The album starts smoothly, acoustic guitar, few noises and a whispering voice spoken in… Hungarian about music. Pretty strange for a band from Porto Alegre, Brazil. Don’t get fooled: this is raging, contorted, striped down to the bones, pure hardcore, back to the basics but looking forward music. It’s furious and experimental, cutting and abstract simultaneously. Reminds me of a widely obscure album from 1995, “Mountains of Madness” by H.P. Zinker, a band formed at New York and unfairly forgotten, although, that particular album was Grammy nominated. Anyway, The Bruce Campbell Punk Rock Trio, commonly know just as Campbell Trio, bring to the surface parts from a world of madness.
They says: “This is not a band. This is libel, slander, defamation of character. This is not a band, in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of art, a kick in the pants to god, man, destiny, time, love, beauty, what you will. We are going to sing for you. A little off key perhaps, but we will sing. we will sing while you croak, we will dance over your dirty corpse!
To sing you must first open your mouth. You must have a pair of lungs, and a little knowledge of music. It is not necessary to have an accordion, or a guitar. The essential thing is to want to sing. This then is a song. We are singing.” Read more Campbell Trio – The Campbell Trio Sings The Blues (2011)
post rock
The Vines – Future Primitive (2011)
For more than two decades, The Beatles seems to be the most addictive and obsessive band ever. I’m almost scared each time I play a band labeled “indie” not to stumble into some Beatles copy. With these guys from Australia I wasn’t so lucky. Some may say it’s quite natural, eight years ago an angrier Vines released a song called “Fuck The World” and well, it didn’t get too much radio attention, I wonder why? They revisited the song’s theme for the band’s new album and this time it’s called “Screw The World” and they swallow much of their anger meantime. 33 years old Craig Nicholls says “”We’re trying to be more mature” – and mature, accidentally means John Lennon and Paul McCartney. I try to figure out, with the looks of Guns’N’Roses and that Beatles copy sound, what the tuxedo-potato-heads from Sony smelled in it and gave them a last shot chance? Read more The Vines – Future Primitive (2011)
Kaiser Chiefs – The Future is Medieval (2011)
It’s quite simple and innovating. Select 10 songs out of 20, design your cover and finally, but not at least, pay £7.50 and download. Released on their official website on June 3, 2011, this is the way the band decided to deliver their fourth album, “The Future is Medieval”. If you want all the 20 tracks, you will take off from your pocket/wallet 15£. Fans, customers, will also be able to share their version of the record with other people once it has been created, and earn £1 each time it is purchased by someone else. It’s an original way to promote your stuff, but still, I’m wondering how marketing, management, expensive videos, t-fuckin’-shirts and all the accessories took over music and we ended up having music business where the music actually is quite secondary.
On the other hand, it’s quite ok that you can listen these songs and decide if it’s worth or not to pay for them, it’s almost cool that they make you feels like matter and involved in the construction of the album, well, the idea, let’s admit it, it’s catchy. Perhaps, user fuckin’ friendly. Still, I believe, now days a band should play their ass off and sell their CDs at the gigs in the good-old-fashioned way, back to the basics, face to face. But I also admit it, a band from New Zealand or South Africa probably will never make it to Toronto, San Francisco, Berlin or …Leeds. Read more Kaiser Chiefs – The Future is Medieval (2011)
Devilish Presley – The Dark Triad (2011)
Hailing from the dark streets of East London, Devilish Presley finished their 5th album and make no mistake, they gonna rip your heart out. Jacqui Vixen reminds me of the raging Nina Hagen, and Devilish Presley crossing over between genres, blending explosively death, goth and punk rock into their own boiling and furious music. While we’ve got an “Evil Elvis” (aka. Glenn Danzig), a Devilish Presley comes quite as a necessity. 😀 Merging the dark side of the goth and horror rock with the energy and wildness of punk rock, Devilish Presley created an unique and extremely exciting “something” and beneath all, they write some quite catchy songs. “Cocaine Joe” or “Kiss Kiss Apocalypse” have anthematic charm, strikes instantly and “The Dark Triad” is full of good riffs, catchy vocals and singable choruses, pumping drums delivering perfect tempos for the craziest pogo. Read more Devilish Presley – The Dark Triad (2011)
Ikon – In the Shadow of the Angel (2011)
In the mirage of Joy Division and The Sisters Of Mercy, preserving their inheritance, Australia’s Ikon are for twenty years in the spotlight, has achieved an international fanbase and critical acclaim. Originally released in 1994, their brilliant debut album now it’s see the light once again, re-issues and remastered and filled with some previously unreleased tracks.
Chris McCarter (vocals, guitar, programming) and Dino Molinaro (bass) began to write songs as high school students in 1988, inspired by their love of alternative music. In 1991, the original band name Death in the Dark was replaced by IKON. Michael Carrodus, the band’s original singer, joined them in creating the first two albums “In the Shadow of the Angel” (1994) and “Flowers for the Gathering” (1996). Both albums are re-issued now and “This Quiet Earth” (1998) and “On the Edge of Forever” (2001) are scheduled to be remastered in 2012. Read more Ikon – In the Shadow of the Angel (2011)
Joe Lally – Why Should I Get Used To It (2011)
If his name doesn’t ring the bell, I’m gonna whisper it to you: Joe Lally formed Fugazi – the brilliant post-hardcore band – with Ian MacKaye in 1987 and remained the group’s bassist until their “indefinite hiatus” in 2003. Joe has also contributed occasional lyrics and vocals to Fugazi songs. He founded Tolotta Records (distributed through Dischord Records), which was active from 1994 until 2001, putting out notable releases by such artists as Dead Meadow, Spirit Caravan, Stinking Lizaveta & Orthrelm. In early 2002, Lally joined ex-Frodus members Shelby Cinca and Jason Hamacher on a project originally called The Black Sea, which would change its name to Decahedron and release an EP and an album before Lally left the band. He has also worked with John Frusciante and Josh Klinghoffer as the group Ataxia, releasing two albums: “Automatic Writing” (2004) and “AW II” (2007).
