Anti-Flag – The General Strike (2012)

Anti-Flag - The General Strike (2012) Everything is politics. Can deny, can run, but can not hide. Anti-fucking-Flag is well known for its left-wing political views, focusing on anti-war activism, imperialism, class struggle, feminism, and various sociopolitical sentiments. From where I sit, left-wing is no better than right-wing and current consumerism is not quite different of fascism, but still, I love Anti-Flag.
Anti-Flag will be releasing “The General Strike” on March 20th, 2012 on SideOneDummy Records, but the album leaked in its entirety on January 19, 2012, 2 months before it’s release date. Their previous album, the 09’s “The People or the Gun” was one of my favorites records of that year, so, listening to “The General Strike” was at least exciting. Read more Anti-Flag – The General Strike (2012)

Man Overboard – Self Titled (2011)

It is not very clear when the term pop punk was first used, but pop-influenced punk rock had been around since the mid- to late-1970s. In ’77 in an article title published by New York Times appeared “Cabaret: Tom Petty’s Pop Punk Rock Evokes Sounds of 60s”, but regarding the merging of sounds between pop/new wave and punk were all over the 80’s and several bands merged pop melodies and catchiness with speedy punk tempos, chord changes and dirty guitars. In the mid-1990s, the California pop punk bands Green Day and The Offspring set the new trend and ever since even new sub-genres – eventually labels – rose: “happy punk”, “faux-punk”, “mall punk”, “pseudo-punk” or “bubblegum punk”.
I admit it unconditionally, I’m an old – stubborn – hardcore punk fan, even mentioning pop and punk in the same phrase sometimes I might consider it at least a deadly sin, but I’m old – and hopefully wise – enough not to generalize, not to reject “by default”, not to hate anything or anybody and I know for sure, every genre has its diamonds and pearls, just like its dirt.
And it’s the Holidays season, Hanukkah, Christmas – or any other pick – , and if your looking for some free downloads and cookies, definitively you will find some taste stuffs on these guys web sites. But for some good stuffs always worth to pay. 🙂 Read more Man Overboard – Self Titled (2011)

Useless – Born To Lose (2011)

I was expected something like The Exploited, but this is more like Suicidal Tendencies. Very neat, brutally incisive, raw, but filled not only with anger and raw fury, but also with smartly sneaked harmonies and melodious parts between the merciless pounding and cutting guitar riffs. Perfect match, as it is quite interesting how they combined lyrics both in French and English. Not quite surprising while we’re talking about a band from Montréal, Canada.
Germ Sauvé (guitar/vocal), Gino Bouchard (Guitar/vocal), Amélie Rouillard (Bass) , Pierre Bouvier (Drum), and Samuel Bourgeois (guitar) delivered a color and powerful debut album filled with killer tracks and great ideas.
Four tracks, “Born to lose”, “Breaking down”, “White pride” and “Ain’t no shit” are available for free download at their Bandcamp page, although can buy the full album for only 7.99 CA $. Read more Useless – Born To Lose (2011)

Rocket From the Tombs – Barfly (2011)

If the name Rocket From the Tombs doesn’t ring a bell, probably Pere Ubu and the Dead Boys does. In 1974, the original line-up included Chris Cuda, Peter Laughner, and Glen “Thunderhand” Hach sharing guitar duties; Charlie Weiner on bass and other implements; and Tom Foolery (née Clements) on drums while the classic lineup included David Thomas (then known as “Crocus Behemoth”, Peter Laughner, Craig Bell, Gene O’Connor (a.k.a. Cheetah Chrome), and Johnny Madansky (presently known as “Johnny Blitz”). Laughner and Thomas went on to form Pere Ubu. Laughner died in 1977, of acute pancreatitis brought on by years of drinking and drugging. O’Connor and Madansky joined with singer Stiv Bators to form Frankenstein, which later morphed into the Dead Boys. Both groups used songs first written or performed by Rocket From The Tombs as parts of their repertoires: the Dead Boys were known for “Ain’t It Fun,” “What Love Is,” “Down in Flames,” “Caught With the Meat in Your Mouth” (done by RFTT as “I’m Never Gonna Kill Myself Again”) and “Sonic Reducer”; Pere Ubu went on to reinterpret “Final Solution,” “Life Stinks” and “30 Seconds Over Tokyo.” “Ain’t It Fun” was first released by O’Connor’s later group, The Dead Boys, on their 1978 second studio album “We Have Come for Your Children.” The song was later covered and rose to fame by Guns N’ Roses when they cover the song for their 1993 album “The Spaghetti Incident?”. Rollins Band also covered the song for their album “A Nicer Shade of Red”, a compilation album which was recorded at the same sessions that produced “Nice” in 2001. Read more Rocket From the Tombs – Barfly (2011)

