Mr. Steven Siro Vai started his apprenticeship in the court of (the king) Frank Zappa, going on his first tour with Zappa in the autumn of 1980 after he did some guitar overdubs for Zappa’s album “You Are What You Is” and previously transcribe a number of Zappa’s guitar solos, including some on the “Joe’s Garage” album and the “Shut Up ‘n’ Play Yer Guitar” series.
But Vai actually began playing guitar in 1973, at the age of 13, one year later he took guitar lessons from guitarist Joe Satriani, and attended the Berklee College of Music. Zappa referred to Vai as his “little Italian virtuoso” and listed him in the liner notes as performing “stunt guitar” “strat abuse” and “impossible guitar parts”. Vai featuring on over 20 Zappa’s records, but also on several David Lee Roth, Alcatrazz, G3 and contributed to one Whitesnake and one Public Image Ltd. album. I admit, I’m not an unconditional fan of his work, but have my preferences, I really love his Zappa fueled “Flex-Able” debut album and “Flex-Able Leftovers” EP, I was pretty excited about “Sex & Religion”, and, of course, the infamous “Album” by P.I.L. is one of my favorites. But, on the other hand, he pretty fucked up the 89’s Whitesnake “Slip of the Tongue” album where he definitively over-played the guitar and his virtuoso style really do not fit it in.
He’s eighth studio album, “The Story Of Light” which was released on August 14, 2012 on Favored Nations, somehow take us back to the “Flex-Able” feel and vibe, but incorporating smartly all the other Vai’s achievements collected along the way from 1984 till now and building a smooth musical bridge from “Flex-Able” to his 2005’s “Real Illusions: Reflections”. Read more Steve Vai – The Story Of Light (2012)
post rock
Fleeting Circus – Dream World Of Magic, EP (2012)
Imagine a frontal collision between Foo Fighters and Led Zeppelin and the result will sounds pretty much as Fleeting Circus, the new Alternative Rock star rising from Rio de Janeiro, Brasilia. Their dark and groovy sound also incorporate reminiscences of acts such as Muse, Chore, Deftones, Kings Of Leon, Jeff Buckley and Sunny Day Real Estate, while “The Dream World Of Magic” EP has two songs that made history in the first edition of the Yamaha Brazilian Beat festival, “Fake Station” and “Underground”. “Underground” is 101% Rock radio anthem, have some smooth and gentle Kings of Leon taste and that magic touch witch make a great song unforgettable. On the other hand, songs like “Come On” represents the darker and heavier side of the band where the flesh cutting riffs and pounding drums are served with dissonances and screaming vocals. Fleeting Circus find a refreshing balance between classic heaviness and modern noisiness and merged the past into the future delivering a six station trip in their own magical-musical universe. And in top of all this, you can download even for free (name your price) the EP from their Bandcamp page or buy the hard copy for only $9.99 USD. Read more Fleeting Circus – Dream World Of Magic, EP (2012)
Black Light Burns – The Moment You Realize You’re Going To Fall (2012)
“The Moment You Realize You’re Going To Fall”, the sophmore album by the Wes Borland leaded and fronted Black Light Burns sounds sweat and dark in a quite David Bowish manner. It’s impossible to stick any label to this music, it’s impossible to squeeze it into any defined genre of style, this is post “something” without being typically finicky and selfishly obscure and pointlessly exclusivist, it’s simultaneously Rock, mainly noisy and garage taste-like, but sometimes Jazzy, and Industrial in a quite classic sense and approach, but avoiding all the cliches and mandatory conformity. It’s arty, but not abstract and it’s trippy without becoming shapeless. Wes Borland definitively founded a fascinating, very own flavored path here and delivered a pretty exciting material.
Vividly colored, changing moods and grooves, “The Moment You Realize You’re Going To Fall” it’s a bold, literally edgy cutting, modern (Industrial) Rock album, one of the finest of it’s kind.
Quitting Limp Bizkit in 2001, Read more Black Light Burns – The Moment You Realize You’re Going To Fall (2012)
Rescue Rangers – Manitoba (2012)
Chip ‘n Dale anybody? 😆 No, seriously, this is heavy, heavy Rock, Rescue Rangers reminds me of Kyuss/Queens of the Stone Age, Helmet, Clutch, Black Label Society, and some Grunge and Post-Grunge outfits as Stone Temple Pilots, modern Rock – and Post-Rock – bands such as Tool. Although, “Why So Serious” definitively reminds me of Alice In Chains, and their glowing shadow is pulsing discretely throughout in their music.
“Manitoba” it’s a dark, intense, perfectly build-up and biting Rock album, and almost surprisingly, although they are from Marseille, France, it’s sound very American. Pascal Mascheroni – Vocals & Guitars, Christophe Fresard – Bass, and Pierre Roulois – Drums, find that killer fat sound and write the most addictive riffs and grooves which make that kind of Rock kicking. Read more Rescue Rangers – Manitoba (2012)
Subsource – Generation Doom, EP (2012)
“Tales From the Doombox”, their 2010’s debut album was huge as a 10 tones punch right in the face. These guys from London just nailed the essence of wobbling noises filled Dubstep, the nerve and anger of Punk and the heaviness of Metal acts and merged everything into their own flavored music. Few artists can mash up different styles so smoothly and coherently as they did. Get Sex Pistols, Skrillex and Slipknot in the same room and make them bleed out the most intense possible s*it they can deliver, and then, eventually, you will come near to what Subsource sounds like. It’s dangerous and ferocious. Banger! This is the best result if someone ever trying to merge The Prodigy with Rage Against the Machine.
