Chris Connelly – Artificial Madness (2011)

Above all, Chris Connelly is one of the few independent artists today who still believes in the power of songwriting as nothing short of divine narrative; the craft of music as the perfect vehicle for poetic expression. Connelly was an active member and contributor to Ministry and to The Revolting Cocks between 1987 and 1993, but he was involved in several other projects and bands such as: PTP, Acid Horse, Killing Joke, Pigface, The Bells, Catherine, Chainsuck, The Damage Manual, Die Warzau, Everyoned, Finitribe, The High Confessions, KMFDM, Thanatos, The Love Interest, The Final Cut, Murder, Inc. and he developed his own solo career.
The Scottish-born, Chicago-based musician established himself as a talented alternative singer and songwriter, and his vocal style is often compared to that of Scott Walker and David Bowie. Read more Chris Connelly – Artificial Madness (2011)

Pop Will Eat Itself – New Noise Designed by a Sadist (2011)

I wrote about PWEI just a few weeks back, reminding of their album “Dos Dedos Mis Amigos” and announcing the good news: on 3rd October 2011, after a 17 years gap, PWEI will release their sixth studio album entitled “New Noise Designed By A Sadist”. And time’s up, here we go again. 11 tracks, the guys sounds fresh and still kicking like two decades ago and they bring us a little bit of chaos & mayhem, some old-school (cool 🙂 ) noises and anti-plastic anthems. It feels like yesterday, but it’s so now and eventually looking into the future.
In few words: they are back to business! Dig out your dancing shoes, grab your air guitar and bang your head: you’re so wasted! Read more Pop Will Eat Itself – New Noise Designed by a Sadist (2011)

Tanzwut – White Nights (2011)

What results from the mixture of bagpipes, medieval and folk elements and industrial metal? Tanzwut. Originated as a sideproject of Corvus Corax-members, a German band playing Neo-Medieval music using an abundance of authentic instruments which often uses bagpipes as the solo instrument, and in 1996 they released the EP “Tanzwut” which combined the elements of metal music with their brand sound of bagpipes. The CD turned out to be a commercially successful experiment and the band decided to continue the tradition of that album in a separate musical project called Tanzwut and became part of the Neue Deutsche Härte movement. In few words: Rammstein with bagpipes.
“Weiße Nächte” is the project’s fifth studio album released on 16th September 2011. Read more Tanzwut – White Nights (2011)

Pop Will Eat Itself – Dos Dedos Mis Amigos (1994)

Released on 19th September 1994, the fifth album by The Poppies, also known as PWEI, “Dos Dedos Mis Amigos” bring to the surface a more industrial face of the band. Also, PWEI’s political stance became more explicit with the release of the single “Ich Bin Ein Auslander”, a collaboration with Asian group Fun-Da-Mental, song which was based on the uprise of racial tension throughout Britain during 1994 and reached the UK Top 30.
The album peaked at #11 in the UK Albums Chart and the single “Everything’s Cool” became the band’s ninth Top 30 UK hit.
PWEI found some new popularity after signing with Trent Reznor’s Nothing Records in the US, and touring with Nine Inch Nails, as well as having their songs used on the PlayStation game Loaded. In the same year they featured on The Prodigy’s album “Music for the Jilted Generation”, on the song “Their Law”. Read more Pop Will Eat Itself – Dos Dedos Mis Amigos (1994)

Sepultura – Chaos A.D. (1993)

I admit it: I wasn’t a Sepultura fan, but things have changed 18 years ago with their fifth studio album, “Chaos A.D.”. Released on 2nd September 1993, with this album Sepultura transcend from their previous death/thrash metal style into raw hardcore punk, a mixture of metal with industrial music and spiced with traditional Brazilian-styled percussion which eventually become one of the founding pillars of the groove metal subgenre along Pantera’s “Vulgar Display of Power”. “Chaos A.D.” established new direction, a new approach, a new standard for brutality, and not at least a new subgenre of metal. It seems in 1993 everything came together for Sepultura. Read more Sepultura – Chaos A.D. (1993)