This is one of the albums of 2012 I really waited for, but on the other hand I was kind of afraid of. When Twiggy Ramirez was often quoted as saying “It’s our best record yet, I think. I mean, everyone always says that, but I think this is our best work so far… It’s kind of like a little more of a punk rock “Mechanical Animals” without sounding too pretentious.”, and since the previous “The High End of Low” it’s an almost four years gap, the expectations are pretty high. “No Reflection” kind of scared me further because it doesn’t actually sound pretty convincing, although it’s a quite fair Rock track.
So, “Hey, Cruel World…” just set things right, it’s a huge Manson sound like (almost) anthem and even the following “No Reflection” make more sense now, still don’t know why it was picked to be the leading single of the album while it’s almost one of the weakest track of it. Or maybe this is the reason. Or simply there is no reason. And well, no weak tracks, boring moments on this album. Read more Marilyn Manson – Born Villain (2012)



Sex is probably the most powerful driving force in nature, in arts, implicitly in music. Some people believe that the power behind The White Stripes was the (sexual) tension between Jack and Meg White. When this flame faded out, Jack White moved over, eventually Jack find Alison Mosshart and we’ve got The Dead Weather.



Hopefully this will be a “lucky 13” – although this is quite a dark and heavy one. Scheduled to be released on 23 April 2012, the upcoming 13th studio album by Paradise Lost is 101% classic Metal with strong roots back to Doom and Gothic and eventually since their 1991’s second album, “Gothic”, the band did not delivered something like this. Just like two decades ago the album was written by Nick Holmes and Gregor Mackintosh, drummer Matthew Archer left the band in 1994 and after several rotations, behind the drum kit since 2009 is Adrian Erlandsson, but although, the band seems totally unchanged. In a good sense. We know, the road back here was not so smooth and flawless as it might seem, but what’s matter it’s we are here now. Well, I’m aware, the journey might be much more significant then the final destination, but this is quite a different philosophical issue. So, I love “Tragic Idol” as it is, I loved it as I saw the cover for the first time. 








