Honestly I can not figure it out why Madonna needed ten more (top) co-producers among/beside her – Klas Åhlund, Alle Benassi, Benny Benassi, The Demolition Crew, Free School, Jimmy Harry, LMFAO, Michael Malih, Indiigo, William Orbit, Martin Solveig, and an even more impressive list of writers for this album and its 12 – absolutely mediocre – songs? This presumptive recipe of success was tried out by Britney Spears on her latest “Femme Fatale” album, and didn’t really worked. And I’m not talking strictly about selling figures, but songs to remains.
There are several good or better moments in some of these songs, but generally speaking it’s quit a pale album with nothing really outstanding on it. Maybe nothing must to be outstanding in Pop music generally speaking and not nowadays particularly, but still, Madonna used to pretend at least she’s a queen and she have something (different) to offer. Not this time. Read more Madonna – MDNA (2012)