Dark metal could not get darker and further into the hidden and tenebrous conscience and sub-conscience of the sick and twisted human soul and mind.
“The Purging” continues where the critically acclaimed and Manifest Award nominated debut album, “The Tunnels” left off in 2011. Eventually this is going more wicked and gloomy that its predecessor.
Terra Tenebrosa it’s definitively one of the most experimental and most bold metal acts of Sweden, but also one of the most interesting avant-garde acts that pushing the envelope and widening the horizon. Not an easy listening, not really friendly and definitively not for everybody, but once you get into the atmosphere of it, reveals unexpected dimensions and colors. Read more Terra Tenebrosa – The Purging (2013)
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Miranda – Asylum: Brain Check After Dinner (2013)
If you’re into the wildest Sonic Youth like rock experiments and generally, into borderless, adventurous, noisy and raw, garage rooted rock with additional contorted electronic layers, Miranda is exactly the kind of “girl” you’re looking for. Really “kinky” stuff for your ears.
Miranda is a three piece band from the south of Italy (calabria and Puglia), but they relocated in Florence, Italy, since 1999. Piero Carafa playes bass, Giuseppe Caputo guitar, voice, synth and sampler, while Nicola Villani drum, electr. drum and synth.
During the several years of activity they’ve run different musical directions. Miranda’s artistic vision has been described “radical and broadminded, disaggregated and oblique, their attitude mocking and alienated” (Blowup Magazine 2006).
They’ve released 2 albums on fromScratch (Inside the whale, 2003, and Rectal exploration 2006) and a split CD with the Canadian band Creeping Nobodies. Defined “one of the most interesting Italian underground bands” (Rumore Magazine, nov. ’07) they’re becoming a cult band of the no wave scene, thanks to their incendiary shows and to their personal and uncompromising research constantly carried on. Read more Miranda – Asylum: Brain Check After Dinner (2013)
David Bowie – The Next Day (2013)
Everybody’s praise Bowie and his brand new “The Next Day” album, which comes after a heart attack and a serious 10 years gap. The 66 year old Bowie announced the release of his new album at his 66 birthday.
True, between the fabulous 2003’s “Reality” and this brand new album we had “Toy”, in March 2011, Bowie’s previously unreleased album from 2001 (another 10 years gap fulfilled), which leaked onto the internet, containing material used for “Heathen” and most of its single B-sides, but, that was just a bitter-sweet delicatessen for inpatient fans and “pour le connaisseur”, isn’t it?
The cover for “The Next Day” was designed by Jonathan Barnbrook, and it plays on the iconic cover of 1977’s “Heroes” – witch was the second installment of his Berlin Trilogy with Brian Eno, while the cover photo was shot by Masayoshi Sukita. And somehow “The Next Day” it’s a trip back to Berlin, a journey in the search of lost (and eventually find) love, soul, spirit or anything else. Or a seek and hide with Mr. Death. But the first released single, “Where Are We Now?” take us back to Berlin literally and emotionally. So, Ziggy Stardust is back and he’s gonna eat your heart out! Read more David Bowie – The Next Day (2013)
Fragment – Temporary Enlightenment (2013)
Merging shoegaze flavoured gloominess and endless distorted guitar chords; slow pulsing electronic layers and bitter sweet clean vocals; cinematic tension and mechanical monotony; Thierry Arnal, the one-man army behind Fragment, is back with his new album entitled “Temporary Enlightenment”. This is a quite dizzy mixture of alternative rock and drone, post-modern psychedelia and slowcore, dream-pop and shoegaze, a bridge build of sound and noises, but on solid emotional pillars, between Sunn O)))) and Sigur Rós, between Pink Floyd and Candlemass, and everything ever-after and above.
Not an easy listening, not refreshing, probably not gonna make you feel better or released, but it’s gonna make you feel miserable and eventually make you cry, but that’s alright. Crying it’s not something you should be ashamed of. And “Temporary Enlightenment” have several quieter, less weighty and depressing moments as well (like the nice acoustic “From This Moment”), so, no need to be desperate, there is still a pale stain of hope. Read more Fragment – Temporary Enlightenment (2013)
ZEUS! – Opera (2013)
Luca Cavina (Calibro 35, Craxi, Incident on South Street) : distorted Bass and Vocals and Paolo Mongardi (Fuzz Orchestra, Ronin, FulKanelli, ex-Jennifer Gentle) : distorted Drums, started this project in October 2010, aiming at “using the minimum in order to get the maximum and is: not metal, not punk, not math, not noise, not prog, absolutely not jazz-core, neither post-whatever” – as they firmly declared.