Misfits – The Devil’s Rain (2011)

Misfits was founded in 1977 by singer and songwriter Glenn Danzig and the band disbanded in 1983 when Danzig went on to form Samhain and then Danzig. During this period, bassist Jerry Only was the only consistent members along Danzing, they released several EPs and singles and the albums “Walk Among Us” (1982) and “Earth A.D./Wolfs Blood” (1983), both considered touchstones of the early 1980s hardcore punk movement.
The success of Danzig’s post-Misfits’ work led to interest in his past work, and several high-profile rock bands professed fondness for the Misfits. Most notably, Metallica covered the Misfits songs “Last Caress” and “Green Hell” on “The $5.98 E.P.: Garage Days Re-Revisited” in 1987, and Guns N’ Roses covered “Attitude” on “The Spaghetti Incident?” in 1993. Several albums of reissued and previously unreleased Misfits material were issued between 1985 and 1987, the first being the compilation album “Legacy of Brutality” in 1985 which included many of the songs from the unreleased “Static Age” album. Danzig overdubbed many of the album’s instrument tracks in order to avoid having to pay royalties to the other former band members.
After a series of legal battles with Danzig, Only and Doyle (born Paul Caiafa) – the younger brother of the Misfits bassist who featured as guitarist of the band since 1980 – in 1995 the parties reached an out-of-court settlement that allowed Only and Doyle to record and perform as the Misfits, sharing merchandising rights with Danzig. Read more Misfits – The Devil’s Rain (2011)

Blink-182 – Neighborhoods (2011)

Vacation is over, time to wake up the neighborhoods. After a four-year hiatus this is their first album of new material in eight year. Two tragedies regarding the band – the death of the band’s frequent producer Jerry Finn by a cerebral hemorrhage on August 21, 2008 and a plane crash survived only by drummer Travis Barker and Adam Goldstein, better known as DJ AM – bring the band members together and they managed to work out their issues and reunite in 2008. “Neighborhoods” is the first Blink-182 album produced by the band members without the help of an outside record producer. And Mark Hoppus, Tom DeLonge and Travis Barker did a great job.
Released on September 27, 2011 through DGC Records and Interscope Records, the sixth studio album by Blink-182 is another great collection of pop punk anthems. Maybe some of their new songs have a darker vibe, but still, this is so 101% Californian punk. Read more Blink-182 – Neighborhoods (2011)

Bad Brains – Quickness (1989)

Although “Quickness” is the fourth studio album by Bad Brains, it was the first I had listen at the beginning of the 90’s and several songs from it still echoing in my mind. “The Messengers”, “Sheba”, “No Conditions”, “Silent Tears”, “The Prophet’s Eye” are only a few of the 11 (plus outro) killer tracks of the album.
“Quickness” is 34 minutes of pure essence of Bad Brains delivering the best of their unique hybrid of raggae-punk and hardcore-funk. Released on 14th September, 1989, 22 years ago, these songs sounds still fresh and… quickening. Who said white man can’t jump and black guys can’t rock? Read more Bad Brains – Quickness (1989)

Total Chaos – Battered and Smashed (2011)

Absolutely classy, undiluted 80s punk rock. These guys from Los Angeles delivering music – unbelievable! – since 1989 – for more than two decades.
Rob Chaos -Vox, Shawn Smash -Guitar, – D Shocker and Miguel Conflict – Bass, and Danny ‘Boy” Virus and Gearbox – Drums, juggling between The Ramones and The Exploited, delivering the perfect blending of both approaches. The band was formed as a response to the rising, commercial, “new style” of punk widely promoted by media and record labels and it was not only music, but a forum to convey important political and social views.
Total Chaos along with many others started organizations such as – UVP (United Valley Punks) OCP (Orange County Peace Punks) and AGC (Alternative Gathering Collective ) holding social events like:Food Not Bombs, giving support to the Big Mountain Indian Reservation and helping to open the Los Angeles Anarchist Center. The idea of social responsibility was a significant thing from organizing peace punk picnics to protesting against the Gulf War, their music had meaning and stood for something.
Read more Total Chaos – Battered and Smashed (2011)