Aimé Fernand David Césaire (26 June 1913 – 17 April 2008) was a French poet, author and politician from Martinique, being “one of the founders of the négritude movement in Francophone literature”. In 1945, with the support of the French Communist Party, Césaire was elected mayor of Fort-de-France and deputy to the French National Assembly for Martinique. He was one of the principal drafters of the 1946 law on departmentalizing former colonies, a role for which independentist politicians have often criticized him.
Like many left intellectuals in France, Césaire looked in the 1930s and 1940s toward the Soviet Union as a source of human progress, virtue, and human rights, but Césaire later grew disillusioned with Communism. In 1956, after the Soviet Union’s suppression of the Hungarian revolution, Aimé Césaire announced his resignation from the PCF in a text entitled “Lettre à Maurice Thorez”. In 1958 he founded the Parti Progressiste Martiniquais.
His writings during this period reflect his passion for civic and social engagement. He wrote “Discours sur le colonialisme” (Discourse on Colonialism) in 1950, a denunciation of European colonial racism, decadence, and hypocrisy that was republished in the French review Présence Africaine in 1955.
This work inspired Antoine from Echancrure to build up this 20 minutes long musical incursion into modern capitalist decadence. Read more Echancrure – Discours sur le colonialisme, EP (2012)
Contorted and blunt, Rockman’s “Serach & Destroy” gonna melt down your loudspeakers and assassinate your neighbors, before set on fire the dance floor down at the club.
Formed in Melbourne, Australia, in August 1981, relocated to London in May 1982, reached No. 1 on the Billboard Top World Music Albums Chart with their seventh, 1996 album “Spiritchaser” which also charted on Billboard 200, disbanded in 1998, reunited 7 years later in 2005, Lisa Gerrard and Brendan Perry are path openers with their unique mixture of genres and styles, merging African polyrhythms with Gothic Rock, Gaelic folk with Post-Punk, Gregorian chants with New Age and Dark Wave, or Middle Eastern mantras with ethereal and Dream Pop.
Klayton, the sole brain behind Celldweller, not only ignores genre boundaries and creates a pioneering vision of the future of electronic music, but he’s also an excellent and subtle songwriter. So, “Wish Upon A Blackstar”, he’s upcoming second full-length studio album, obviously it’s one of the most anticipated Electronic albums of the year. And Celldweller is one of the most reliable artists as well, the new 16 tracks album will satisfy all of his devoted followers – over 120,000 Facebook Fans and still counting – and eventually will bring him a brand new generation of fans. After all, Celldweller is considered “personifying the sound of the iPod generation”, and his hybrid music of digital and organic elements and the smooth, but highly explosive fusion of styles and genres, makes him extremely unique and charming. 
