Lepers production from Itali it’s a free net label, we share weird music for free since 2005. They promote them self as the best free net label and it might be quite possible. But what I’m absolutely sure is that I love both Gli Putridissimi and Panzanellas and the positive madness they dislocate and spread around.
Gli Putridissimi it’s an experimental project from Bari which combines black metal with jazz. Hard not to love the rough insanity they deliver. But – for some probably surprisingly -, they manage to bring to the surface also memorable melodies and some pretty addictive grooves. They have a kind of friendly acid/psychedelia/space rock vibe from the 70’s mixed with modern grooves and non-conformity. We’ve got Read more Gli Putridissimi and Panzanellas – Comete, split album (2014)
“Hungry Ghosts”, the first new OK Go studio album in four years, drops in October, but the waiting it’s almost over and till the new album, we’ve got a 4 track EP to hang on to. It were quite long 4 years, OK Go and their fabulous third album, 
Formed in Leicester, England, in 1997, Kasabian won several awards and recognition in the media, including a Brit Award in 2010 for Best British Group and their live performances are generally well appreciated by the media and the audience. Their music has been described as a mix between The Stone Roses and Primal Scream with the swagger of Oasis. They have released five studio albums so far: Kasabian (2004), Empire (2006), West Ryder Pauper Lunatic Asylum (2009), Velociraptor! (2011), and this current, brand new album, 48:13 (2014).
“Industrial mayhem” – it describes perfectly the essence of 3 Teeth. In a world of boring and predictable EDM, these old fashioned Ministry flavored music it’s refreshing and intense enough to tear you apart.
Aaron Funk, better known as Venetian Snares had reinvented breakcore and set the stage for many other artists such as UndaCova, Xanopticon, Enduser and Datach’i.
MegaDrive lead us back to the electronic music of the 80’s with nowadays sound make-up. If you’re too lazy to dig up classics like Klaus Schulze (and Tangerine Dream), Vangelis, Jean Michel Jarre, Kraftwerk and so on, MegaDrive will introduce you to their fabulous world. It’s called retro revival and it’s definitively a pleasant and an alternative option. And well, if you’re old or wise enough to listen all those wonderful and creative artists of the 60’s, 70’s and 80’s already, MegaDrive it’s still a quite nice option to fill up your ears and feed your brain with damaged sound waves.
It’s no secret, I’m a huge fan of the guys from 4star. That perfect mixture of Eminem style hip hop rapping of Adam and that dense and contorted, drum’n’bass and dubstep flavored instrumentals of Peter with a taste of Subsource/Black Futures and roots back to Reznor and NIN, simply nailed me. While 99.9% of the current mainstream electronic/EDM scene it’s nothing but a (bad) joke and the underground it’s not allowed to surface, these guys fined a pretty cool breach of their own, they are dumb enough to play their own music and not to follow the trends.
Four years ago Trophy Scars and their fabulous 
Therese is considered some kind of Swedish wonder-woman and the “queen of 21st century house music”. In only a few short years, she has crafted an international reputation for herself on the music scene – her signature tune ‘Put ‘em High’ is universally regarded as a 21st century dance classic, and continues to generate massive airplay to this day. ‘Put ‘em High’ reached No. 6 on the UK Top 40, and was followed by ‘Take Me Away’, another top ten dance/pop hit. In the USA, ‘Time’ scored an impressive No.21 placing on the Billboard Dance chart. Other records like ‘Neon Lights’ have become instant club classics, while ‘Feelin’ Me’ saw UK urban station Kiss FM proclaim her the ‘The Queen of Electro’.
My Life With The Thrill Kill Kult rose to fame at the end of the 80’s by their hard beats, distorted vocals, dense and contorted instruments and bizarre film samples. It was something burlesque and something wicked about their music, something genuine. It was the troubled age of post-new wave and the dawn of the hard-industrial revolution and Franke Nardiello (aka Groovie Mann) with Marston Daley (aka Buzz McCoy) managed to merge efficiently the disco bass with the rocking wah-wah guitars and dabbling in some big bad burlesque brass. Some say that they are met over a few drinks in a bar in Chicago and soon find themselves touring with the band Ministry.