Althrough this is a quite rough and tumultous adventure out of most people’s musical and lyrical comfort zone, this is definitively a genuine and creative act of art, something actually (and unfortunately) damn rare these days. Read more ZEUS! – Opera (2013)
One Morning Left – Our Sceneration (2013)
If you think it’s the perfect time to wider your musical horizon while the music became boring – which it’s actually f*ckin’ true -, One Morning Left might be your perfect choice and from where you kick out. Merging trance flavoured electronic layers, dubstep drops and mad wobbling, with death metal rooted extreme metal butcheries, One Morning Left delivers all. This is fun and simultaneously deadly serious. Screaming like a slaughtered pig (Mika “Miksu” Lahti), or singing loud and clear (Tomi “Tomppa” Salonen), banging on techno beats (Veli-Matti “Vesku” Kananen) or heavy basses (Tuomas “Tumppi” Teittinen), murderous guitar riffs (Ari “Arska” Levola), blood vomiting growls and total brutality – One Morning Left covers all. And – surprisingly – this sounds great and make sense! Or not really surprisingly. Geerally speaking, Scandinavians delivers quality stuffs. Eventually, in the particular case of One Morning Left, blame it on the Finnish climate, Scooter, Lauri Tähkä and the mental hospitals… Read more One Morning Left – Our Sceneration (2013)
Dirty Shirt – Freak Show (2013)
The circus it’s back to the town! Run and hide while you still can, the freaks are out of leash! Or just turn up the volume, dig out from the corner of your soul your rusty air-guitar and bang the hell out of your head!
Formed in 1995 in a small town called Seini from Maramureş, Romania, by four young and enthusiast musicians, Dirty Shirt released their third (and deadly) album these days. The vivid mixture of Western, Industrial fueled Hardcore Metal and Eastern folklore never sounded better and more cohesive. It’s a rarely happy marriage between different sounds and aromas, a smartly conducted collision of cultures and concepts. Although, Dirty Shirt reminds me of Tankard, Leningrad Cowboys and Faith No More, and they have solid roots back to the late 80’s, mid 90’s metal, this still sounds powerful and alive. Alternative metal, smartly layered and tastefully flavoured with nu-metal, metalcore and genuine (home made 🙂 ), secret ingredients. Read more Dirty Shirt – Freak Show (2013)
KMFDM – Kunst (2013)
Spawned in Germany during 1984, KMFDM (Kein Mehrheit Für Die Mitleid, loosely translated as “no pity for the majority”) pioneered the crossover between techno/dance and heavy metal with their signature industrial sound. Moving to Chicago in the mid-80’s KMFDM was the pride of WaxTrax! Records during the label’s peak. They relocated to Hamburg, Germany in October 2007.
Led by German multi-instrumentalist Sascha Konietzko, KMFDM has released seventeen studio albums and two dozen singles, with sales of more than two million records worldwide. The current line up incorporates: Sascha Konietzko – vocals, guitar, bass, programming, keyboards, synthesizer, percussion; Lucia Cifarelli – vocals, keyboards; Jules Hodgson – guitar, bass, keyboards; Andy Selway – drums and Steve White – guitar. But we must mention a few former key members such as Tim Skold, Raymond Watts, En Esch, Günter Schulz and Mark Durante.
The forthcoming eighteenth studio album entitled “Kunst” it’s due for release on February 26, 2013 on Metropolis Records. Read more KMFDM – Kunst (2013)
Vuyvr – Eiskalt (2013)
Über brutality – total aggression. But it feels good and sounds murderous. Raw, unpolished, furious and totally grinding into the ground type of black metal with well determined roots back to the traditional Nordic sound, but simultaneously looking boldly into the future and exploring yet virgin outer limits of the genre. Vuyvr are the new Swiss challengers and they are definitively the most devilish offspring of some glorious predecessors as Hellhammer, Celtic Frost, Samael or Coroner.
My favorite butcheries are “War Of 100 000 Centuries”, “Idolatry”, “Dead Trees Are Wandering At” and the epic “The Wyvern”. Read more Vuyvr – Eiskalt (2013)
How to Destroy Angels – Welcome Oblivion (2013)
Traveling with Trent Reznor, Atticus Ross, Mariqueen Maandig and Rob Sheridan again. The long anticipated debut album finally it’s here and we’ve got 13 steps to go on, 13 levels of exploration, 13 ways to drowning and surfacing back to the light. Eventually.
About this Reznor’s post Nine Inch Nails project I wrote in details last year when they released their second EP entitled “An OMen”, so, if you’re interested in the full story of the bang, go back an read it HERE. Although, not really surprisingly, “An Omen” made it to my list of favorite releases of 2012 and it was definitively one of the most interesting musical experiments of the last year, a bold and ingenious method to leave the past behind, but staying true to themselves and digging into the wilderness and unknown of the future. Read more How to Destroy Angels – Welcome Oblivion (2013)
