Dead Can Dance – Spleen and Ideal (1986)

There are bands and there are myths, legends. There are bands playing music and bands creating music, inventing new approaches, discovering new dimensions, tear down walls and open brand new highways. There are bands with one or two best records and bands with all their records being best ones. Some says, in the existence of the band the second album is the most important and it proves if the band have or haven’t potential. “Spleen and Ideal”, released on 1st September 1986 (in Australia), was Dead Can Dance’s second album and the band consist of Gerrard and Perry decided to abandon guitars in favor of classic symphonic instruments such as cello, trombones and timpani. A serious decision and one which probably change the course of the band’s history, but not only. Read more Dead Can Dance – Spleen and Ideal (1986)

Killing Joke – Killing Joke (1980)

A real underground pearl, still not enough appreciated, but an undisputed underground classic, the self-titled studio debut album by the British Killing Joke was self-produced and released in August, 1980 worldwide under E’G Records. The song “The Wait” was covered by Metallica in 1987 and released on “The $5.98 E.P.: Garage Days Re-Revisited” and “Requiem” was covered by Foo Fighters in 1997 as a b-side to the “Everlong” single. Finding modest commercial success, Killing Joke have influenced many later bands, such as Nirvana, Ministry, Amen, Lamb of God, Nine Inch Nails, Porcupine Tree, Napalm Death, Behemoth, Amebix, Big Black, Opeth, Murderdolls, Godflesh, Dead by April, Tool, Prong, Metallica, Franz Ferdinand, Primus, Jane’s Addiction, Soundgarden, Foo Fighters, Faith No More, Blacklist, Shihad, Pitchshifter, Das Oath, Rammstein and Korn, and gained a cult status with their industrial metal among critics and both fans of post punk and heavy metal. Read more Killing Joke – Killing Joke (1980)

Buckethead – Empty Space, Underground Chamber, Look Up There (2011)

Buckethead’s 32nd studio album, as well the second edition in the Buckethead Pikes series following “It’s Alive” . More experimental, much heavier, contorted, but beautiful, “Empty Space” with a total length of 32 minutes (ten songs) bring to the surface some intense riffs, noisy textures and wild, hurricane-like solos, but also funky basses, avant-garde experiments, industrial soundscapes, in few words, Buckethead shot all his big guns at our ears and once again he spare no energy to create music. Can’t stick labels to this, can’t force it into some boxes, his music have no genre, but style and class. Probably both, genius and madman, Buckethead is by excellence the most fascinating guitar wizard. Read more Buckethead – Empty Space, Underground Chamber, Look Up There (2011)

The Libertines – The Libertines (2004)

Coming on the second wave in the early 2000s of garage rock and post-punk revival bands along Arctic Monkeys, Bloc Party, The Editors and Franz Ferdinand, The Libertines delivered in 2004 their second, self-titled album which instantly reached #1 in the UK and it sold 72,189 copies in its first week. The album is included in the book “1001 Albums You Must Hear Before You Die” and in 2006, NME placed the album 47 in a list of the greatest British albums ever. For a band released up to date only two albums, not a bad performance at all.
The Libertines were formed in London in 1997 by frontmen Carl Barât (vocals/lead guitar) and Pete Doherty (vocals/rhythm guitar) and both of their full-length LPs were produced by Mick Jones, of the legendary British punk band The Clash. Read more The Libertines – The Libertines (2004)

Gay For Johnny Depp – What Doesn’t Kill You, Eventually Kills You (2011)

It’s the perfect balance between not taking themselves very seriously and taking the music absolutely seriously. And they know how to write extremely catchy hardcore songs, while the lyrics might bring a smile upon your face, the riffs will blow your head off definitively. Just as they sing it: “We Are The World? Burn It Down!” That’s what it’s all about: humor and hardcore. Kind of… Nine Inch Males… or something. 😀
“What Doesn’t Kill You, Eventually Kills You” is the band’s second full-length album and the funny lyrics and song titles are served with high energy, pumping, sometimes quite chaotic (“Pink Flag”) hardcore. Let’s just say: Cum On Feel The Noize! Read more Gay For Johnny Depp – What Doesn’t Kill You, Eventually Kills You (2011)

Wojtek Mazolewski Quintet – Smells Like Tape Spirit (2011)

This is just great, feels so good to listen it. I won’t sell you lollipops, I actually don’t have a clue what “nu jazz” means, generally speaking, I don’t know what’s modern and what not in jazz, and digging further, in music. Sometimes – nowadays – modern becomes synonym of stupid, or at least trendy and patterned, and I really don’t wanna swallow it. This is different. “Smells Like Tape Spirit” have some gentle, warm, retro and kind of classy perfume, but on the other hand it’s extremely fresh, sparkling and breathing alive, it’s – God, I hate this world! – modern, a blending of standards and improvisations, structures and free licks, a rebellion build upon the solid ground of tradition.
Read more Wojtek Mazolewski Quintet – Smells Like Tape Spirit (2011)

The Beach Boys – Still Cruisin’ (1989)

The Beach Boys are one of the few mandatory “things” in music. If they wouldn’t be formed back in 61 somebody should be “invented” them. Many things in music would be different without Mike Love, Brian Wilson and Al Jardine. They gained popularity across the United States for its close vocal harmonies and lyrics reflecting the Southern California youth culture of surfing, cars, and romance. Inducted into the Rock and Roll Hall of Fame in 1988, chosen for the Vocal Group Hall of Fame in 1998 and received the Grammy Lifetime Achievement Award in 2001, The Beach Boys are one of the greatest rock and roll bands while their 1966 release, “Pet Sounds”, frequently rank among critics’ lists of the greatest albums and “Good Vibrations” as the greatest singles of all time. Paul McCartney named “Pet Sounds” one of his favorite albums of all time and has frequently said that it was the inspiration behind the Beatles’ album, “Sgt. Pepper’s Lonely Hearts Club Band.” Rolling Stone magazine listed The Beach Boys at number 12 on their 2004 list of the “100 Greatest Artists of All Time,” the highest ranking for an American Rock & Roll band.
Initially rising to become the most popular surf rock band in the U.S. during the early 1960s, the band with a legacy of 82 singles, 28 studio albums and 4 live recordings, The Beach Boys… still cruisin’. Read more The Beach Boys – Still Cruisin’ (1989)