“Quasar” sounds extremely alive, intense and rocking, it’s surprisingly fresh and powerful, almost anthematic, have the nerve and rawness, positive energy of the 90’s and “Panopticon” follows pounding as well.
Although Billy Corgan argued that albums are a dead medium and experimented the “one-song-at-a-time” releasing recipe instead the classic format of 12–15 songs in one package with the previous tracks of the concept album “Teargarden by Kaleidyscope”, after releasing the first 10 songs as free downloads at the band’s official site, Corgan changed his mind and released the tracks compiled eight of them in two box sets.
Produced by Billy Corgan and Bjorn Thorsrud, “Oceania”, ninth studio album of the band is also part of the band’s ongoing 44-song concept album, “Teargarden by Kaleidyscope”, adding 13 new songs to the project. Corgan admitted that they switched back to the album format because – “I just saw we weren’t getting the penetration in to everybody that I would have hoped.”
Well, we’re living pretty strange times and nothing is what it seems, nothing is what it used to be and music became only secondary sub-product, accessory of the so-called “music” business which eat itself up and sell exclusively fakes packed and labeled originals.
In this conditions and state of fact, kind of difficult to predict which audience is targeted by The Smashing Pumpkins because “Oceania” is a pretty classy album for old fashioned listeners. Read more The Smashing Pumpkins – Oceania (2012)
Do you remember “7 Seconds”? It was a hit single back in 1996 and received a Grammy nomination, won the Best Song title at the MTV Europe Music Awards. The album was entitled “Man”, “7 Seconds” featuring Youssou N’Dour, the track “Woman” is Neneh Cherry take on James Brown’s 1966 track “It’s a Man’s Man’s Man’s World”, “Trouble Man” a cover of a Marvin Gaye track, while another track, “Together Now”, featured Tricky.


Ihsahn – Vegard Sverre Tveitan, born in 1975, in the town of Notodden, Norway, began playing piano at seven and guitar at ten and began recording songs shortly thereafter. He began his career at age thirteen as a member of what would become fledgling black metal crew Emperor. As a band, Emperor would both define and refine metal, pushing the boundaries of what was considered possible within the most arcane of art forms and taking some of the most adventurous and extreme music of all time to a huge global audience. With albums like seminal “In The Nightside Eclipse” – recorded when Ihsahn was only seventeen, and “Anthems To The Welkin At Dusk”, Emperor obliterated all-comers and became one of the most revered metal bands in history. After the release of their final masterpiece, “Prometheus: The Discipline Of Fire & Demise” in 2001, Ihsahn announced that the band were to part ways to enable himself and his colleagues to pursue new creative avenues.


In 2006 John Zorn formed the hardcore voice/bass/drums trio of Mike Patton, Trevor Dunn, and Joey Baron which became known as the Moonchild Trio. The very same year the trio performed and released two albums of Zorn’s compositions: “Moonchild: Songs Without Words” – an album inspired in part by Aleister Crowley, Antonin Artaud and Edgard Varèse and “Astronome”. A third album with the trio, but also featuring Zorn, Ikue Mori, Jamie Saft and chorus, “Six Litanies for Heliogabalus”, was released in 2007. Their fourth release “The Crucible” appeared in 2008, and 





