Free download, but this isn’t a regular album, rather a collection of remixes, but featuring two original songs and the cover of Nine Inch Nails’s “Hurt”.
Regarding my remixes, as a fellow producer noticed, I do some creative work, actually I re-write, re-perform most of the instruments, not only “remixing” the songs, so this might be an exciting listening mainly for those who know the originals, but not exclusively for them. I twisted off, smashed and mashed, scratched and trashed songs by Nine Inch Nails, Ghostland Observatory, Paper Diamond, Archnemesis, Lloyd Banks, Peter Gabriel, Jane’s Addiction, She Wants Revenge, Jessie and the Toy Boys, WormZ and Family Force 5.
Download, have fun, Happy Holidays Everybody! Read more Mr. Pan[k]sament – Mashed, Scratched, Trashed (2011)
experimental
naisian – Monocle (2012)
I was quite impressed by naisian’s debut album “Mammalian” (review HERE) back in July and now Adam Zejma hit me with their upcoming new EP called “Monocle”, scheduled for a 3/2/2012 release.
As they says, “the two tracks that make up Monocle have been written and recorded throughout 2011 and are inspired by the insipid Sheffield music scene and the bitter cold of the Northern winter (we failed to fully winterize our practice room and paid the price).
“Welcome to the Cool Club” is a spiteful rant designed to distract attention from our lack of fashion sense. “Cptn. Cluedo” is a tour story about how we were nearly killed at Watford Gap service station by two fiery (ginger) builders.” Read more naisian – Monocle (2012)
Haujobb – New World March (2011)
11/11/11 stir up the minds of many and several artist chosen it as release date of their albums. Haujobb are back after an extensive pause, “New World March” is their first new album in 8 years, and while their previous “Vertical Theory” released in 2003 were more software based, this time Daniel Myer and Dejan Samardzic used more hardware, guitars, drums, and sound recordings, delivering a monumental production. And “New World March” is also a return to the more industrial, IDM and experimental area of electronic music while they latest dance – drum’n’bass and techno – oriented influences are faded away. Read more Haujobb – New World March (2011)
Rorcal vs. Solar Flare – Split (2011)
From Hollywood to Melbourne and from soul to pop and from blues to metal, Solar Flare (in different forms) seems to be a quite popular name among artists. I dug till China and back, but it was kind of “mission impossible” to find anything about this particular Solar Flare. Finally I get some help from the Domino Media Agency and about this “Swiss doom conspiracy”.
Switzerland already delivered several exciting products this year, and the land of 26 cantons seems to be very resourceful also in metal. Rocal was formed in 2006 in Geneva, Switzerland and last year their released their fifth record, “HELIOGABALUS” – which is a single 70 minutes monolithic piece. Solar Flare is a side-project from Impure Wilhemina formed also in Geneva by Michael Schindl (Guitar, vocals), David Schindl (Drums), Thierry Baertschiger (Guitar) and Didier Baertschiger (Bass) in 1998. In 2006, the band suffered several line-up changes: David and Thierry leaved Geneva, and were replaced by Mario Togni (drums) and Alexandre Müller (guitar).
This collaborative split is exclusively available on Call of Ror label’s e-shop and for entire streaming on SoundCloud. Read more Rorcal vs. Solar Flare – Split (2011)
Thomas O’Brien – Drum RemiXes
[youtube http://www.youtube.com/watch?v=qtWBe5bwdJA&w=540&h=304]
Read more Thomas O’Brien – Drum RemiXes
Neurotech – 2011, free downloads
I was damn sure I did write about “Antagonist”, the band’s debut album back in March when it was released, but hell no, I could not dig out that review, but with all the troubles and errors I had faced this year with this site and my hosting, I’m not surprised of anything anymore. Anyway, “Antagonist” and their brand new EP entitled “Blue Screen Planet” are available at their official site for free download, respectively “name your price” as digital release, while you can still buy the “Antagonist” special CD+T-Shirt pack for only 15€.
Although “name your price” means even zero, I still believe artist deserves and needs all of our support, mostly artists from the underground who bring to the surface alternatives for the usual mainstream bulls*its.
