MegaDrive lead us back to the electronic music of the 80’s with nowadays sound make-up. If you’re too lazy to dig up classics like Klaus Schulze (and Tangerine Dream), Vangelis, Jean Michel Jarre, Kraftwerk and so on, MegaDrive will introduce you to their fabulous world. It’s called retro revival and it’s definitively a pleasant and an alternative option. And well, if you’re old or wise enough to listen all those wonderful and creative artists of the 60’s, 70’s and 80’s already, MegaDrive it’s still a quite nice option to fill up your ears and feed your brain with damaged sound waves.
Also recommended for fans of Power Glove, LazerHawk, Pertubator, Mitch Murder, etc.
198XAD, the new album from Mega Drive, pulses with dark, technological Read more MegaDrive – 198XAD (2014)
It’s no secret, I’m a huge fan of the guys from 4star. That perfect mixture of Eminem style hip hop rapping of Adam and that dense and contorted, drum’n’bass and dubstep flavored instrumentals of Peter with a taste of Subsource/Black Futures and roots back to Reznor and NIN, simply nailed me. While 99.9% of the current mainstream electronic/EDM scene it’s nothing but a (bad) joke and the underground it’s not allowed to surface, these guys fined a pretty cool breach of their own, they are dumb enough to play their own music and not to follow the trends.
Therese is considered some kind of Swedish wonder-woman and the “queen of 21st century house music”. In only a few short years, she has crafted an international reputation for herself on the music scene – her signature tune ‘Put ‘em High’ is universally regarded as a 21st century dance classic, and continues to generate massive airplay to this day. ‘Put ‘em High’ reached No. 6 on the UK Top 40, and was followed by ‘Take Me Away’, another top ten dance/pop hit. In the USA, ‘Time’ scored an impressive No.21 placing on the Billboard Dance chart. Other records like ‘Neon Lights’ have become instant club classics, while ‘Feelin’ Me’ saw UK urban station Kiss FM proclaim her the ‘The Queen of Electro’.
The bad-ass of bad-bass celebrate 10 years of intense grinding with a fabulous 44 track, 99 minute mix which include his own tracks, but also remixes of some other leading artists such as Nine Inch Nails, Black Label Society, Semargl, and Black Sun Empire. Top of the best, this is a free download and you can grab it from his
How many skins they will keep ripping off of MJ? Pretty sordid and kind of necrophiliac. Epic Records on 9th May will release the second posthumous compilation album of previously unreleased tracks entitled “Xscape” and MJ now it’s kind of back in the spotlight. So, Sporty-O & Kisskaya considered it’s a brilliant idea to desecrate a classic MJ track, the 1987’s single “Leave Me Alone”. It would be much better and decent to leave the dead king of the pop alone and do not dishonor his memory. And don’t get me wrong, I do not like MJ, I never did and except a very few songs, I didn’t enjoy his music, although I admit he was a great entertainer and showman.
While the post-dubstep mainstream EDM scene is populated exclusively by plastic dolls, posers and annoyingly boring “copies of imitations”, it’s quite refreshing to listen to something powerful, modern, but still attached to the classic values and to the classic sense of the values such as “We Love You”, the 7th and probably the deadliest album by Andy LaPlegua, the one man army and the master mind behind the Combichrist machinery. Although the Ministry parallels are still there, Combichrist it’s definitively one of the best and most intense EDM bands from the scene and their Aggrotech aggression it’s always meaningful and genuine each time.
While we all know Skrillex, envy Skrillex, love Skrillex, hate Skrillex or get bored of Skrillex, it’s kind of unexpected and surprising that “Recess” actually it’s his debut album as solo artist. Never would figure that. Well, true, I’m not a fan of the trend settler and trend butcherer producer. Now I honestly do not understand what’s the use, the purpose of releasing a dubstep/EDM album thesedays. We’re living the age of singles, nobody’s buying dance albums anymore and most of the people are buying tracks, mp3s to listen them from their phones while they are traveling on the bus or the subway and the music is meant to be to cut off the outside and any sort of man to man communication, and cover the white noise of the surroundings. If you’re not playing jazz, eventually rock of some sort of avant-garde/experimental whatever, an album seems pretty pointless – in these circumstances. And mainly while for the last six years you were conscious of that and released that sort of stuffs.
Belzebass? Beelzebub or Beel-Zebub is a Semitic deity and literally it mean “Lord of the Flies”.
Hip hop it’s not actually my cup of tea, but once in a while I’m listening some hip hop as well, have a few favorites and I can appreciate the quality in any genre and style. Cairoglyphs have a cool Oriental/middle East flavor, but the Kansas City based hip-hop artist/producer Ryan Forest merged quite different sounds and styles from dense electronic layers to rap, and from dark, deep house constructions to pounding hip hop beats. Kind of past meets the future, highly danceable, very fluorescent type of music. Dark dance music with content. While IDM and EDM are simply dead labels drained by any meaning and content lately, Ryan Forest proves that the dance music might still have future.





