 The Swiss trio are back and it’s time for the new set of dark and furious butchery! Although guitarist Antoine Tinguely (ex-Berserk For Tea Time) replaced former guitarist Samuel Vaney, Vaney is now supporting the band as composer/mixer.
 The Swiss trio are back and it’s time for the new set of dark and furious butchery! Although guitarist Antoine Tinguely (ex-Berserk For Tea Time) replaced former guitarist Samuel Vaney, Vaney is now supporting the band as composer/mixer.
While the drums were recorded in the REC Studio of Serge Morattel in Geneva, they recorded the guitars and vocals in their own rehearsal room, the new album is the result of hard work, giving the band big freedom in creation and the possibility to fully assume the production process. The sound it’s pretty raw, unpolished and have a pithy live vibe, if you pump up the volume high enough, almost feels like you are there in the rehearsal room. So, “Phoebus” it’s not about surgically clean sound and high-end production, but about the unleashed strength of metal, about the flesh ripper riffs and pounding like hell drums, about not making compromises, but expressing feelings through music.  Read more Cortez – Phoebus (2013)
 
			 Consciousness Removal Project it’s a one-man post-metal band from Tampere, Finland. Its only official member Antti Loponen is solely responsible not only for compositions, lyrics and arrangements but also for most instruments and the record production. Although, with the help of a live collective including Arttu Kimmel – guitar, Vesa Ahonen – bass and Artturi Mäkinen – drums, Consciousness Removal Project has also been able to perform live since 2008.
 Consciousness Removal Project it’s a one-man post-metal band from Tampere, Finland. Its only official member Antti Loponen is solely responsible not only for compositions, lyrics and arrangements but also for most instruments and the record production. Although, with the help of a live collective including Arttu Kimmel – guitar, Vesa Ahonen – bass and Artturi Mäkinen – drums, Consciousness Removal Project has also been able to perform live since 2008. EmptyMansions it’s the solo effort of Interpol’s drummer Sam Fogarino. Sam Fogarino wrote most of the songs for snakes while on tour promoting Interpol’s fourth and self-titled album, from mid 2009 to late 2011. This is raw sounding, garage flavored, but genuine indie rock, somewhere in the space between dEUS, Eels (in their good old days) and Sonic Youth. As he describe it: lyrically, the songs are the result of he’s reading much postmodern fiction by writers such as Hubert Selby Jr (‘Sulfate’); discovering an appreciation for aerial dance and a fascination with outer-space (‘Lyra’); the TV-drama Justified (‘Up In The Holler’), and Black Francis of Pixies fame (‘That Man’). Musically, Sam drew upon classic heavyweights; Neil Young (The closing track on snakes is a cover of ‘Down By The River’), The Stones, Zeppelin—filtered through his affinity with the likes of Sonic Youth and Pixies.
 EmptyMansions it’s the solo effort of Interpol’s drummer Sam Fogarino. Sam Fogarino wrote most of the songs for snakes while on tour promoting Interpol’s fourth and self-titled album, from mid 2009 to late 2011. This is raw sounding, garage flavored, but genuine indie rock, somewhere in the space between dEUS, Eels (in their good old days) and Sonic Youth. As he describe it: lyrically, the songs are the result of he’s reading much postmodern fiction by writers such as Hubert Selby Jr (‘Sulfate’); discovering an appreciation for aerial dance and a fascination with outer-space (‘Lyra’); the TV-drama Justified (‘Up In The Holler’), and Black Francis of Pixies fame (‘That Man’). Musically, Sam drew upon classic heavyweights; Neil Young (The closing track on snakes is a cover of ‘Down By The River’), The Stones, Zeppelin—filtered through his affinity with the likes of Sonic Youth and Pixies.   So, this is one of the sickest metal s*it I heard lately, and definitively one of the best releases of the genre in 2012! Anyway, for sure one of my favorites! It’s damn shame this band it’s not world-wide famous yet!! This is much-much better then 99.9% of the s*it that the media and the record labels pushing and selling lately under any (sometimes fake) metal moniker!
 So, this is one of the sickest metal s*it I heard lately, and definitively one of the best releases of the genre in 2012! Anyway, for sure one of my favorites! It’s damn shame this band it’s not world-wide famous yet!! This is much-much better then 99.9% of the s*it that the media and the record labels pushing and selling lately under any (sometimes fake) metal moniker! “Nu Doar Bas” – meaning, Not Only Bass, it’s a free album with some of the best romanian producers (Vlad Onu, Alien Pimp, Dudawles, Archer, Dyl, Fane, Mighty Boogie, and Beepo) in drum and bass and dubstep, plus as a bonus a tune from Marginal (featuring Datacode and Alien Pimp). We’ve got 9 tracks, 51 minutes of pumping Glitch-Hop with some contorted wobbling and drops, a chilled, smooth, but electrifying mixture of subtle IDM textures and noisier, drum’n’bass flavored and sometimes dub and drumstep fueled, nowadays fancy contortions. All the tracks have their own sound and taste, although the compilation flows smoothly and flawless. This young producers managed to stay close to the trend with the sound, but simultaneously being creative and adding their own identity to these tracks.