Neurotech from Ljubljana, Slovenia, formed back in 2007 by Wulf delivering a pounding mixture of metal riffing and electronic layers merging powerful metal with spacy, cinematic trance/ambiental electro music. It’s a quite electrifying and refreshing experiment, harmonies, strong choruses and deep textures, grinding guitars are make perfect match here melting into one. Gothic romanticism and heavy brutality collide in their music resulting something beautiful and gloomy, mysterious and heavy. And just as I said, they efforts needs to be rewarded. Read more Neurotech – 2011, free downloads
Trent Reznor and Atticus Ross – The Girl With The Dragon Tattoo, OST (2011)
The 2010’s score by Reznor and Ross for David Fincher’s “The Social Network” won the Golden Globe Award for Best Original Score and the Academy Award for Original Score in 2011 and Reznor announced that he would again be working with Fincher, this time to provide the score for the American adaptation of “The Girl with the Dragon Tattoo.” A cover of “Immigrant Song” by Led Zeppelin produced by Reznor and Ross, with Karen O (of the Yeah Yeah Yeahs) as featured singer, was released as trailer for the film and it became viral on the internet. I have to admit it, I’m a Reznor fan since his 1989 debut studio album under the moniker Nine Inch Nails and follow his career since constantly and I admire his work, his ability to reinvent himself and his music, his creativity to not copying himself repeatedly, but dare to experiment with sounds and eventually styles, although remaining Trent Reznor and ultimately Nine Inch Nails.
The soundtrack for “The Social Network” it wasn’t his first involvement into cinema. Reznor produced the soundtracks for Oliver Stone’s “Natural Born Killers” in 1994 and David Lynch’s “Lost Highway” in 1997 where he is credited for “Driver Down” and “Videodrones; Questions”, while another track, “The Perfect Drug”, is credited to Nine Inch Nails.
A soundtrack is quite a different thing than a music album of an artist or band. Can’t compare one to another in no circumstances. It’s actually – I believe – a totally different occupation/job and involved quite different crafts, skills, ultimately talent. Read more Trent Reznor and Atticus Ross – The Girl With The Dragon Tattoo, OST (2011)
Chevelle – Hats Off to the Bull (2011)
Formed in 1995 and selling over three million albums in the United State, released six albums, the first, “Point #1” was produced by Steve Albini, while their second album, “Wonder What’s Next”, was certified Platinum, Chevelle delivering a powerful, intense alternative/post metal, compared often with Tool, Clutch and Helmet. Despite comparisons, Chevelle having a unique sound and style, delivering mature, multicolored music.
“Hats Off to the Bull” consist of 11 tracks and 43 minutes play time is another trip into the dark, mysterious side of the (post) metal. Hanging to conventional genres, styles, labels, don’t really work in their case, this is metal, but sometimes they throw away their electric instruments and play interiorized, chill, but disturbing, acoustic tune or they just get into some gloomy, sometimes quite contorted, subtle and gently layered gloomy space build up of sounds. But at the bottom line they still and always rocks. Read more Chevelle – Hats Off to the Bull (2011)
Blackout Beach – Fuck Death (2011)
This album sounds like a mesh up of David Bowie with Brian Eno, a little bit of both of them and a twist of everything, a mysterious hellhole of soulful electronics and psychedelic post-whatever – intentionally avoiding the therm of rock. It’s spooky, but simultaneously quite fascinating. Its have charm, spirit – and ultimately soul, soul that is totally lacking from the music nowadays when everything is resumed to sound, production and trends. Well, this is absolutely out of trend, off beat as it says. But it feels good, I like it.
This is Carey Mercer’s (of Frog Eyes and Swan Lake) solo creations began as a project called “Bertrand Russell and the Country Club” and the first album entitled “Light Flows the Putrid Dawn”, was issued in June 2004 on Soft Abuse. Read more Blackout Beach – Fuck Death (2011)
The Prestige – A Series of Catastrophes and Consequences (2009)
I was digging at their MySpace profile for “skeletons in their closet” and I find only this at their bio: “We are a three-piece band from Paris, born in Jan. 2009. Stop reading. This is about music.” And well, actually I have to admit it: music is what exactly not about lately the music business. It’s kind of sick, twisted joke, but actually this is reality. So, let’s take fucking business out of music and focus on music. And one pretty good option might be this Parisian band – meantime becoming quartet – which delivering some quite impressive post-hardcore/post-rock/post-what ever you might thinking of noisy and head kicking music. This is not for trend followers, not for posers. Not for your underage kids too. 😀 This is serious shit and although “A Series of Catastrophes and Consequences” was released in September 2009, it’s still sounding absolutely fresh and brutally honest – honestly brutal. Read more The Prestige – A Series of Catastrophes and Consequences (2009)
