A crocodile driving, skating and biking through Berlin. Shot with a 360° rig using 6 GoPro Cameras and a 3D printed mount.
Jonas Ginter explain: “In order to breathe life into this little planet and to implement them as a moving picture, I’ve tried a lot of funny things in the last few years: I’ve screwed my cameras on the turntable and nights trying to put thousands of pictures. Has not worked. I have strange designs with mirrors looked at and frustrated found that the absolute nonsense. Piece by piece, came the realization that I can realize 360 degree videos only when I capture the image in one take. So the logical conclusion was: Many cameras. Luckily there GoPro cameras that cover with her fisheye lens a decent viewing angle. So you only need six cameras to record horizontally 360 ° and vertically 180 ° can. Provided you point the camera from exactly. The closer the lenses are to each other and the more overlap produce each camera the better the result. I have unsuccessfully experimented with rubber bands, cable ties, wood and polystyrene. Only with the construction of a support which has been printed in the 3D printer, everything worked satisfactorily. I have this template as a base and used a bit off without the help of any crack of the Hacker Space Bremen and especially without Andree’s and Michael’s involvement, would have been all that nothing.” Read more Planet Berlin – 360° with a crocodile
Primele sintetizatoare analogice au fost construite între anii 1920 și 1930, printre ele fiind și Trautonium, un instrument muzical electronic și monofonic dezvoltat în 1929 de către Friedrich Trautwein în Berlin în laboratorul Rundfunkversuchstelle al institutului de muzică și radio Musikhochschule. Lui i s-a alăturat Oskar Sala și au continuat să dezvolte sintetizatoare până în anul 2002. Cei doi au prezentat public Trautonium-ul în data de 20 Iunie 1930 la Musikhochschule Hall din Berlin în cadrul unui spectacol intitulat “Neue Musik Berlin 1930″.
How many skins they will keep ripping off of MJ? Pretty sordid and kind of necrophiliac. Epic Records on 9th May will release the second posthumous compilation album of previously unreleased tracks entitled “Xscape” and MJ now it’s kind of back in the spotlight. So, Sporty-O & Kisskaya considered it’s a brilliant idea to desecrate a classic MJ track, the 1987’s single “Leave Me Alone”. It would be much better and decent to leave the dead king of the pop alone and do not dishonor his memory. And don’t get me wrong, I do not like MJ, I never did and except a very few songs, I didn’t enjoy his music, although I admit he was a great entertainer and showman.
My Life With The Thrill Kill Kult rose to fame at the end of the 80’s by their hard beats, distorted vocals, dense and contorted instruments and bizarre film samples. It was something burlesque and something wicked about their music, something genuine. It was the troubled age of post-new wave and the dawn of the hard-industrial revolution and Franke Nardiello (aka Groovie Mann) with Marston Daley (aka Buzz McCoy) managed to merge efficiently the disco bass with the rocking wah-wah guitars and dabbling in some big bad burlesque brass. Some say that they are met over a few drinks in a bar in Chicago and soon find themselves touring with the band Ministry.
I have written about this Italian band long-long time ago, true in a different language, can find that article 
If Syd Barrett would still be around and doing records, probably he would play the things John Frusciante play. A brilliant, but sometimes disturbing game of motions and emotions beyond the horizon we generally dare to explore. Sometimes there is no line between madness and genius.
“Psychomagia” is the new album by the fabulous quartet of Abraxas, the follow up of the 2012’s “Abraxas: Book of Angels Volume 19”, the debut album by led by Shanir Ezra Blumenkranz performing compositions from John Zorn’s second Masada book, “The Book of Angels”.
