Apollo 440 – The Future’s What It Used to Be (2012)

Apollo 440 – The Future’s What It Used to Be (2012) I was waiting this one for quite a while. Their previous album, “Dude Descending a Staircase” was released in 2003, nine f*cking years is over an eternity in music industry nowadays. Kids of today probably have not even the memories of “Ain’t Talkin’ ’bout Dub” as probably they don’t have a clue who the fuck is Eddie Van Halen! Still and unsurprisingly, Apollo 440 (alternately known as Apollo Four Forty or @440) came back with a powerful and fresh album, the trendy dubstep frequency oscilation and bass wobblings are incorporated into their noisy electronics and rocking construction, and definitively they delivered – once again – a mandatory killer album. Read more Apollo 440 – The Future’s What It Used to Be (2012)

Field Frequency

Yesterday, Friday 13, was a quite odd day. But after all I managed to get over it. Just to face another task today. 😀
The Weekly Brief is an on-going program to source specific, high-quality music for Indaba‘s non-exclusive licensing catalog.
In this inaugural edition of their weekly commissions, they’re reaching out to the artists of Indaba to compose an adrenaline-fueled score for this snowboarding footage. I delivered a quick, noisy one for this one, kind of clash between Black Sabbath and Ministry… Check it out, hope you enjoy it. 😉 Read more Field Frequency

The Atomic Bomb Audition – How to Dismantle a U2 (2012)

The key to this is – as they defined their own music -: “psychedlic soundtracks for films that don’t exist”. Under this funny and cleverly inspired album title they offer a collection of enclosed materials which represents all phases of the band, digging back till 2006 and the “Eleven Theatres” era. Also got the cover of “Laura’s Theme” from the famous “Twin Peaks” soundtrack which fits right in in the atmosphere and vibe of this release and reflects quite precisely the (mainly) gloomy and ghosty style of the band.
Released on 1st January 2012, and free of charge (“name your price”) on their Bandcamp page, this is a nice gift and a great opportunity to get know this band and their music. Read more The Atomic Bomb Audition – How to Dismantle a U2 (2012)

Echancrure – Paysage. Octobre. (2011)

This is a dream. Or a trip through some sonic landscapes colored by hopes, dreams, fears, nightmares and eventually some kind of desperate searching and self-searching, ultimately a need for communication and definitively a gloomy, but quite spiritual way to express feelings. And once again, in a world more and more isolated and alienated, feelings and communication are so goddamn rare. This might be a movie without imagines, or just simply a passage to a kind of intimate, hidden place where our ghosts are dancing in some soulful ritual fire. Symbolism melt into mystery, grotesque and vivid melancholy collide into one and the result are eight “Untitled” tracks which overcome and defied genres.
“Yours for free”, or “Pay as much as you want” is the best way to spread this kind of experimental, gloomy, “unfriendly” music. Read more Echancrure – Paysage. Octobre. (2011)

Dungeon Elite [**] – New World Disorder (2011)

Emocore, NintendoCore, Happy GrindCore, Electro Metal, label it as you please, this is extremely intense and murderous s*it. Fada (Screaming), Becko (Synthesizers and Vocals), and finally Maia (Vocals) formed the group in Rome, Italy and their released their debut, “Make Love Not Warcraft” in 2007. Described on their MySpace profile as “Techno/Grindcore/Emotronic”, their music is a refreshing mixture of Hardcore, Nintendo and Game sounds like elements with Dance and Electronic musics, it’s extremely pulsing, dynamic, Metal and Techno melt into one and explode. Read more Dungeon Elite [**] – New World Disorder (2011)