Imagine a frontal collision between Foo Fighters and Led Zeppelin and the result will sounds pretty much as Fleeting Circus, the new Alternative Rock star rising from Rio de Janeiro, Brasilia. Their dark and groovy sound also incorporate reminiscences of acts such as Muse, Chore, Deftones, Kings Of Leon, Jeff Buckley and Sunny Day Real Estate, while “The Dream World Of Magic” EP has two songs that made history in the first edition of the Yamaha Brazilian Beat festival, “Fake Station” and “Underground”. “Underground” is 101% Rock radio anthem, have some smooth and gentle Kings of Leon taste and that magic touch witch make a great song unforgettable. On the other hand, songs like “Come On” represents the darker and heavier side of the band where the flesh cutting riffs and pounding drums are served with dissonances and screaming vocals. Fleeting Circus find a refreshing balance between classic heaviness and modern noisiness and merged the past into the future delivering a six station trip in their own magical-musical universe. And in top of all this, you can download even for free (name your price) the EP from their Bandcamp page or buy the hard copy for only $9.99 USD. Read more Fleeting Circus – Dream World Of Magic, EP (2012)
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Step Between Shadows – Understanding Your Reflection, EP (2012)
Mandatory if you’re a Trent Reznor/Nine Inch Nails fan, eventually you’re into Gary Numan’s music and the latest soundtracks delivered by Trent Reznor and Atticus Ross, Step Between Shadows are the very next artist to listen too and get your hands on his recently released debut EP available now on iTunes, Amazon, Spotify, etc or download it for only $2 USD via Bandcamp. The EP was mastered by Tom Baker at Precision Mastering, Hollywood, CA (Nine Inch Nails, How To Destroy Angels, Marilyn Manson), so, it’s really sound huge!!
Matt John Ryan aka. Step Between Shadows is an artist from Toronto, Ontario, Canada, and his debut EP consist of four solid tracks. This is a post-industrial journey into the world previously explored by Trent Reznor and Atticus Ross, first on the 2010’s score for David Fincher’s “The Social Network” which won the Golden Globe Award for Best Original Score and the Academy Award for Original Score; and on the score for Fincher’s adaptation of “The Girl with the Dragon Tattoo”, which also were announced as nominees for the 2012 Golden Globe Award for Best Original Score. “Understanding Your Reflection” definitively deserves a movie and eventually some nominees for Best Original Score!! Read more Step Between Shadows – Understanding Your Reflection, EP (2012)
Myriad – Specter, Fate & Fable (2012)
If you like Rush, Myriad will conquer you as well almost instantly. Sometimes it’s a thin line between copies, imitators and creative, genuine artist and this New York based trio it’s somewhere between. “Specter, Fate & Fable” it’s so Rush that it’s obvious for anybody, but still it’s not the same, the band gathering influences also from other progressive Rock acts such as Kansas, ELP, Yes, Jethro Tull, King Crimson, UK, Camel, Genesis, Pink Floyd, King’s X, Flower Kings, Spock’s Beard, etc. But the main and dominant influence is definitively Rush. On the other hand, it’s at least hard to be the equals of Lifeson, Lee and Peart…
Also, there was a pretty obscure, but reached to cult status Australian progressive rock duo also under the same name: Myriad, and even more recently, there is a band named The Myriad from Seattle, so, the band name is not so inspired as well and although they have web site, MySpace and Facebook profile, it’s pretty difficult to locate and identify them. And by the way, the site looks and taste pretty old-fashioned and kind of amateurish… Just like their videos – unfortunately. Like it or not, in a consumer’s world, the wrapping matters more then it’s normally should.
But then again, “Specter, Fate & Fable” it’s a quite enjoyable “food for ears”, eventually for soul. And have a decent cover. 🙂 Read more Myriad – Specter, Fate & Fable (2012)
Ghosts – Judge (2012)
Two Dublin (Ireland) based producers, Paudie Bob and Kevin Gleeson, merging elements of Dark Ambient, Garage, 2 Step and Dubstep.
This is a nice trip into the dark side of electronic emotions and mechanical grooves, manipulated vocals, smartly layered synths and pulsing noises. Mysterious, still catchy and colorful, Ghosts find a nice path between Deep House, Techno, 2 Step, Garage, Dubstep, Dark Ambient and blend them all together into their own.
To date they have two independently released two EP’s, “Doxology” and “NIGHT”, and several official remixes for the likes of CLU, Simon Bird and Monto. Their new EP, “Judge”, was released on June 18th by the online digital label, Bad Panda Records.
And most of all, can get it for FREE legally/officially!! Read more Ghosts – Judge (2012)
Black Light Burns – The Moment You Realize You’re Going To Fall (2012)
“The Moment You Realize You’re Going To Fall”, the sophmore album by the Wes Borland leaded and fronted Black Light Burns sounds sweat and dark in a quite David Bowish manner. It’s impossible to stick any label to this music, it’s impossible to squeeze it into any defined genre of style, this is post “something” without being typically finicky and selfishly obscure and pointlessly exclusivist, it’s simultaneously Rock, mainly noisy and garage taste-like, but sometimes Jazzy, and Industrial in a quite classic sense and approach, but avoiding all the cliches and mandatory conformity. It’s arty, but not abstract and it’s trippy without becoming shapeless. Wes Borland definitively founded a fascinating, very own flavored path here and delivered a pretty exciting material.
