When the market is full-filed with millions of same look-like, sound-like, taste-like products – not quite artists I’m afraid – sometimes (pre) judging a CD by its cover, might be a pretty strong argument. First the cover, then the title – “I Loved I Hated I Destroyed I Created” – grabbed my attention.
Dan – Vocals, Michael – Vocals, Guitar, Sean – Guitar, Orchestration, Sam – Bass, and Jakub – Drums managed to explore a quite unique path somewhere between Sigur Rós and At the Drive-In, a disturbing place where ambiental, cinematic soundscapes and turbulent, furious (Post) Hardcore collide and make an actually nice pair as only opposites are capable of. Read more The Elijah – I Loved I Hated I Destroyed I Created (2012)
alternative rock
Mission Of Burma – Unsound (2012)
In the good tradition and vein of such truly seminal artists as the Velvet Underground, The Stooges and Dead Kennedys, Mission Of Burma delivered their own flavored Post-Punk/Indie Rock and “Unsound” is their sixth and upcoming album filled with experimental explorations and paths back to the 70’s without being retro at all.
Formed in Boston, Massachusetts in 1979. The band was formed by Roger Miller (guitar), Clint Conley (bass), Peter Prescott (drums) and Martin Swope (tape manipulator/sound engineer), over the course of their brief first four-year career (1979-1983), Mission Of Burma has laid the foundation for a movement in Post-Punk Rock which remains vital today and inspired several generations. Their bracing mixture of Punk, Pop, Art Rock, and Avant-garde experimentation as they play it strident and powerful, gave them an unique flavor which remains fresh and an unmistakable trademark of the band. Read more Mission Of Burma – Unsound (2012)
The Smashing Pumpkins – Oceania (2012)
“Quasar” sounds extremely alive, intense and rocking, it’s surprisingly fresh and powerful, almost anthematic, have the nerve and rawness, positive energy of the 90’s and “Panopticon” follows pounding as well.
Although Billy Corgan argued that albums are a dead medium and experimented the “one-song-at-a-time” releasing recipe instead the classic format of 12–15 songs in one package with the previous tracks of the concept album “Teargarden by Kaleidyscope”, after releasing the first 10 songs as free downloads at the band’s official site, Corgan changed his mind and released the tracks compiled eight of them in two box sets.
Produced by Billy Corgan and Bjorn Thorsrud, “Oceania”, ninth studio album of the band is also part of the band’s ongoing 44-song concept album, “Teargarden by Kaleidyscope”, adding 13 new songs to the project. Corgan admitted that they switched back to the album format because – “I just saw we weren’t getting the penetration in to everybody that I would have hoped.”
Well, we’re living pretty strange times and nothing is what it seems, nothing is what it used to be and music became only secondary sub-product, accessory of the so-called “music” business which eat itself up and sell exclusively fakes packed and labeled originals.
In this conditions and state of fact, kind of difficult to predict which audience is targeted by The Smashing Pumpkins because “Oceania” is a pretty classy album for old fashioned listeners. Read more The Smashing Pumpkins – Oceania (2012)
I See Stars – Digital Renegade (2012)
Merging the so-called Post-Hardcore with electronic layers and build-ups with influences from Trance and House seems to be the most fashionable recipe lately for a new generation of headbangers growing up on bands such as Linkin Park. I’m not a huge fan of this new trends, but definitively there are a few excellent bands. And I See Stars are definitively much better then 8 out of 10 of these bands.
“Digital Renegade” (stylized as [digital_renegade]) is the third studio album by the band formed in 2006, in Warren, Michigan. Their debut album entitled “3-D”, released in 2009 and featured a guest appearance from Bizzy Bone of Bone Thugs-n-Harmony, has peaked at #176 on the Billboard 200. It was followed by “The End of the World Party” released in 2011.
“Digital Renegade” was released on March 13, 2012 and this time the boys take their music on a much aggressive, abrasive way, the grinding Metal rooted elements are overwhelming the electronic-melodic moments. Read more I See Stars – Digital Renegade (2012)
Reserve de Marche – The Last Twenty Years (2012)
7 tracks – 50 minutes, the debut album by this three-piece instrumental rock band from Moscow, Russia, is an excellent and colorful mixture of (Rock) genres and styles from classic, Progressive Rock to Post-Rock, Match Rock, Sludge and Shoegaze. Atmospheric, dark passages and heavy riffs, intense moments are combined and the merge of the different elements make the… difference.
If you’re looking for a groovy, still emotional, dark, but contorted and sometimes intense and heavy, modern, instrumental Rock album, “The Last Twenty Years” worth your attention. “Name your price” means you can downloaded even for free, or you can order the CD from Mals Records. Read more Reserve de Marche – The Last Twenty Years (2012)
The Offspring – Days Go By (2012)
Years go by… Actually four years since the release of “Rise and Fall, Rage and Grace” in 2008 and Dexter Holland and his band mates are back now with their ninth studio album due for release on June 26, 2012. 12 tracks, Punk Rock throughout, just like “Smash”, 1994 and selling 12 million copies worldwide was yesterday. But this is not “Americana”, “Days Go By” have a much darker vibe and approach, sounds more like “Ignition” (eventually “Conspiracy of One”), this is pretty heavy in a very rocking (Metal) sense.
