So, this is one of the sickest metal s*it I heard lately, and definitively one of the best releases of the genre in 2012! Anyway, for sure one of my favorites! It’s damn shame this band it’s not world-wide famous yet!! This is much-much better then 99.9% of the s*it that the media and the record labels pushing and selling lately under any (sometimes fake) metal moniker!
Corey Cochran – compositions, guitar, vocals, programming; and Josh Moss – bass and keyboards are the pillars of this project formed in 2010, in Danville, Virgina. Delivering a psycho kind of twisted death metal with psychedelic and progressive taste and avant-garde edge, The Conjuration released their second full length album on 21 December 2012. Both albums were released last year and both are available for FREE DOWNLOAD at the band’s Bandcamp page.
Drawing inspirations from different bands such as The Dillinger Escape Plan, Therion, Strapping Young Lad, Rush, Opeth, Cynic, King Crimson, Between the Buried and Me, Alchemist, Pink Floyd, Slayer, The Cure, Sigh, Atheist and ELP, they delivered a twisted in and out journey to the outer limits of metal.
They says: “Music is an art. Art is an outlet of emotions and philosophies that can fill the senses and change lives…and that’s exactly what we want to do. We make music because we love music. We make music because we want to help people. We want to make a better world for all the earth’s lifeforms. We just want to be heard, and have our music help someone out there… ” Read more The Conjuration – The Human Condition (2012)
“Nu Doar Bas” – meaning, Not Only Bass, it’s a free album with some of the best romanian producers (Vlad Onu, Alien Pimp, Dudawles, Archer, Dyl, Fane, Mighty Boogie, and Beepo) in drum and bass and dubstep, plus as a bonus a tune from Marginal (featuring Datacode and Alien Pimp). We’ve got 9 tracks, 51 minutes of pumping Glitch-Hop with some contorted wobbling and drops, a chilled, smooth, but electrifying mixture of subtle IDM textures and noisier, drum’n’bass flavored and sometimes dub and drumstep fueled, nowadays fancy contortions. All the tracks have their own sound and taste, although the compilation flows smoothly and flawless. This young producers managed to stay close to the trend with the sound, but simultaneously being creative and adding their own identity to these tracks.
Knowing how damn hard it is to independently promote your music in this bought-up and sold-out world, I want to bring to your attention this release before the year it’s over. No electronic shits and dubstep infusions, no “metalcore”, no fake heaviness, but sparking originality and true to the bone Metal as rarely we can listen lately. And even further, this band is formed by two extremely young, 21, respectively 18 year old, but talented and gifted guys. The future of Metal sounds brighter and thunderous now! The old school is the new school!!
Norwegian musician and producer Aleksander Vinter, aka Savant, has a long history experimenting with sound, from playing a Yamaha electric organ at age 4 to composing music with such computer programs as eJay and FastTracker. With no formal musical training, he discovered an uncanny ability to spontaneously imagine and then compose original music, oftentimes writing and finishing up to an astonishing 3 songs per day while his personal catalog exceeds 10,000, and he’s only 25. As impressive as his output is his diversity, his Soundcloud page filled with 99 unique songs, from the classical “_Obscurite_” to the 70âs soundtrack styles of “The Christopher Walkens” to the electro-metal “Overkill” and super-bass-filled, Glitch Hop “Shake the Room”.
Think of Down and Zakk Wylde’s Black Label Society with even more and more intense stoner infusion, add some weight from Kyuss/Queens Of the Stone Age and the right amount of Alice In Chains/Soundgarden flavor to got the essence of what really The Black Widow’s Project it’s about.
Make the last preparation for the New Year’s Eve Party? Get blasted with the long-awaited Annihilating Rhythm 4 mix by DJ 2rip! The mix featured an onslaught of bass with influence from hard & nasty drumstep and electro provided by artists like Figure, Calvertron, Will Bailey, Receptor, Skream, Lazy Rich, and Bloody Beetroots.
The CNK started as a raw black metal group, named Count Nosferatu in 1996 by Nicolas St Morand (aka Mr Hreidmarr) and Jean-SĂ©bastien Ogilvy (aka Heinrich Von B). They shortly changed their name into Count Nosferatu Kommando. Hreidmarr joined symphonic black metal act Anorexia Nervosa in 1998 and due to heâs busy schedule with his new band, the project was put aside in 1999.
Born and raised in Tel Aviv, Israel, Avishai Cohen began performing in public in 1988 at age 10, playing his first solos with a big band and eventually touring with the Young Israeli Philharmonic Orchestra to perform under the likes of maestros Zubin Mehta, Kurt Masur and Kent Nagano. Having worked with Israeli folk and pop artists in his native country and appeared on television early on, Avishai arrived as an experienced professional musician when he took up a full scholarship at Berklee College of Music in Boston.
Metallers start getting familiar, comfortable with Ethnic infusions in the 90s with the colorful sounds built in the Metal genre by Sepultura. More recently, System Of A Down introduced Oriental and Arab flavored shades into Metal and conquered the whole world with their music. Somewhere between the Thrash/Death gravity of Sepultura and the modern intensity of System Of A Down and revealing the beauty and mystic flavor of Arab music, the Paris, France, based Acyl delivered a brilliant debut album. One of the best and most exciting Metal albums of 2012.
If there is a space between King Crimson and Marilyn Manson, that space definitively it’s filled with the Italian Artifex. With roots back to the Psychedelic/Progressive Rock of the 70s and 80s, but with gloomy resonances of the Industrial Rock and Industrial Metal of the 90s, Artifex are building a brand new world out of Hard Rock bricks and modern sounds, electronic layers, but not at least, strong emotions.








