Released on 11 July 2015, the new EP from the Canadian project eyeswithoutaface brings brutality to the next level. Their rough and contorted mixture of post-industrial electronics with sludge/black/death metal leave the listener without any option, but to love or hate this sonic slaughter. Extreme metal at its best!! Related to Malhavoc, Godflesh and other alike oddities, eyeswithoutaface was formed in 2009 in Toronto, Canada, comprised of current members of Homolka, Kosmograd, John XII, Ancress and more.
They avowed that they are “somewhat inspired by a broad range of artists both within and outside of the doom/sludge, post-industrial, electronic and hip hop genres, and are sometimes compared to artists such as Godflesh, Nine Inch Nails, Swans, Red Harvest and Genghis Tron.”
And their music it’s quite complex and disturbing. I wrote about their debut album “Monotoneoteny” back in 2011 and they made it to my list of favorite releases of the year. They have something of their own and they explore musical places where nobody else dared to drift before. Sometimes this make the journey difficult, but keep it exciting throughout. Read more eyeswithoutaface – Dead Friends EP (2015)
Scheduled to be released on January 20, 2015 in the US, but already leaked out to the internet, the much anticipated, ninth in line, studio album by one of the most feared, targeted and blamed artists, Marilyn Manson it’s here. Are you ready to meet your maker?
Klayton is Celldweller and his – finally – back! Independent artist and producer, personifying the sound of the iPod generation, he creates a hybrid fusion of digital and organic elements: intricately designed soundscapes constructed from Dubstep, Drum & Bass and Electro, woven together with aggressive Rock/Metal and Orchestral elements. Celldweller ignores genre boundaries and creates a pioneering vision of the future of electronic music.
It’s no secret, I’m a huge fan of the guys from 4star. That perfect mixture of Eminem style hip hop rapping of Adam and that dense and contorted, drum’n’bass and dubstep flavored instrumentals of Peter with a taste of Subsource/Black Futures and roots back to Reznor and NIN, simply nailed me. While 99.9% of the current mainstream electronic/EDM scene it’s nothing but a (bad) joke and the underground it’s not allowed to surface, these guys fined a pretty cool breach of their own, they are dumb enough to play their own music and not to follow the trends.
The bad-ass of bad-bass celebrate 10 years of intense grinding with a fabulous 44 track, 99 minute mix which include his own tracks, but also remixes of some other leading artists such as Nine Inch Nails, Black Label Society, Semargl, and Black Sun Empire. Top of the best, this is a free download and you can grab it from his 
My Life With The Thrill Kill Kult rose to fame at the end of the 80’s by their hard beats, distorted vocals, dense and contorted instruments and bizarre film samples. It was something burlesque and something wicked about their music, something genuine. It was the troubled age of post-new wave and the dawn of the hard-industrial revolution and Franke Nardiello (aka Groovie Mann) with Marston Daley (aka Buzz McCoy) managed to merge efficiently the disco bass with the rocking wah-wah guitars and dabbling in some big bad burlesque brass. Some say that they are met over a few drinks in a bar in Chicago and soon find themselves touring with the band Ministry.
There are very few artists (bands) who still manage to surprise me these days. The 2006’s “Volk” was a peerless release, it’s quite impossible to overtake that album and Laibach definitively had a hard time to figure out what they should do next. True, meanwhile they released in 2008 “Laibachkunstderfuge” – a concept album, the laibachian interpretation of Johann Sebastian Bach’s “The Art of Fugue” (Lai-Bach-Kunst-Der-Fuge) – and in 2012 the original soundtrack for the movie “Iron Sky”. Also they released a mind blowing live album 