Still, we’ve got lighter, funnier – sarcastic? – moments like “OC Guns” or the summer taste-like, possible hit single, teenage anthem “Cruising California (Bumpin’ In My Trunk)” which might be the favorite tracks for those who are looking exclusively for the follow up of “Pretty Fly (for a White Guy)” and “Why Don’t You Get a Job”. Life is easy! 😆 Read more The Offspring – Days Go By (2012)
Linkin Park – Living Things (2012)
Yo! I’m gonna be deadly honest: never was a Linkin Park fan, even further, I kind of consider them the (more or less) Rock version of New Kids On The Block, or any other prefabricated boy band. Now, Rick Florino of Artistdirect called it the band’s “best record and a landmark for rock as a whole”, which, we have to admit, set our expectations probably excessively high. And once again, it’s not the case. Don’t have to be a musicologist to figure it out, Linkin Park are not Faith No More, NIN, Ministry, Nirvana or name any other genre founder and envelope pusher, edge cutter band, but a smartly managed and marketed and generally pretty over-produced band. Don’t misunderstand me, the famous Rick Rubin and vocalist Mike Shinoda on their third collaboration of co-producing a Linkin Park album were done – again – an excellent job, but the sharp production and the bombastic sound can not cover the mediocrity and shapelessness beneath the surface. And once again, Linkin Park collected a million different sounds and musical approaches and blended them into their own spiced “thing”, but that still do not actually make it their own. Linkin Park might be the perfect prototype of a fully functional machine without its own soul which each time borrowing one. Imagine Mona Lisa (La Gioconda or La Joconde) without her mouth – and mysterious smile. Read more Linkin Park – Living Things (2012)
Future of the Left – The Plot Against Common Sense (2012)
I’m a Punk Rocker. Hell yeah! True, in my early forty’s, with considerably less hair and tooth then two decades ago, dragging with me several more or less chronic diseases, but still banging. Sometimes. On the other hand I had never believed in the values of the political left. Getting further, I do not believe there is any value in any political build-up and honestly, I do not trust anybody, sometimes not even my own bloody self.
I like Future of the Left and along with PiL, I think FotL is one of the very rare genuine (Post) Punk bands that managed to merge noisiness and aggressiveness with caustic content, intelligence and coherent message. I don’t think there’s anything left “politically correct” – like it ever was something -, but still, this is about music, and FotL still got both the magic and the bollocks to deliver some banging songs while the mainstream is drowning in its own emptiness. And you might be or not lefty, they have something to say while most of the singers only open their mouth to show their tooth. Definitively there is a plot against common sense while Diplo is considered “one of the most influential music taste-makers”…. 😆 😆 😆 Read more Future of the Left – The Plot Against Common Sense (2012)
Meredith – Debut, EP (2012) – free download!
Fred Lefranc – Guitar, Vocals and Ben Delacroix – Drums formed Meredith in Paris, France and this four track free release available through their Bandcamp page is an excellent mixture of raw (garage) Punk – in the vein of The Stooges – , dark, contorted post Rock with roots back to Joy Division, adding some heavy (Post) Hardcore energy and not at least their own originality with cutting edge experimental taste. As they describe themselves perfectly: “Meredith are the bastard child of a drunken encounter between Dave Grohl and Shannon Wright, the duo Meredith was born on a moonless night, in the back of a filthy cab. Bearing the gifts of raw, uncompromising ruthlessness, with some siblings in Barkmarket, Fugazi and Trail of dead, their lineage is extensive and impassioned.” Read more Meredith – Debut, EP (2012) – free download!
The Hunting Accident – Trees And Parks (2012)
“Every human being, even the youngest, is already old – that is, so close to death that he or she does not, in any case, have time to efface the accidental quality of the accidents of which his or her life is composed… We human beings are always more our accidents than our choice.” – Odo Marquard “In Defense Of The Accidental”
The Hunting Accident are a band from Los Angeles and their music is an excellent mixture of the 70’s pulsing heaviness with good sens of punk edginess and some tasty psychedelia and the tight and pounding modern sound and approach of the nowadays Indie and Post Rock. It’s almost like sending David Bowie to 2069. This music is ageless and without frontiers, they have both roots to American and Brit bands, in one moment you definitively will hear some The Beatles influences while in the very next moment there is something which reminds you The Stooges. And all these dualities I think are the strength of The Hunting Accident.
And more, they release comes for FREE, you can grab it, share it, listen to it and if you enjoy it, make a donation, they definitively deserve it! Read more The Hunting Accident – Trees And Parks (2012)
