I’m not an “expert”, actually, not even a frequent and frenetic listener of contemporary symphonic music. But Zorn it’s Zorn, my curiosity was bigger then my fear of abstract, eventually unfriendly listening. And Zorn managed to grab my attention. Still, this is quite dark, dramatic, twisted out Wagnerian feels-like music, unfriendly and probably for most nerve-racking, or at least disturbing. The violin (the cello and ultimately the soprano… 😆 ) sometimes literally split your brain in two and makes your ears bleeding, while the tension it’s tenebrous and the dissonances makes you feel like you’re trapped in a horror movie – think of the Kubrick’s “The Shining” soundtrack. The four parts of “Ceremonial Magic” definitively fits that profile and vibe. Still, the work have a huge groove and Kenny Wollesen bang his drums like crazy. Zorn’s cinematic experiences are leaving their sonic finger-prints on his symphonic adventures as well. Don’t think that the closing one-act opera, “La Machine de l’Être”, because of the vocals it’s an easier piece. It’s not.
John Zorn is not only prolific, but also fascinating, he manage to express himself in so many different ways by different musical vehicles – just like any true Magician. And there is no doubt, Zorn it’s a Magician. Read more John Zorn – Music and Its Double (2012)
“Well, there are 101 ways to get fucked in this business – the more you are aware of – the better off you’ll be. Right? This is a very dangerous world and when you come un-stuck it isn’t always just “aw shucks that was wild” it could be bankruptcy, loss of friendships, divorce, death, you might end up in a cover band.” – says Martin Atkins and he continue: “It’s a little bit Disney, a little bit Tarantino….two conflicting ideas, the yin, the yang, two halves making a black hole battling it out in the tumble dryer with someones severed foot.”
Both, Ben Royal and Kate Walsh, are terribly common names. Not really helpful to google them because you will end up reading about a million different people from all over the world from Australia to Alaska.
Third and deadly? The restless guitarist of Porcupine Tree, and beside involved in a million and one projects and collaborations, plus full time mixer, remixer and producer, it’s back with his third solo album which will be released on 25th February 2013. Alan Parsons (best known for his work on Pink Floyd’s “The Dark Side of the Moon”) engineering the album and we’ve got a quite colorful and dynamic mixture of King Crimson, Rush and Jethro Tull. Probably not accidentally, currently Wilson is remixing the back catalogue of King Crimson from 1969–84 into MLP (Meridian Lossless Packaging) 5.1 and new stereo mixes, as well as remixing the back catalogue of Jethro Tull.
This is a double album, tribute to the Italian hardcore punk band called 
Two years after its acclaimed debut effort “Like a coffee” released through M&O Music & Mosaic Music Distribution, Kursed returns with a new album entitled “Miaow” and filled-up with the same Brit indie rock and post-punk revival flavored music in the vein of Arctic Monkeys, Bloc Party, The Fratellis, Kaiser Chiefs, and blended with dirty American, blues rooted indie rock in the footsteps of The Black Keys, Black Rebel Motorcycle Club, Modest Mouse, The Killers, and Interpol.
The Swiss trio are back and it’s time for the new set of dark and furious butchery! Although guitarist Antoine Tinguely (ex-Berserk For Tea Time) replaced former guitarist Samuel Vaney, Vaney is now supporting the band as composer/mixer.
In response to the recent, tragic events that took place at the Sandy Hook Elementary School in Newtown, Connecticut, EDM/Rock (Electronic Dance Music) Retailer/Label FiXT has partnered with Groupees.com and over 50 other various artists to help raise support for the victim’s families and community, giving 100% of donations to the official Sandy Hook School Support Fund.
Consciousness Removal Project it’s a one-man post-metal band from Tampere, Finland. Its only official member Antti Loponen is solely responsible not only for compositions, lyrics and arrangements but also for most instruments and the record production. Although, with the help of a live collective including Arttu Kimmel – guitar, Vesa Ahonen – bass and Artturi Mäkinen – drums, Consciousness Removal Project has also been able to perform live since 2008.





