Belzebass it’s a clubcore duo from Italy, and they delivering some extreme, aggressive s*it, be precocious, it can seriously harm your speakers and through them your ears and finally your brain may get fried. While the mainstream EDM scene is pretty boring, the underground definitively have its revenge! Hardcore take no prisoners!
The 2 guys with roots back to the hardcore and death metal scene like to produce and mix what they like: wicked beats, fat basses, rough synths, pig squeals all mashed with twisted off, dark atmospheres.
“Welcome To Hell” it’s their upcoming EP consist of three sick tracks and scheduled to Read more Belzebass – Welcome To Hell, EP (2014)
Hip hop it’s not actually my cup of tea, but once in a while I’m listening some hip hop as well, have a few favorites and I can appreciate the quality in any genre and style. Cairoglyphs have a cool Oriental/middle East flavor, but the Kansas City based hip-hop artist/producer Ryan Forest merged quite different sounds and styles from dense electronic layers to rap, and from dark, deep house constructions to pounding hip hop beats. Kind of past meets the future, highly danceable, very fluorescent type of music. Dark dance music with content. While IDM and EDM are simply dead labels drained by any meaning and content lately, Ryan Forest proves that the dance music might still have future.
Actually don’t know anything about this project, anything else that it was conceived at Warszawa, Poland, this is the second chapter of their journey into the wilderness of noises and it’s for 
This is a quite emotional journey on the wings of soulful, cinematic – and ghostly – electronic music. Sensitive grooves and mysterious layers of obscure melodies are the ingredients of this moods and feelings oriented exploration. It’s like a movie without words, it gives you the wings to fly through an endless space made up of dream and fear fragments.
Depeche Mode are back. Strangely, “Sounds of the Universe” feels like a million years away, although it was released in 2009, so, only four years ago. This is the final piece of the trilogy of records that Depeche Mode were doing with producer Ben Hillier. And the thirteenth studio album of the band, the first for their new label, Columbia Records, scheduled for release on 22 March 2013.
Spawned in Germany during 1984, KMFDM (Kein Mehrheit Für Die Mitleid, loosely translated as “no pity for the majority”) pioneered the crossover between techno/dance and heavy metal with their signature industrial sound. Moving to Chicago in the mid-80’s KMFDM was the pride of WaxTrax! Records during the label’s peak. They relocated to Hamburg, Germany in October 2007.
Traveling with Trent Reznor, Atticus Ross, Mariqueen Maandig and Rob Sheridan again. The long anticipated debut album finally it’s here and we’ve got 13 steps to go on, 13 levels of exploration, 13 ways to drowning and surfacing back to the light. Eventually.
Although this might seems a supergroup incorporating Radiohead’s Thom Yorke and Radiohead producer Nigel Godrich, Red Hot Chili Peppers bassist Flea, Beck and R.E.M. drummer Joey Waronker and Brazilian percussionist Mauro Refosco – “Amok” it’s definitively a quite strange journey into the wilderness of minimal electronic and glitchy electronica and feels like the follow up of “The Eraser”, Yorke’s 2006’s debut solo album. On the other hand, this is not so different from the latest Radiohead sonic experiment, the 2011 “The King of Limbs” as well.
