Free download, this is the debut, self-titled album released last year by the Russian band from Norilsk/Moscow.
Anton – Guitar, Andrey – Guitar, Vlad – Bass, Evgeny – Drums, and Vitaly – Vocal, created a murderous mixture of Death Metal, Grindcore and modern Metal with some experimental, progressive resonances and turns, reminding me of The Dillinger Escape Plan. The “Intro” sounds almost sweet only that the following “Oceanbound” can blow in your face ten tons harder.
Sick and intense, almost not human. Read more Equal Minds Theory – Equal Minds Theory (2011)

In our times of deep turbulence and dissonances, the French Hypno5e re-paint with sounds this shattered world and pushing the musical borders further. This is Metal beyond Metal, fans of Cynic definitively will be delighted by the furious, but technical Death Metal moments, although the whole complex construction is further tripper, sometimes even abstract, quiet, meditative moments are twisted out by raging hurricanes, acrobatic riffs and pounding rhythmic, or the furious moments are break down by schizophrenic, echoing passages of slow, cinematic, but disturbed music.
Generally empires are have this fate of decline and fall and I honestly believe that the Music Industry it’s an empire – and for sure it’s in deep and profound crises.
The finger and neck snappers are back. Tommy Victor, who lately toured and recorded with Danzig and Ministry, and previousely also collaborated with artists such as Rob Zombie, Marilyn Manson and Trent Reznor, now teamed up with Tony Campos (bass, backing vocals – previously of Static-X) and Alexei Rodriguez (drums – previously of 3 Inches of Blood and Walls of Jericho), to deliver the eight studio album by Prong. “Power of the Damager” was also released by Al Jourgensen’s 13th Planet Records, five years ago and it peaked at #47 on the Billboard Top Heatseekers chart.
This is one of the albums of 2012 I really waited for, but on the other hand I was kind of afraid of. When Twiggy Ramirez was often quoted as saying “It’s our best record yet, I think. I mean, everyone always says that, but I think this is our best work so far… It’s kind of like a little more of a punk rock “Mechanical Animals” without sounding too pretentious.”, and since the previous “The High End of Low” it’s an almost four years gap, the expectations are pretty high. “No Reflection” kind of scared me further because it doesn’t actually sound pretty convincing, although it’s a quite fair Rock track.