Liam Howlett of The Prodigy said: “These boy have a big, nasty sound. Dangerous to my ears” – and he definitively knows what he’s talking about.
Punkstep? Well, no label might match more appropriate!! Read more Subsource – Generation Doom, EP (2012)
EndAnd – Adventures of Fi in Space (2012)
This is Garage Rock, with one leg back to the 70’s and the other kicking into the future, merging Noise and Alternative Rock influences, blinking with an eye to Psychedelia, but adding some Punk attitude and “no future” easiness, they delivering raw, biting, but definitively tasty and smartly layered mixture of Garage/Punk Rock where gentle melodies, smoothly played chords are make an efficient pair with the overdrives and driving, energetic riffs, pounding drums and buzzing basses.
Resulting from merging two EP’s, “Adventures of Hi-Fi in Space”, and “Adventures of Lo-Fi in Space”, both released in June 2012, this LP consist of quite different recordings, from polished studio quality works to all sort of DIY style recordings, including digital 4 track, analog 4 track, live recording, and minimal pro tools editing. Still the album sounds compact, every piece fits right in. And if you are into real Underground, truly experimental Rock, edge cutting stuffs, not only on the surface, but diving deep, EndAnd worth at least a chance.
And for orientation, think of Cloud Nothings, The Ramones, Helmet, Polvo, Jay Reatard, Gang of Four, Wavves, The Pixies, Guided By Voices, The Melvins, Nirvana, etc. Read more EndAnd – Adventures of Fi in Space (2012)
Monks of Mellonwah – Neurogenesis, EP (2012)
Hailing from Sydney, Australia, Monks of Mellonwah are a four-piece Alternative Rock band, and their latest, second, ad deadly EP, “Neurogenesis”, was released on 24th May, 2012. MoM reminds me mostly of the British band Bush, they are selling on the same dark shaded seas of Post-Grunge/Alternative Rock, building-up their unique sound by blending different elements, having strong roots back to Classic Blues & Rock, to artists such as Hendrix, Zeppelin, and Pink Floyd, but also incorporating influences from Red Hot Chili Peppers and more recently from Muse.
Their first E.P., “Stars Are Out”, has been highly praised since its release in 2010.
Thei are winner of the award for “Best Indie Rock Band” at the 2012 Artists In Music Awards and nominated for Best International Act at the LA Music Awards, the Monks of Mellonwah are entering some very exciting times. Dean Cramer of the influential blog Kings of A & R recently listed the Monks in his “Top 8 Emerging Artists”, and CMJ featured their track “Neverending Spirit” on their trendsetting mixtape series.
Jet Plane – All The Static Stars (2012)
“Disappearance At Sea” starting with the sound of breaking waves at the sea-side and the smoothly glowing instruments creates a mood which slowly suck you in, imprisoning you.
Max – guitar, Serge – guitar, Dima – drums, and Kostya -bass are from Bryansk, Russia and they formed Jet Plane back in 2009, while “All The Static Stars” it’s their third installment so far, selling on the sonar seas of bands such as Mogwai, Sigur Rós, Rain Tongue, dEUS, Sonic Youth, Malkovic, Jeniferever, Explosions In The Sky, etc. Minimalist, stripped-down to the bone sound, but filled with emotions instead of convenience, colored with soul-flare instead predictability and burning creativity instead fancy cliches, Jet Plane delivering quality (Post) Rock with gentle, but edge cutting experimental taste, focusing on expression of feelings and reveling of emotions by sound, rather then delivering 3 minute long Pop emptiness. Read more Jet Plane – All The Static Stars (2012)
Echancrure – Discours sur le colonialisme, EP (2012)
Aimé Fernand David Césaire (26 June 1913 – 17 April 2008) was a French poet, author and politician from Martinique, being “one of the founders of the négritude movement in Francophone literature”. In 1945, with the support of the French Communist Party, Césaire was elected mayor of Fort-de-France and deputy to the French National Assembly for Martinique. He was one of the principal drafters of the 1946 law on departmentalizing former colonies, a role for which independentist politicians have often criticized him.
Like many left intellectuals in France, Césaire looked in the 1930s and 1940s toward the Soviet Union as a source of human progress, virtue, and human rights, but Césaire later grew disillusioned with Communism. In 1956, after the Soviet Union’s suppression of the Hungarian revolution, Aimé Césaire announced his resignation from the PCF in a text entitled “Lettre à Maurice Thorez”. In 1958 he founded the Parti Progressiste Martiniquais.
His writings during this period reflect his passion for civic and social engagement. He wrote “Discours sur le colonialisme” (Discourse on Colonialism) in 1950, a denunciation of European colonial racism, decadence, and hypocrisy that was republished in the French review Présence Africaine in 1955.
This work inspired Antoine from Echancrure to build up this 20 minutes long musical incursion into modern capitalist decadence. Read more Echancrure – Discours sur le colonialisme, EP (2012)
Atomik Clocks – Magdan in Charleroi (2011)
Literally mind-blowing Funk, some pumping Punk energy and pounding Rock attitude, Atomik Clocks delivering a quite refreshing mixture of Jazz, Funk and Rock, merging the spirit of free, improvised music with the power and weight of experimental spiced, Progressive Rock, eventually reminds me of Morphine.
“Magdan in Charleroi”, their first full-length release is available as digital download for only €3 on their official Bandcamp page, and definitively it worth every single penny of it!!
We’ve got 10 groovy, sometimes pretty Psychedelic taste-like, experimental, but not pointlessly abstract songs, an exciting mixture of styles and approaches, the saxophone playing the main role, but the killer funky bass is equally present while the drums offers the solid bases for these sonic jams. Read more Atomik Clocks – Magdan in Charleroi (2011)
