Honestly, I’m glad that the melancholy and platitudes fueled concept trilogy of “Hombre Lobo” (2009), “End Times” (2010) and “Tomorrow Morning” (2010) it’s closed and hopefully Mark Oliver Everett, better known as E. Other, moved over. Those country-blues flavored, mostly boring and tasteless, self-pity ballads, frankly, were a great disappointment. Sentiments? Well, I have sympathy for those stories of desire, loss, and redemption, but can not shed a tear. Got my own s*it to bear. And nobody shed a tear for me, not even giving a s*it.
I also can understand that there will be no more “Novocaine for the Soul” like, charming, energy full, indie rock anthems, but a little bit of life in some of the songs, here and there, still would be nice to hear.
And “Wonderful, Glorious” it’s at least a return to the sound and style of “Souljacker” (2001) and “Shootenanny!” (2003). We’ve got a couple of sensitive slow takes, a strange mixture of Cat Stevens with Tom Waits, but wearing the undeniable touch and taste of E. Other. On the other hand, we’ve got a few noisier, grungy, indie rock tracks as well. Some of them (“Open My Present” for instance) also reminding me of Tom Waits, eventually mixed with Tom Petty.
Good sign anyway is that the leading single it’s the heavily pounding “Peach Blossom” and not some of the depression bringer ballad. Read more Eels – Wonderful, Glorious (2013)
Yearly Archives: 2013
Voivod – Target Earth (2013)
While both fans and critics were skeptical regarding the future of Voivod considering that guitarist Piggy (Denis D’Amour) was Voivod, three years after releasing the supposed final album “Infini” and touring pretty heavily with new guitarist Chewy (Daniel Mongrain), Voivod is back and seems and sound healthier and stronger then ever. Blacky (Jean-Yves Thériault), their former bassist who left the band in 1991 after releasing “Angel Rat” returned as well in 2008, so, “Target Earth” actually have excellent chances to be another murderous Voivod release. And it is. With serious resonances back to “Killing Technology” (1987) and their definitive mile stone “Nothingface” (1989), regarding their lucky thirteen studio album, there’s nothing to complaining about. Actually, if I would not know that Piggy passed away back in 2005, I could swear he delivered secretly all those bone cutter, maniac riffs. Damn! Some of those riffs are quite familiar. This is one of the best Voivod albums since “The Outer Limits” (1993) and a glorious return to their Pink Floyd affected, complex and schizophrenic, thrash metal polluted experimental/progressive/avant-garde (insane) metal. Read more Voivod – Target Earth (2013)
Tomahawk – Oddfellows (2013)
While the long awaited new Faith No More album still seems to be a dream away, Mike Patton and Duane Denison resurrected Tomahawk out of the blue and “Oddfellows”, the project’s fourth studio album will be released worldwide in January 2013 on Patton’s record label Ipecac Recordings.
Beside Mike Patton (Mr. Bungle, Faith No More, Fantômas, Lovage, The Dillinger Escape Plan, Peeping Tom, etc), ex-The Jesus Lizard guitar player Duane Denison, and ex-Helmet drummer John Stanier (currently playing with Battles), Trevor Dunn (ex-Mr. Bungle, Fantômas, etc) player taking the place of Melvins/Cows bass player Kevin Rutmanis.
The 13 brand new songs of “Oddfellows” shows a mature, but still adventurous, willing to explore rock band twisting in and out the borderline between avant-garde and post rock. This is a fever-burned, tensioned, sometimes contorted, sometimes surprisingly chilled and settle down mixture of music. There’s a subtle, but smartly balanced struggle between abstract trips and vivid rock rides with just the right amount of odd and genuine rock energy. “Oddfellows” it’s less furious, less noisier and industrial fueled then their self titled debut in 2001, and the follow up “Mit Gas” in 2003 (the 2007’s “Anonymous” was a different story!!), but still powerful and tensioned throughout. This is 100% Tomahawk with some solid hooks back to Faith No More and a gloomy twist of Peeping Tom flavor. Read more Tomahawk – Oddfellows (2013)
Otep – Hydra (2013)
I love Otep and it was unpleasant to hear that their upcoming sixth studio album will be their final one as well. Listening “Hydra” it’s a strange feeling because it’s not only their supposed final album, but their weirdest one too. And it’s absolutely nothing wrong with being weird, but this is like a twisted little nightmare on a loop. And then again, there’s nothing wrong with twisted little nightmares. Just as Shamaya pointed out: this “music is universal and does not belong nor can it be contained in a nice, neat, little box.” Which is definitively good.
“Hydra” it’s an unusual mixture of mostly whispered spoken words and cinematic, gloomy and minimal, avant-garde music with here and there surfacing riffs and metal rooted passages and carousel like, dark, hip-hop flavored grooves. Quite different from their previous release, the intense “Atavist” which was released in 2011, and was one of the best releases of the year on my personal list. Read more Otep – Hydra (2013)
Lords Of Acid – Deep Chills (2012)
“Deep Chills” is the fifth studio album from the legendary Belgian electro-dance-industrial band Lords of Acid and marks the band’s first studio album in 12 years. With the exception of band founder Praga Khan, “Deep Chills” features an entirely new lineup from previous releases and marks the first time an American vocalist – Mea Fisher (aka DJ Mea) – to take on vocal duties for an album. The album also features guest vocals from porn star Alana Evans on “Pop That Tooshie,” as well as vocals from Zak Bagans, star of Ghost Adventures and host of Paranormal Challenge, on the track “Paranormal Energy”. “Paranormal Energy” have also a quite intriguing story, according to Khan, his studio computer took on a life of its own and began writing its own music. Khan described the experience, stating “While working on a new Lords of Acid track tremendous fear shook my heart as I tried to edit a melody line on my cubase. All of a sudden it felt like the computer came to life, notes started to change position creating a new melody, completely different from the original one.” Khan also declared that the computer was not connected to the internet, so, there was no way his computer could have been hacked.
