Considered traitor, labeled hipster, Vegard Sverre Tveitan, better known as Ihsahn and probably most famous for his work with Norwegian black metal band Emperor, is one of the most talented and creative, innovative artists of our times. “Das Seelenbrechen” it’s his fifth solo release follow-up of his 2012’s “Eremita”.
Some old fans who followed him also through this first two solo albums, “The Adversary” (2006) and “angL” (2008) were later parted away while Ihsahn became more and more experimental and less attached to the classic metal sound and borderlines. “After” (2010) and “Eremita” (2012) were step by step departures from the conventional metal structures and arsenal and more into avant-garde and experimentation, exploration of the unknown and unconventional. And this is the path where Ihsahn continue to go further. Read more Ihsahn – Das Seelenbrechen (2013) ›

I’m into the music “thing” since I was born, or, probably, from a few month earlier, and I started doing remixes a few years back after I quit being part of different bands I played with more then a decade. The remix contests nowadays are rarely about music, but about involving and putting up much as possible people to promote through their own social network the artist in question. It’s pity, it’s sad, it’s undeniable.
Now it’s one of the very rare cases when a remix contest it’s about the music and not the social networks. We’ve got 24 recorded, quality sounds to work with and create something special out of Dvorak’s 9th Symphony.
Antonín Leopold Dvořák (September 8, 1841 – May 1, 1904) was a Czech composer. Following the nationalist example of Bedřich Smetana, Dvořák frequently employed features of the folk music of Moravia and his native Bohemia – then parts of the Austrian Empire and now constituting the Czech Republic. Dvořák’s own style has been described as “the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them”.
Among Dvořák’s best known works are Read more DSO’s Dvorak Remix Contest ›

Some (so-called) specialists consider that the third album it’s the most important in the career of a musician or a band. While the debut album it’s like an introduction and a business-card, the second one defines more clearly the personality of the artist, the third it’s the album when critics and fans, the almighty audience, can decide if the artist worth our interest or it’s just another product of a saturated, cold and soulless industry.
BLN’s first, self-titled album was released after 13 long years of clubbing and gigging and BLN’s sound was more aggressive, he’s grooves where tensioned and contorted, his songs were filled with noisy and glitchy layers. At “Dizzy”, only one year after, BLN chilled down surprisingly, delivered a soft, more meditative IDM album leaving behind his industrial fueled, glitchy EDM roots. So, I was pretty curious in which direction BLN decided to took his ride this time. Read more BLN – Moldern (2013) ›

Mr. Numan is back! The 20th studio album by the British music genius got me by surprise while I was not expected a new release so soon, although “Dead Son Rising” was released in 2011, it feels like yesterday and generally, Numan get used us with a three and even longer gaps between albums. But I’m not complaining at all!! This is another brilliant album and I’m 101% excited about the new Numan songs and sound. And the perspectives are really promising with this one while the album reached No. 20 in the UK album charts, making it Numan’s highest charting album since “Warriors”, exactly three decades ago.
“Splinter” is the perfect mixture of my favorites elements from Numan’s last two albums “Jagged” (2006), respectively “Dead Son Rising” (2011). We’ve got those hypnotic, Oriental flavored melodies, some grinding and contorted noises and bone cutting heavy synth riffs and fantastic hooks, smart rhythmic structures and build-ups, so, everything what makes Numan so special, genuine and unforgettable. Read more Gary Numan – Splinter [Songs From A Broken Mind] (2013) ›

Lou Reed, one of the most influential rock icons, died at the age of 71 on October 27, 2013. Reed was best known as guitarist, vocalist, and principal songwriter of The Velvet Underground. After his departure from the group, Reed began a solo career in 1972. He hit the mainstream and gain large audience the following year with the song “Walk on the Wild Side”.

“Transformer” and “Berlin” are probably two of his most famous albums. In 1975, Reed released a ground breaking double album build-upon feedback loops and entitled “Metal Machine Music”. In 2011 Reed released “Lulu” a collaboration album with Metallica. Read more R.I.P. Lou Reed March 2, 1942 – October 27, 2013 ›

Extra noisy and contorted sound, power beats, fancy drops and smart melodic hooks, Cyberpunkers are back with a solid three track EP out on Freakz Me Out Records. This time they deliver another fine collection of different moods, sounds, genres and tempos, but definitively extremely danceable tracks. “Shock” is a murderous clubbanger, firestarter, dance floor grinder. Probably the best one out of the three, but the whole EP is solid and these Italians still manage to put together some interesting songs while the new EDM scene – generally – is vapid, meaningless and bloody boring.
The “Cyberpunkers” project is the child, born in 2006, of the passion for Cyberpunk culture of two young Italian DJ’s. The format aims at giving a fresh start to this style. In a nutshell, a transposition of the Cyberpunk world in modern clubbing. Read more Cyberpunkers – Shock EP (2013) ›

Matthew Shipp was born December 7, 1960 in Wilmington, Delaware. He started piano at 5 years old with the regular piano lessons most kids have experienced. He fell in love with jazz at 12 years old. While Matthew Shipp was attracted to jazz, he also played in rock groups while he was in high school. Shipp attended the University of Delaware for one year, then the New England Conservatory of Music, where he studied with saxophonist/composer Joe Maneri. He has cited private lessons with Dennis Sandole (who also taught saxophonist John Coltrane) as being crucial to his development.
After moving to New York in 1984 he quickly became one of the leading lights in the New York jazz scene. He was a sideman in the David S. Ware quartet and also for Roscoe Mitchell’s Note Factory before making the decision to concentrate on his own music.
Shipp has been very active since the Read more Matthew Shipp – Piano Sutras (2013) ›

Founded by teen brothers Max and Igor Cavalera in 1984, Sepultura (the Portuguese word for “grave”) is the most successful metal band from Brazil, they sold over 3 million units in the USA and almost 20 million worldwide. Neither of the Cavalera brothers are still part of the band now. Max left the band in 1996, after the release of their most successful album “Roots”, while Igor left in 2006, after the release of the album “Dante XXI”. Jean Dolabella, drummer of Diesel (later changed to Udora) and drummer for Andreas Kisser 2009’s solo album, join Sepultura for the following two albums “A-Lex” (2009) and “Kairos” (2011). Jean was a drumming teacher at the Pro-Music School in Belo Horizonte, he left Sepultura in 2011. Jean was replaced by 20 year old Eloy Casagrande who previously played in Andre Matos – the solo band of ex-Viper, Angra and Shaaman singer. Former Slayer drummer Dave Lombardo also made a guest appearance on the album on the song called “Obsessed” and guitarist Andreas Kisser has taking over the microphone on the Chico Science & Nação Zumbi cover “Da Lama ao Caos”. The album was produced by Ross Robinson, who also produced Sepultura’s fabulous and most appreciated “Roots” album.
The upcoming thirteenth studio album it’s scheduled for release on October 25 and will be released by Nuclear Blast, the same label which released on September 30 “Savages”, the ninth album by Max’s Soulfly. Being on the same label already created tensions between the two bands. Referring to Sepultura Max declared “that the band shouldn’t even be called SEPULTURA” and regarding to the new collaboration with Ross Robinson, Max said “Ross hadn’t done anything good in a long”. I’m not so convinced about this, but I’m damn sure that “The Mediator Between Head And Hands Must Be The Heart” it’s definitively one of the Sepultura’s finest album. Read more Sepultura – The Mediator Between Head And Hands Must Be The Heart (2013) ›