on June 12. They play in this line-up since July 1974, having 38 years of impressive and spawning career.
Klayton, the sole brain behind Celldweller, not only ignores genre boundaries and creates a pioneering vision of the future of electronic music, but he’s also an excellent and subtle songwriter. So, “Wish Upon A Blackstar”, he’s upcoming second full-length studio album, obviously it’s one of the most anticipated Electronic albums of the year. And Celldweller is one of the most reliable artists as well, the new 16 tracks album will satisfy all of his devoted followers – over 120,000 Facebook Fans and still counting – and eventually will bring him a brand new generation of fans. After all, Celldweller is considered “personifying the sound of the iPod generation”, and his hybrid music of digital and organic elements and the smooth, but highly explosive fusion of styles and genres, makes him extremely unique and charming. 

I’m a Punk Rocker. Hell yeah! True, in my early forty’s, with considerably less hair and tooth then two decades ago, dragging with me several more or less chronic diseases, but still banging. Sometimes. On the other hand I had never believed in the values of the political left. Getting further, I do not believe there is any value in any political build-up and honestly, I do not trust anybody, sometimes not even my own bloody self.








