Released on 11 July 2015, the new EP from the Canadian project eyeswithoutaface brings brutality to the next level. Their rough and contorted mixture of post-industrial electronics with sludge/black/death metal leave the listener without any option, but to love or hate this sonic slaughter. Extreme metal at its best!! Related to Malhavoc, Godflesh and other alike oddities, eyeswithoutaface was formed in 2009 in Toronto, Canada, comprised of current members of Homolka, Kosmograd, John XII, Ancress and more.
They avowed that they are “somewhat inspired by a broad range of artists both within and outside of the doom/sludge, post-industrial, electronic and hip hop genres, and are sometimes compared to artists such as Godflesh, Nine Inch Nails, Swans, Red Harvest and Genghis Tron.”
And their music it’s quite complex and disturbing. I wrote about their debut album “Monotoneoteny” back in 2011 and they made it to my list of favorite releases of the year. They have something of their own and they explore musical places where nobody else dared to drift before. Sometimes this make the journey difficult, but keep it exciting throughout. Read more eyeswithoutaface – Dead Friends EP (2015)
“Women and Children First” was the third studio album by the American rock band Van Halen, released on March 26, 1980 on Warner Bros. Records. Generally speaking, the third album of a band it’s crucial, while the first might be an accident and the second a sequel of that, the third generally proves if that band have something to say or they never really had. In the particular case of Van Halen, “Women and Children First” was really a turning point of their career and the moment when the boys grown up and became men. “Women and Children First” rocks your s*it off. Literally. And their both previous albums were hard as a rock!
Guitarist/singer Fred Lefranc and drummer Ben Delacroix are back with their third installment, a four track EP.
“We will do something again only when all members are with the focus on that, and ready for the challenge” – said Billy Gould In July 2013. Two years later and 18 years since the previous FNM studio album we’ve got finally “Sol Invictus”. Meanwhile Mr. Patton was king not for one day, but on several occasions, last time on the Zorn’s Moonchild album 
Believe it or not, but “Disquiet” is the fourteenth studio album by Therapy?. “Teethgrinder” it’s still ringing in my ears like it was yesterday and their 94’s “Troublegum” it’s probably one of the best punk-rock albums ever. Between their fourth and fourteenth album lot of things was going on, but the only thing it’s really matter is that Therapy? are still alive and kicking.
Gallows it’s the perfect mixture of the Aleister Crowley originated mysticism and healthy, punk rooted hardcore. Definitively one of the most interesting and solid Brit acts of the last decade and a band with the power and talent to deliver further exciting releases.
Klayton is back again and we’ve got the third installment of his quite ambitious project, “End of an Empire”.
The album begins quoting George Carlin: “The reason they call it the American Dream is because you have to be asleep to believe it” which synthesize perfectly the state of facts and the perception of America today. We might consider it a joke, but it’s a deadly serious issue.
There are a couple of albums expected to be released this year (2015) I am anxious to listen to. One of them it’s the upcoming Agnostic Front album, the upcoming Limp Bizkit album, the debut album of Black Futures (ex-Subsource) and not at least the 6th The Prodigy album.
Some stories are too good to be true. Imagine a hobo, a man with no past, future, nor present who eventually end up making a blues album and bringing in John Paul Jones of Led Zeppelin to play the bass only because he do not knew anybody else playing that instrument. So, yes, I mean no, this could not happen.
