If the music industry wouldn’t killed me with the dumping and overdose of mediocre products last year, more aggressively then ever, “Feel You’re Different”, the debut album of this NY based trio, definitively would made it to the list of my favorite albums of 2011. Unfortunately I didn’t have the chance last year to listen it, fortunately I have it now. Indaba and (probably) the band offered their track “With the Pieces” to be remixed. The first thing which stroked me was the excellent sound. Produced/engineered/mixed by Mike Sapone and mastered by Emily Lazar & Joe LaPorta, the track – and the album – sounds awesome! Intense and clean, groovy and cutting, really-really rocks! The song is also great, have some killer verses, pounding drums, a murderous bass-line and huge vocals. Honestly and… actually I did not felt like it need to be remixed at all. But! Read more With the Pieces – Lights Resolve Remix Contest




As I previously said not only once, I’m not an expert in Jazz, but honestly, I’m so-so-so-so bored in most of the Rock/Metal, eventually so-called Rock/Metal (mandatory “core”) bands, that Jazz sometimes offers me the only reliable refugee.
Quality Metal – for
Merging the sound and approach of bands such as Guano Apes and Skunk Anansie, Exilia incorporated more Industrial elements and Nu Metal grooves and delivered a strong fifth full-length album.
Twin Atlantic formed in February 2007, in Glasgow, Scotland, by Sam McTrusty (lead vocals, rhythm guitar), Barry McKenna (lead guitar, cello, backing vocals), Ross McNae (bass guitar, piano, backing vocals) and Craig Kneale (drums, percussion, backing vocals). After recording their debut EP A Guidance From Colour at Long Wave Studio in Cardiff with producer Romesh Dodangoda (Funeral For A Friend, Kids In Glass Houses, The Blackout), and building upon the support from Kerrang!, the band’s profile was boosted enough for them to land support slots with Biffy Clyro and Smashing Pumpkins. They also supported American acts The Matches, Blink-182, Finch and Say Anything on their respective UK tours.
The ovation (Latin: ovatio) was a lower form of the Roman triumph. Ovations were granted, when war was not declared between enemies on the level of states, when an enemy was considered basely inferior – slaves for instannce – or when the general conflict was resolved with little to no bloodshed or danger to the army itself.