 “Nu Doar Bas” – meaning, Not Only Bass, it’s a free album with some of the best romanian producers (Vlad Onu, Alien Pimp, Dudawles, Archer, Dyl, Fane, Mighty Boogie, and Beepo) in drum and bass and dubstep, plus as a bonus a tune from Marginal (featuring Datacode and Alien Pimp). We’ve got 9 tracks, 51 minutes of pumping Glitch-Hop with some contorted wobbling and drops, a chilled, smooth, but electrifying mixture of subtle IDM textures and noisier, drum’n’bass flavored and sometimes dub and drumstep fueled, nowadays fancy contortions. All the tracks have their own sound and taste, although the compilation flows smoothly and flawless. This young producers managed to stay close to the trend with the sound, but simultaneously being creative and adding their own identity to these tracks. Norwegian musician and producer Aleksander Vinter, aka Savant, has a long history experimenting with sound, from playing a Yamaha electric organ at age 4 to composing music with such computer programs as eJay and FastTracker. With no formal musical training, he discovered an uncanny ability to spontaneously imagine and then compose original music, oftentimes writing and finishing up to an astonishing 3 songs per day while his personal catalog exceeds 10,000, and he’s only 25. As impressive as his output is his diversity, his Soundcloud page filled with 99 unique songs, from the classical “_Obscurite_” to the 70’s soundtrack styles of “The Christopher Walkens” to the electro-metal “Overkill” and super-bass-filled, Glitch Hop “Shake the Room”.
 Norwegian musician and producer Aleksander Vinter, aka Savant, has a long history experimenting with sound, from playing a Yamaha electric organ at age 4 to composing music with such computer programs as eJay and FastTracker. With no formal musical training, he discovered an uncanny ability to spontaneously imagine and then compose original music, oftentimes writing and finishing up to an astonishing 3 songs per day while his personal catalog exceeds 10,000, and he’s only 25. As impressive as his output is his diversity, his Soundcloud page filled with 99 unique songs, from the classical “_Obscurite_” to the 70’s soundtrack styles of “The Christopher Walkens” to the electro-metal “Overkill” and super-bass-filled, Glitch Hop “Shake the Room”. Think of Down and Zakk Wylde’s Black Label Society with even more and more intense stoner infusion, add some weight from Kyuss/Queens Of the Stone Age and the right amount of Alice In Chains/Soundgarden flavor to got the essence of what really The Black Widow’s Project it’s about.
 Think of Down and Zakk Wylde’s Black Label Society with even more and more intense stoner infusion, add some weight from Kyuss/Queens Of the Stone Age and the right amount of Alice In Chains/Soundgarden flavor to got the essence of what really The Black Widow’s Project it’s about. Make the last preparation for the New Year’s Eve Party? Get blasted with the long-awaited Annihilating Rhythm 4 mix by DJ 2rip! The mix featured an onslaught of bass with influence from hard & nasty drumstep and electro provided by artists like Figure, Calvertron, Will Bailey, Receptor, Skream, Lazy Rich, and Bloody Beetroots.
 Make the last preparation for the New Year’s Eve Party? Get blasted with the long-awaited Annihilating Rhythm 4 mix by DJ 2rip! The mix featured an onslaught of bass with influence from hard & nasty drumstep and electro provided by artists like Figure, Calvertron, Will Bailey, Receptor, Skream, Lazy Rich, and Bloody Beetroots. The CNK started as a raw black metal group, named Count Nosferatu in 1996 by Nicolas St Morand (aka Mr Hreidmarr) and Jean-Sébastien Ogilvy (aka Heinrich Von B). They shortly changed their name into Count Nosferatu Kommando. Hreidmarr joined symphonic black metal act Anorexia Nervosa in 1998 and due to he’s busy schedule with his new band, the project was put aside in 1999.
 The CNK started as a raw black metal group, named Count Nosferatu in 1996 by Nicolas St Morand (aka Mr Hreidmarr) and Jean-Sébastien Ogilvy (aka Heinrich Von B). They shortly changed their name into Count Nosferatu Kommando. Hreidmarr joined symphonic black metal act Anorexia Nervosa in 1998 and due to he’s busy schedule with his new band, the project was put aside in 1999. Born and raised in Tel Aviv, Israel, Avishai Cohen began performing in public in 1988 at age 10, playing his first solos with a big band and eventually touring with the Young Israeli Philharmonic Orchestra to perform under the likes of maestros Zubin Mehta, Kurt Masur and Kent Nagano. Having worked with Israeli folk and pop artists in his native country and appeared on television early on, Avishai arrived as an experienced professional musician when he took up a full scholarship at Berklee College of Music in Boston.
 Born and raised in Tel Aviv, Israel, Avishai Cohen began performing in public in 1988 at age 10, playing his first solos with a big band and eventually touring with the Young Israeli Philharmonic Orchestra to perform under the likes of maestros Zubin Mehta, Kurt Masur and Kent Nagano. Having worked with Israeli folk and pop artists in his native country and appeared on television early on, Avishai arrived as an experienced professional musician when he took up a full scholarship at Berklee College of Music in Boston.