Vividly colored, changing moods and grooves, “The Moment You Realize You’re Going To Fall” it’s a bold, literally edgy cutting, modern (Industrial) Rock album, one of the finest of it’s kind.
Quitting Limp Bizkit in 2001, Read more Black Light Burns – The Moment You Realize You’re Going To Fall (2012)
Rescue Rangers – Manitoba (2012)
Chip ‘n Dale anybody? 😆 No, seriously, this is heavy, heavy Rock, Rescue Rangers reminds me of Kyuss/Queens of the Stone Age, Helmet, Clutch, Black Label Society, and some Grunge and Post-Grunge outfits as Stone Temple Pilots, modern Rock – and Post-Rock – bands such as Tool. Although, “Why So Serious” definitively reminds me of Alice In Chains, and their glowing shadow is pulsing discretely throughout in their music.
“Manitoba” it’s a dark, intense, perfectly build-up and biting Rock album, and almost surprisingly, although they are from Marseille, France, it’s sound very American. Pascal Mascheroni – Vocals & Guitars, Christophe Fresard – Bass, and Pierre Roulois – Drums, find that killer fat sound and write the most addictive riffs and grooves which make that kind of Rock kicking. Read more Rescue Rangers – Manitoba (2012)
Subsource – Generation Doom, EP (2012)
“Tales From the Doombox”, their 2010’s debut album was huge as a 10 tones punch right in the face. These guys from London just nailed the essence of wobbling noises filled Dubstep, the nerve and anger of Punk and the heaviness of Metal acts and merged everything into their own flavored music. Few artists can mash up different styles so smoothly and coherently as they did. Get Sex Pistols, Skrillex and Slipknot in the same room and make them bleed out the most intense possible s*it they can deliver, and then, eventually, you will come near to what Subsource sounds like. It’s dangerous and ferocious. Banger! This is the best result if someone ever trying to merge The Prodigy with Rage Against the Machine.
Liam Howlett of The Prodigy said: “These boy have a big, nasty sound. Dangerous to my ears” – and he definitively knows what he’s talking about.
Punkstep? Well, no label might match more appropriate!! Read more Subsource – Generation Doom, EP (2012)
Inside-Project – A History of Violence (2012)
Pounding drums and murderous tempos, cutting till the bone riffs, bloody howling/deadly screaming vocals, “get the hell out of my way” attitude, merging the Death and Thrash Metal rooted with the intensity and energy of the Hardcore, Inside-Project are back!
Three years after “Alone facing death” and after playing more than 100 gigs across Europe, shredding the stage with bands such as Motorhead, Suicidal Tendencies, Agnostic Front, Gojira, Entombed, Tagada Jones, Paradise Lost, L’Esprit du Clan, This Is Hell, Ultra Vomit, Mass Hysteria, The Arrs, Eluveitie, “A History of Violence” consist of 11 merciless, the Alpha and Omega of modern Metal brutality. Read more Inside-Project – A History of Violence (2012)
Noh Mercy – Noh Mercy (2012)
“No answering machines. No computers. No internet. No cordless phones (much less cell phones). No color Xerox. Only DayGlo colored paper for posters. Graphics meticulously cut and pasted out of magazines, newspapers, or clear plastic rub-on letters. All Super 8 movies on film or the new ‘video’ were very expensive to process and you needed to be rich or have access to a school to use the equipment. All photography was either Polaroid or else you needed to have access to a darkroom.
We communicated with posters on telephone poles, sympathetic radio stations, and word of mouth. We visited each other’s homes to draw, paint, and listen to records. We wrote and received letters sent through the mail. We discussed politics, art, music, and philosophy in person.” – confessed Esmerelda, the singer half of the band Noh Mercy.
Meanwhile we are totally alienated and disorientated. And full of Caucasian guilt. Read more Noh Mercy – Noh Mercy (2012)
EndAnd – Adventures of Fi in Space (2012)
This is Garage Rock, with one leg back to the 70’s and the other kicking into the future, merging Noise and Alternative Rock influences, blinking with an eye to Psychedelia, but adding some Punk attitude and “no future” easiness, they delivering raw, biting, but definitively tasty and smartly layered mixture of Garage/Punk Rock where gentle melodies, smoothly played chords are make an efficient pair with the overdrives and driving, energetic riffs, pounding drums and buzzing basses.
Resulting from merging two EP’s, “Adventures of Hi-Fi in Space”, and “Adventures of Lo-Fi in Space”, both released in June 2012, this LP consist of quite different recordings, from polished studio quality works to all sort of DIY style recordings, including digital 4 track, analog 4 track, live recording, and minimal pro tools editing. Still the album sounds compact, every piece fits right in. And if you are into real Underground, truly experimental Rock, edge cutting stuffs, not only on the surface, but diving deep, EndAnd worth at least a chance.
And for orientation, think of Cloud Nothings, The Ramones, Helmet, Polvo, Jay Reatard, Gang of Four, Wavves, The Pixies, Guided By Voices, The Melvins, Nirvana, etc. Read more EndAnd – Adventures of Fi in Space (2012)
