This is a quite ambitious and interesting project I had stumbled into a few years back and yes, I saw the opportunity in it and gave the link to my American guitarist friend Rich Prewett. If I recall it correctly, the first song he made was “Egoista”, then he did “Sonhar” and it was followed soon by another one. Rich did an awesome job mixing those African vocals with good old tasty blues flavors. I told him that it would be great if he put together a whole album out of it and that’s what he did!
And this is really good. Feel good, sound good. Rich Prewett is a quite experience and versatile musician and producer, he made miracles with those vocal stems. The music he created and performed around those vocal tracks it’s a vivid mixture of blues, rock, reggae and Latin vibes and sounds, but maintaining throughout a “world”, an universal flavor of it. This is extremely universal, but still, very particularly Rich.
I love it throughout!! Read more From Mozambique To Minnesota Volume 2 featuring Rich Prewett (2014)
Honestly, I’m glad that the melancholy and platitudes fueled concept trilogy of “Hombre Lobo” (2009), “End Times” (2010) and “Tomorrow Morning” (2010) it’s closed and hopefully Mark Oliver Everett, better known as E. Other, moved over. Those country-blues flavored, mostly boring and tasteless, self-pity ballads, frankly, were a great disappointment. Sentiments? Well, I have sympathy for those stories of desire, loss, and redemption, but can not shed a tear. Got my own s*it to bear. And nobody shed a tear for me, not even giving a s*it.
With roots back to The Stooges and the grooves and melodies of The Dandy Warhols, merging the fury of The Jon Spencer Blues Explosion with the straight simplicity of the Danish Surf rockers The Good The Bad, juggling between the rawness of The Velvet Underground and the new blues spirit of The Black Keys, the French Plymouth Fury serve us a hot and noisy, garage flavored rock with resonances to Spaghetti westerns with Tarantino vibe.
When I said a few days back that I’m tired and bored of music because music became only the additional sub-product of an exclusively profit oriented industry and the true values (the music) were replaced by fad, predictable, patterned and instantly forgettable (background) noises. In this world, in this frightening circumstances, Mr. Burdon and his youngster new allies, 
Sex is probably the most powerful driving force in nature, in arts, implicitly in music. Some people believe that the power behind The White Stripes was the (sexual) tension between Jack and Meg White. When this flame faded out, Jack White moved over, eventually Jack find Alison Mosshart and we’ve got The Dead Weather.
Ladies and gentlemen, put your seatbelts on, we’re in a time capsule and we’re gonna landing back right to the 80s just as you close your eyes and push play! Our guides for this precious ride are the Van Halen family, Eddie on guitar, Alex on drums and the young refreshment, Eddie’s son, Wolfgang on bass and not at least, the restless lead singer, Mr. David Lee Roth. Although the twelfth studio album by the band it’s the band’s first album of completely new material since 1998’s disastrous “Van Halen III” featuring ex-Extreme singer Gary Cherone, as well as the first since 1984’s to feature David Lee Roth on lead vocals, the long awaited new Van Halen album, “A Different Kind Of Truth” just right fits in between “Women and Children First” and “Fair Warning”.
