Zeromancer – Bye-Bye Borderline (2013)

Zeromancer – Bye-Bye Borderline (2013) “Auf Wiedersehen Boy”, the opening track of Zeromancer’s new album, sounds just like a “Mechanical Animals”/”The Golden Age of Grotesque” type of Marilyn Manson anthem. The following “Bye-Bye Borderline” sounds more like a wicked mixture of David Bowie and Muse with a twist of Linkin Park in the chorus.
Smooth electronic layers, solid rock riffs, goth and gloomy vibe, cyber pop flavored melodies and powerful vocal hooks are all vital parts of the Zeromancer’s arsenal.
From the third “Lcyd”, I can distinctly hear a powerful H.I.M. influence running through the vein of their songs merged with a subtle A-HA flavour. But Zeromancer pushed their sound in a fuhrer dark direction and added a more industrial/electronic taste to it. “Bye-Bye Borderline” it’s a strong and balanced mixture of industrial rock and goth vibe, of Northern gloom and charming melodies, of electric rock and electronic pop. Read more Zeromancer – Bye-Bye Borderline (2013)

The CNK – Revisionnisme (2012)

The CNK – Revisionnisme (2012) The CNK started as a raw black metal group, named Count Nosferatu in 1996 by Nicolas St Morand (aka Mr Hreidmarr) and Jean-Sébastien Ogilvy (aka Heinrich Von B). They shortly changed their name into Count Nosferatu Kommando. Hreidmarr joined symphonic black metal act Anorexia Nervosa in 1998 and due to he’s busy schedule with his new band, the project was put aside in 1999.
The band’s real rebirth came in 2002, with the release of properly entitled “Ultraviolence Über Alles” album, on the late Kodiak Records label. Merging Rammstein and Slayer, Skinny Puppy and Deicide, The CNK delivered a furious and merciless mixture of death and industrial metal with Laibach flavored gravity.
Due to a lack of steady line-up, CNK wasn’t able to support their album on stage. Then, because of several problems such as the label’s demise, the band was once again put aside in 2003. Read more The CNK – Revisionnisme (2012)

Laibach – An Introduction To… Reproduction Prohibited (2012)

Laibach – An Introduction To… (2012) Although my affection for Industrial music started in the beginning of the 90s with several American bands such as Nine Inch Nails, Ministry and Malhavoc, I can trace the roots of my affection and affiliation back to bands such as Einstürzende Neubauten and Laibach. Even further, in my humble opinion the whole Neue Deutsche Härte (“New German Hardness”) movement it’s build upon not a German, but on the edge cutter and envelop pusher work of a Slovenian avant-garde music group formed on June 1, 1980 in Trbovlje, Slovenia, at the time SFR Yugoslavia: Laibach (the German name for Slovenia’s capital city, Ljubljana).
After the breath taker “Monumental Retro-Avant-Garde, Live at Tate Modern”, Laibach now are back with another history lesson, a retrospective of the band’s history, the compilation released by Mute on September 3rd. Back then (July 21st) I wrote a quite exhaustive history of the band.
The rumors were that the band re-recorded these songs for the compilation, now that thing was not mentioned and the songs sound exactly as the original releases, so at most, they were re-mastered. Still, Laibach sounds massive and irresistible. Read more Laibach – An Introduction To… Reproduction Prohibited (2012)

Ostfront – Ave Maria (2012)

OstFront - Ave Maria (2012) Operation Ostfront (German for “Eastern Front”) was the sortie into the Arctic Ocean by the German warship Scharnhorst during World War II. In May 1941, after the loss of the German battleship Bismarck, Adolf Hitler had forbidden any German capital ship from venturing into contested seas. By December 1943 the tide had turned against Germany. The Battle of the Atlantic had been lost, and supplies poured into the United Kingdom and the Soviet Union. In September 1943 the German battleship Tirpitz was disabled during the British Operation Source, leaving Scharnhorst and Prinz Eugen the only operational heavy ships in the Kriegsmarine. In November 1943 the Arctic Convoys restarted. On 19 December 1943 Grand Admiral Karl Dönitz submitted a request to Hitler to allow Scharnhorst to attack the next convoy sailing through the Barents Sea. On the 25 December 1943 Dönitz ordered Ostfront to commence. Admiral Fraser, alerted by Norwegian resistance information to the possibility of an interception by Scharnhorst, prepared a trap for the German warship.
On 25 December Scharnhorst sailed to intercept the British convoy, JW 55B, believing it to be sparsely protected. In the ensuing Battle of the North Cape Scharnhorst was separated from her escorting destroyers and was sunk. This is history.
Neue Deutsche Härte – “New German Hardness” it’s a term invented by the German music press in 1995 specially to describe/defined the music delivered by Rammstein on their debut album “Herzeleid”. Also known as German Electronic Metal or Dance Metal (tanzmetall), this new genre has its roots in the music of bands such as Laibach, Die Krupps and Oomph! and along Rammstein the genre is proudly represented by bands such as Eisbrecher, Megaherz, Megaherz, Tanzwut, Umbra et Imago, In Extremo, Omega Lithium, Stahlhammer, Fleischmann, etc.
Ost+Front will definitively delight all and each Rammstein fan. Read more Ostfront – Ave Maria (2012)

Celldweller – Wish Upon a Blackstar (2012)

Celldweller-Wish-Upon-A-Blackstar-2012 Klayton, the sole brain behind Celldweller, not only ignores genre boundaries and creates a pioneering vision of the future of electronic music, but he’s also an excellent and subtle songwriter. So, “Wish Upon A Blackstar”, he’s upcoming second full-length studio album, obviously it’s one of the most anticipated Electronic albums of the year. And Celldweller is one of the most reliable artists as well, the new 16 tracks album will satisfy all of his devoted followers – over 120,000 Facebook Fans and still counting – and eventually will bring him a brand new generation of fans. After all, Celldweller is considered “personifying the sound of the iPod generation”, and his hybrid music of digital and organic elements and the smooth, but highly explosive fusion of styles and genres, makes him extremely unique and charming. Read more Celldweller – Wish Upon a Blackstar (2012)

Mindless Faith – Just Defy (2012)

Although, as I just find out, this is their fifth album, “Just Defy” is the first album by Mindless Faith I ever listening to. I crashed into Mindless Faith at Indaba Music through the Jane’s Addiction remix competition , competition won by them which actually makes me hate them – although my remix is even darker –  😀 – but, I’m not gonna deny my subjectivity on this issue! 😆
Anyway, it seems they have a solid and substantial fan-base and experience in remixing “business”, delivering several tracks, including remixes for Nine Inch Nails and Front Line Assembly, and they delivering solid, balanced remixes incorporating their dark, deep and pulsing marks on these works. They remixed two Nine Inch Nails songs: “Only” and “The Hand That Feeds” and won a number of radio remix contests, met Trent Reznor as part of one of the prize, who said their remix was “better than some I’ve paid for”.
Mindless Faith find their path of merging industrial rock and EBM, their dark and contorted music honor predecessors such as Ministry, Pigface, KMFDM, Front242, Funker Vogt, Skinny Puppy, Combichrist, Nitzer Ebb, Schnitt Acht – just to name few.
“Just Defy” it’s another trip into the dark side and Mindless Faith is an exelent combo delivering soundtracks for this strange times of global turmoil. Read more Mindless Faith – Just Defy (2012)