In a world of predictability, of products and fakes, art became a sub-product and a merchandise. It’s more important to lock-up on a large target and sell your stuff, then do something special. Tits are more important then talent and well, ass-kissing it’s more productive then any original idea. I only and always can quote Jello Biafra and his bitter-prophetic “Chickenshit Conformist” (“Ideas don’t matter it’s who you know. If the music’s gotten boring it’s because of the people who want everyone to sound the same…)
Pop music – a term that originally derives from an abbreviation of “popular” – it’s a generic genre which originated in its modern form in the 1950s, deriving from rock and roll. Rock and roll lost its sense, meaning and consistence, became a cliche while popularity last less then 15 minutes and with proper media support anybody can be a star nowadays where few people are still playing rock and roll (generically speaking) because they feel the need to play, very few people are doing music for the love of music or because they feel the need to express themselves, to communicate, to have fun doing it or – eventually -to find another path, to reveal a previously unexplored universe.
Random Being it’s an on-line creative collective and their collaboration bring to the surface a magical-mystery world of sounds and emotions, grooves and emulations. Self label it “avant-pop”, their universe it’s a melting pot of different genres and flavors, it’s a place of psychedelia, space and progressive rock, fever-burned rhythmics, contorted samplers and sound manipulations, jazz grooves and tango fueled passions. It might be post-pop as well – while post became the new (fashionable) porn. Think of David Bowie, P.I.L., Peter Gabriel and Pink Floyd jamming in the same room. Read more Random Being – World Without Memory (2014)
There are very few artists (bands) who still manage to surprise me these days. The 2006’s “Volk” was a peerless release, it’s quite impossible to overtake that album and Laibach definitively had a hard time to figure out what they should do next. True, meanwhile they released in 2008 “Laibachkunstderfuge” – a concept album, the laibachian interpretation of Johann Sebastian Bach’s “The Art of Fugue” (Lai-Bach-Kunst-Der-Fuge) – and in 2012 the original soundtrack for the movie “Iron Sky”. Also they released a mind blowing live album 
“Taming the Dragon” it’s the debut album from the electric duo Mehliana made of Brad Mehldau (synthesizers, Fender Rhodes and piano) and Mark Guiliana (drums and electronics). Because the dense electronics this have a powerful jazz-rock sound, but it’s a vividly groovy, experimental and breath taking experience throughout with space-rock inspired soundscapes and exciting jazz improvisations. There is an extremely refreshing balance between all the flavors, sounds, elements and moods of the album. Mark Guiliana delivered some extremely tasty drums while Brad Mehldau added dimensions and colors. A perfect mixture of passion, energy and experimentation with tasty melodies, meditative searching and emotions.
Label Cynic as a metal band it’s at least ignorance. They grew out of that box pretty quickly and although they merged technical death metal and influences with jazz and progressive rock elements, their music was always something special and different. “Kindly Bent to Free Us”, their third full-length album, it’s a flawless mixture of modern sound and classic, progressive rock flavor with some jazzy reflections. Have some sort of King Crimson and Pink Floyd type of timeless and shiny (brilliant 🙂 ) feel.
Progressive metal became pretty much synonymous with Dream Theater. It’s probably not fair, but it’s a fact. EtHERSENS it’s a French progressive metal project and “Your wandering ghost” it’s their second album after considerable a six year gap.
“Angel Guts: Red Classroom” is the ninth studio album by Xiu Xiu, it’s scheduled for release on February 4, 2014, only two month away from the Nina Simone tribute album and entitled simply “Nina”. I still try to figure out if I like or I don’t like the music of singer-songwriter Jamie Stewart. There is a strong, charming, 70’s and 80’s rooted David Bowie flavor which is awesome. On the other hand, sometimes the sonic trips are going over the edge of bizarre and I’m not sure I’m always capable to follow them anywhere unconditionally. But at least I’m honest to admit it. Then again, I hate the snobs who pretend they understand everything and praise anything which it’s “out of the box”, just because it’s… odd. I’m a weirdo, but I have the decency to admit my limitations! 😆
Hip hop it’s not actually my cup of tea, but once in a while I’m listening some hip hop as well, have a few favorites and I can appreciate the quality in any genre and style. Cairoglyphs have a cool Oriental/middle East flavor, but the Kansas City based hip-hop artist/producer Ryan Forest merged quite different sounds and styles from dense electronic layers to rap, and from dark, deep house constructions to pounding hip hop beats. Kind of past meets the future, highly danceable, very fluorescent type of music. Dark dance music with content. While IDM and EDM are simply dead labels drained by any meaning and content lately, Ryan Forest proves that the dance music might still have future.
Featuring drummer Benny Greb, saxophonist Mark Lockheart, Stephan Maass on percussion & electronics, guitarist Chris Montague, Edward Maclean on bass and Colin Towns (from Ian Gillan Band and Gillan) on keyboards; Blue Touch Paper it’s a Brit-German jazz-rock fusion band while ‘Drawing Breath’ it’s their second album released on the 14th October 2013. Their music it’s a rainbow like colorful mixture of sounds, styles and genres, from Garbarek to Pink Floyd and from ethnic flavored jazz to chilled down and spacy breakdowns, ‘Drawing Breath’ got it all and surprisingly, all those moving parts are coming together nicely and everything make perfect sense. We’ve got 12 songs and over one hour of exciting, groovy music. 
