I can think of and go back to several different stories. First of all, reminds me of the story of Cain and Able, the two sons of Adam and Eve. Cain was the first human born and Abel was the first human to die while Cain committed the first murder by killing his brother. On the other hand, directed by Orson Welles release on 5 September 1941, “Citizen Kane” was a drama which explored the life and legacy of the publishing tycoon Charles Foster Kane, played by Welles. Nothing of this are directly related to the latest Thot EP, but then again, everything in this world is somehow related and inter-connected. “Citizen Pain” is in particularly nobody, but he’s everybody and anybody, one of us and each one of us. Even the pain became meaningless nowadays. Or we became insensitive to the suffering of the others… and get comfortable with our own misery. Read more Thot – Citizen Pain EP (2013)
Maybe I’m an idiot, but I like “The Marshall Mathers LP 2”. It’s one of the best records of 2013. I can understand the fury and I can feel the pain, taste the irony. This is not a revolutionary record? Eminem did not reinvented the rapping, the rap and the hip-hop? If a bicycle do not need a third wheel – metaphorically speaking – and rap/hip-hop don’t need to be reinvented, I believe Eminem has to be invented. Rap needs Eminem. Simply and plain, just because. Because Eminem is both electric-shock therapy and vitamin. He’s probably not a God as he like to present himself (“Why be a king when you can be a god?” he sings in the song called “Rap God”), but he’s definitively a king. Behind all of his jokes, rhymes and irony I can see a very lonely, very sad, very furious human being. Don’t really give a shit about the over 220 million records he sold worldwide and that make him one of the best-selling music artists of the world, I don’t really consider him one of the greatest artists as the Rolling Stone magazine which ranked him 82nd on its list of The 100 Greatest Artists of All Time, but for sure Eminem got style and know how to say things. And his the eighth studio album, “The Marshall Mathers LP 2” it’s a really solid release.
Time for a new challenge and a cool opportunity to twist off a jazz song into a dubstep monster or whatever else you can think of! Jazz pianist Achim Kück wrote the music of “Game Over” and recorded it with his trio, the sax-player John Ruocco and singer Silvia Droste. Achim Kück owns Dschäss Records, label which published and released their latest album entitled “Dark Clouds” in 2013.
Music it’s your hobby or it’s your vocation and job? Once you’re up on this roller-coaster you’ll be always on hunt for new hardware, software and plug-ins to enhance your productions. It’s a never ending investment, there’s always (at least) one more thing that you need immediately! Most of these stuffs are pretty expensive, but you can get always some amazing free stuffs as well. Free – but keep in mind, those people invest time, work and money to develop those products, so, donations always will be much appreciated! 
This is a quite exciting joint adventure. On one hand we’ve got the futuristic, always inventive music of Celldweller and on the other hand, the award-winning science fiction/fantasy author Joshua Viola best known for his eleven-time award-winning ultra-violent novel, “The Bane of Yoto”.