In 2006, Lally was playing solo shows on bass with slight laptop accompaniment in various college towns, which would lead up to Lally’s first solo album, There to Here, which was released in the fall of 2006. It features Jerry Busher, Ian MacKaye, Amy Farina, Guy Picciotto, Scott Weinrich and many other musicians from the DC music scene.
His second solo album, Nothing Is Underrated, was released in November 2007.
His 3rd album, “Why Should I Get Used To It” was released in April and we’ve got 11 pumping, pulsing, nice indie/post-rock songs. Read more Joe Lally – Why Should I Get Used To It (2011)
13 & God – Own Your Ghost (2011)
Result of an over-sea collision, 13 & God returning with their second studio album and their pumping, flowing, floating cocktail of sounds and genres which reminds me partly of Massive Attack, but these guys blending and mixing into it from pop to indie and from ambiental textures to folk everything they can get their hands – and imagination.
The official story is pretty hazy: “somewhere outside of Toronto in early 2004, on a stretch of uninspired highway leading to the U.S./Canadian border, a computer onboard a large tour bus spontaneously combusted. Some point the finger at the driver (an aspiring reality show auteur), others blame a faulty battery, and most hold a small stuffed fox accountable. But however it happened, themselves and The Notwist were stranded. Dates were cancelled. Meals were skipped. Shady motels were booked in below-freezing weather. The fox was dead. It was the fifth breakdown of their joint tour series of minor disasters distant somewheres, a love was born of nervous laughter, shared admiration, axle grease and roasting circuitry.
From the balloon-and-burst child psychology of Adam “doseone” Drucker, Jeffery “jel” Logan, and Dax Pierson (collectively themselves), and the pinhole-in-paper astronomy of the Acher brothers Markus and Micha, and Martin “Console” Gretschmann (the core of The Notwist), emerge 13 & God.” (MySpace Bio) Read more 13 & God – Own Your Ghost (2011)
The Mustard Seeds
The Parable of the Mustard Seed is one of the shorter parables of Jesus and there are minor differences between Gospels of Matthew, Mark and Luke. The parable suggests the growth of the kingdom of God from tiny beginnings to worldwide size.
“The Kingdom of Heaven is like a grain of mustard seed, which a man took, and sowed in his field; which indeed is smaller than all seeds. But when it is grown, it is greater than the herbs, and becomes a tree, so that the birds of the air come and lodge in its branches.” (Matthew 13:31–32)
“How will we liken the Kingdom of God? Or with what parable will we illustrate it? It’s like a grain of mustard seed, which, when it is sown in the earth, though it is less than all the seeds that are on the earth, yet when it is sown, grows up, and becomes greater than all the herbs, and puts out great branches, so that the birds of the sky can lodge under its shadow.†(Mark 4:30–32)
“What is the Kingdom of God like? To what shall I compare it? It is like a grain of mustard seed, which a man took, and put in his own garden. It grew, and became a large tree, and the birds of the sky lodged in its branches.†(Luke 13:18-19) Read more The Mustard Seeds
Asian Dub Foundation – A History Of Now (2011)
I knew this will be one of my favorite albums of 2011 even before I’ve been listening into it. I saw them live back in 1999 and since I’m a follower. Playing an explosive mixture of rapcore, dub, dancehall and raggae, using rock instruments and including punk and hardcore influences, ADF are one of the killer acts of Great Britain beside The Prodigy and much recently Subsource. Intense and speeding serious social and political messages, live they will smash off any scene and move the audience, their studio albums maybe do not capture all that energy and explosion, but still they are much heavier than most of the other bands and even heavier than some of the so-called “modern”, alternative or post-metal bands. They unique style of blending hardcore energy, punk rawness, electronics and dub inspired many other artists, but not so many managed to get even closer, not to mention the issue of credibility. Read more Asian Dub Foundation – A History Of Now (2011)
Sounds Under Radio – Where My Communist Heart Meets My Capitalist Mind (2011)
You might believe this is the new Muse album, its sounds like, even the voice and singing style by use of falsetto and vibrato of Lang Freeman reminds me of Matthew Bellamy, but well, Sounds Under Radio are a band from Austin, Texas, formed in mid 2005 by Lang Freeman, Bradley Oliver (bass, keyboard), Sonny Sanchez (drums) and Doug Wilson (guitar).
Their song “Portrait of a Summer Thief” was featured on the “Spider-Man 3” soundtrack ant their were the only unsigned band (at that time) to be included in the soundtrack amongst names like Snow Patrol, Jet, Wolfmother, The Killers, The Flaming Lips, etc.
They signed with Sony/Epic Records in late 2008, but after facing inter-label turmoil, they gave up their contract and in mid 2008 released their first full length LP “Cinematica” independently. Read more Sounds Under Radio – Where My Communist Heart Meets My Capitalist Mind (2011)
