Ihsahn – Vegard Sverre Tveitan, born in 1975, in the town of Notodden, Norway, began playing piano at seven and guitar at ten and began recording songs shortly thereafter. He began his career at age thirteen as a member of what would become fledgling black metal crew Emperor. As a band, Emperor would both define and refine metal, pushing the boundaries of what was considered possible within the most arcane of art forms and taking some of the most adventurous and extreme music of all time to a huge global audience. With albums like seminal “In The Nightside Eclipse” – recorded when Ihsahn was only seventeen, and “Anthems To The Welkin At Dusk”, Emperor obliterated all-comers and became one of the most revered metal bands in history. After the release of their final masterpiece, “Prometheus: The Discipline Of Fire & Demise” in 2001, Ihsahn announced that the band were to part ways to enable himself and his colleagues to pursue new creative avenues.
He also played in Peccatum with his wife Ihriel (real name Heidi S. Tveitan) until 2006 and has appeared in Thou Shalt Suffer, Zyklon-B and Hardingrock, and now devotes himself to his solo project, Ihsahn. “Eremita” – the latin for hermit – is the anticipated fourth solo album, which was released on June 18 by Candlelight Records.
Recorded and produced at Telemark’s Ivory Shoulder Studios, with additional tracking completed at Notodden’s Juke Joint Studio and Seattle’s Envisage Audio, Eremita was mixed by Jens Bogren (Opeth) at Fascination Street Studios in rebro, Sweden. Alongside Ihsahn, the album features performances from drummer Tobias rnes Andersen (Leprous), saxophonist Jrgen Munkeby (Shining-Norway), guitarist Jeff Loomis (ex-Nevermore), and vocalists Devin Townsend, Einar Solberg (Leprous) and Heidi S. Tveitan (Starofash). The album’s packaging has been created by award-winning Spanish designer Ritxi Ostariz. Read more Ihsahn – Eremita (2012)




In 2006 John Zorn formed the hardcore voice/bass/drums trio of Mike Patton, Trevor Dunn, and Joey Baron which became known as the Moonchild Trio. The very same year the trio performed and released two albums of Zorn’s compositions: “Moonchild: Songs Without Words” – an album inspired in part by Aleister Crowley, Antonin Artaud and Edgard Varèse and “Astronome”. A third album with the trio, but also featuring Zorn, Ikue Mori, Jamie Saft and chorus, “Six Litanies for Heliogabalus”, was released in 2007. Their fourth release “The Crucible” appeared in 2008, and ![Mr. Pan[k]sament - Doomstep Prophecies - The Remixes 2012](https://brushvox.com/wp-content/uploads/2012/06/Mr.-Panksament-Doomstep-Prophecies-The-Remixes-2012-150x150.jpg)

Not a clockwork orange, but clockwork angels. Ladies and gentlemen, Geddy Lee, Alex Lifeson and Neil Peart are back after a five years gap with their 19th studio album, scheduled to be released on June 12. They play in this line-up since July 1974, having 38 years of impressive and spawning career.
Klayton, the sole brain behind Celldweller, not only ignores genre boundaries and creates a pioneering vision of the future of electronic music, but he’s also an excellent and subtle songwriter. So, “Wish Upon A Blackstar”, he’s upcoming second full-length studio album, obviously it’s one of the most anticipated Electronic albums of the year. And Celldweller is one of the most reliable artists as well, the new 16 tracks album will satisfy all of his devoted followers – over 120,000 Facebook Fans and still counting – and eventually will bring him a brand new generation of fans. After all, Celldweller is considered “personifying the sound of the iPod generation”, and his hybrid music of digital and organic elements and the smooth, but highly explosive fusion of styles and genres, makes him extremely unique and charming. 