During the recording session another incident occurred, Read more Lords Of Acid – Deep Chills (2012)
ANiMAL – The Animal Cage (uncut)
ANiMAL is a three piece, bass-heavy EDM punk band from London that formed in 2012 with a residency on Modestep Radio and quickly moved to doing guest mixes for Radio 1Xtra, XFM, and Pulse.
After a European tour in the Summer of 2012, ANiMAL retreated to the studio to work on remixes, collaborations, and begin writing new material. Soon the band signed a publishing deal with EMI and took to the road again, for two trips around the UK. They finished the year releasing their first track, ‘I Am Fire’ on the EDM label 2 Much Bass Records, and the track was later featured in the Ministry of Sound Bass Annual 2013. ANiMAL recently performed a live session for broadcast on BBC.
Kicking off 2013, ANiMAL is stepping up their game for the major European festivals by releasing their debut music video “The Animal Cage”. Read more ANiMAL – The Animal Cage (uncut)
Plymouth Fury – Vaudeville (2012)
With roots back to The Stooges and the grooves and melodies of The Dandy Warhols, merging the fury of The Jon Spencer Blues Explosion with the straight simplicity of the Danish Surf rockers The Good The Bad, juggling between the rawness of The Velvet Underground and the new blues spirit of The Black Keys, the French Plymouth Fury serve us a hot and noisy, garage flavored rock with resonances to Spaghetti westerns with Tarantino vibe.
The trio, Worzo – guitar and vocals, Will – bass and vocals, and Stephane Kurdijaka – drums, has been formed in 2007 in Paris, and so far they shared the stage with bands such as Division Of Laura Lee, The Elektrocution, The Bombettes, Favez, It’s Not Not, Magic People, TV Buddah and King of Conspiracy. They have one thing on their minds: to burn all those places down! And honestly, this 70’s taste-like, unpolished, straight and noisy rock it’s just perfect for a hell of an evening down in the club! Read more Plymouth Fury – Vaudeville (2012)
Coat Of Arms – Sun & Satellites (2013)
Coat Of Arms it’s a metal/groove band based in Qatar, United Arab Emirates, and they just released their brand new collection of furious riffs, angry vocals and unstoppable grooves.
I’ve got a soft spot for these Middle and Far East, Oriental sounding bands, Acyl was a really great and pleasant surprise last time, and not so long time ago, but I must mention also a few other exciting bands I wrote about such as Nervecell , Orphaned Land, Melechesh, Absolace and Arkan. Well, unfortunately Coat Of Arms delivering a very Western (American) type of groove metal without adding any Oriental flavor to it. Fortunately they do it very well, they have a great sense of melodies and deliver some grinding you into the ground kind of solid and powerful riffs. Their sound it’s fueled by the Pantera branded rhythmic and riffs merged with some nu metal after-taste (Slipknot) and metalcore infusion (Alexisonfire). They find an excellent balance between melodies and brutality. Singer Rayan Bailouni manage to sing like a rock star and scream/howl like a dying devil and switch smoothly to one into another creating additional groove to their music and adding expressiveness. Read more Coat Of Arms – Sun & Satellites (2013)
David Bowie – Where Are We Now?
David Bowie’s surprise comeback track, “where Are We Now?” was released without warning or fanfare on Bowie’s 66th birthday on Tuesday and is the first single from his first new studio album since Reality in 2003, album which will be released in March.
The disturbingly emotional, downbeat song has failed to top the singles charts, only making it to number six, still, it has become his first top 10 single for 20 years, and his highest charting hit since Absolute Beginners reached number 2 in 1986, according to the Official Charts Company.
The album, entitled “The Next Day”, will marks the renewal of Bowie’s long-term relationship with producer Tony Visconti, who also worked on a range of albums with the singer, including Low, Heroes, Lodger, Young Americans and Scary Monsters (And Super Creeps).
Director Tony Oursler’s created an enigmatic promotional film for David Bowie’s new single. So, Let’s walking the dead now! Read more David Bowie – Where Are We Now?
Blue Willa – Blue Willa (2013)
Blue Willa is the debut album by the Italian art rock quartet bearing that same name. The band had been touring and recording for years under the name Baby Blue, but then they decide it that the time has come for change and came up with a brand new identity: Blue Willa.
They explains: “Continuing a story which lasted seven years and three records so far, we decided to carry on our pursuit for a sound that would fit neatly onto our ideas asking a person we unquestionably loved to help us fulfill it.
We called on Carla Bozulich, whom we had met in Florence some four years ago, and she immediately got involved and interested in our plans.
We spent ten days in the Italian countryside, working side by side with her and our sound engineer, Davide Cristiani. Carla took care of our songs and sounds, proposing shapes and a whole new imagery for them. She made our sounds feel aquatic, ringing and overturned: a sort of underwater punk rock music from the Thirties.
This music then went on to be mixed and fixed on the Himalayan mountainside and in Paris: it is a pleasant thought for us to imagine that something from these places – as well from our provinces – got entangled and caught inside these songs.”
And well, this is really a journey to folk flavored punk, psychedelic rock and vivid experimentalism, but also to yet undiscovered places, unrevealed sounds. Read more Blue Willa – Blue Willa (2013)
