Released on 11 July 2015, the new EP from the Canadian project eyeswithoutaface brings brutality to the next level. Their rough and contorted mixture of post-industrial electronics with sludge/black/death metal leave the listener without any option, but to love or hate this sonic slaughter. Extreme metal at its best!! Related to Malhavoc, Godflesh and other alike oddities, eyeswithoutaface was formed in 2009 in Toronto, Canada, comprised of current members of Homolka, Kosmograd, John XII, Ancress and more.
They avowed that they are “somewhat inspired by a broad range of artists both within and outside of the doom/sludge, post-industrial, electronic and hip hop genres, and are sometimes compared to artists such as Godflesh, Nine Inch Nails, Swans, Red Harvest and Genghis Tron.”
And their music it’s quite complex and disturbing. I wrote about their debut album “Monotoneoteny” back in 2011 and they made it to my list of favorite releases of the year. They have something of their own and they explore musical places where nobody else dared to drift before. Sometimes this make the journey difficult, but keep it exciting throughout. Read more eyeswithoutaface – Dead Friends EP (2015)
In a world of senseless violence a to the bone brutal album actually make sense. And beneath the surface, Michel Anoia it’s more then simple and pure brutality. Merging some killer and chill jazz breaks, slow grinding and doom flavored passages and complex, technical moments with brutal, grindcore rooted death metal, Michel Anoia offers a 30 minutes (almost) non-stop hell of a ride. This is the ultimate death metal roller-coaster.
It’s something wrong with me, or it’s something wrong with the world. I’m on the edge and this seems to be a hard decision, because I can’t make up my mind if I am crazy, or the rest of the world it’s crazy. This new type of post-everything – including the yet unborn/undone – kind of depressive and noisy whatever metal/rock/hardcore it’s murderous. Literally. If you feel good about yourself – accidentally – you will commit suicide anyway after listen into it. It’s kind of conquest who can make you kill yourself first I guess. Who can deliver the most gloomiest and chaotic hurricane of noises. This world it’s full of shit, I know, people are full of shit, I know that too, but you don’t have to remind me this constantly. I know!
Very dark, very raw, technical and merciless, No Sun in San Francisco aren’t an American band, but a Swiss one and most of their debut album was recorded far away from the sunlight, down in an anti-nuclear shelter lost somewhere in Switzerland’s countryside. Without hanging tags, their sounds like a sick mixture of Neurosis, Isis, Converge, Cult of Luna and Meshuggah.
If you think it’s the perfect time to wider your musical horizon while the music became boring – which it’s actually f*ckin’ true -, One Morning Left might be your perfect choice and from where you kick out. Merging trance flavoured electronic layers, dubstep drops and mad wobbling, with death metal rooted extreme metal butcheries, One Morning Left delivers all. This is fun and simultaneously deadly serious. Screaming like a slaughtered pig (Mika “Miksu” Lahti), or singing loud and clear (Tomi “Tomppa” Salonen), banging on techno beats (Veli-Matti “Vesku” Kananen) or heavy basses (Tuomas “Tumppi” Teittinen), murderous guitar riffs (Ari “Arska” Levola), blood vomiting growls and total brutality – One Morning Left covers all. And – surprisingly – this sounds great and make sense! Or not really surprisingly. Geerally speaking, Scandinavians delivers quality stuffs. Eventually, in the particular case of One Morning Left, blame it on the Finnish climate, Scooter, Lauri Tähkä and the mental hospitals… 
Back in 2011, the debut album, 
Considered as one of the leading extreme metal acts coming from Poland, Hate are back with their 8th – and probably deadliest – studio album. This is a masterpiece of dark power and absolute aggression, a perfect blending of their ambient and industrial fueled black metal and the chainsaw ferocious death/thrash metal. “Solarflesh” seems conceived and inspired by the same wicked God who breathed life into monsters like “South of Heaven” and “Seasons in the Abyss”. This album it’s brilliant and brutal just like those pillars of metal delivered by Slayer. “Solarflesh” it’s merciless, atmospheric, brutal, hypnotizing and addictive like any other vice or joyful sin.
Sick as f*ck, fast and loud, Converge, one of the most creative and explosive metal bands emerged from the underground in the last decade it’s back with their eighth and deadliest album. Playing an extremely innovative blend of hardcore punk and modern, death and groove fueled extreme metal, Converge not only opened the path for a new generation of furious metallers, but also inspired and influenced a brand new generation of bands and consistently contributed to define many of the elements of the metalcore genre.
A self-titled EP from 2010, their debut album, “Monotoneoteny” released this year in May and a remix album, “Tone Debris”, released this month, all three for free, can grab them from 
