Jazz, Oriental vibe and an excellent sense of humor. “Music is all about enjoyment and that comes easiest when you laugh” says Rabih Abou-Khalil. Speaking of his new album and his band, Abou-Khalil said: “We’ve been playing together for nearly 16 years now. We know each other very well so, as you will hear, the band is very tight indeed.” This is also a quite multicultural project as well. Abou-Khalil – who plays oud – grew up in Beirut and moved to Munich, Germany during the civil war in 1978. Saxophonist Gavino Murgia are from Sardinian and sometimes he provide also vocals – for instance listen into “Bankers’ Banquet”. Frenchman Michel Godard is a phenomenal player of the tuba and its ancestor, the serpent, but he also plays bass. Luciano Biondini is a virtuoso Italian accordionist. Jarrod Cagwin sre form Iowa, USA, he is equally masterful with sticks and bare hands, and using both, western drum-kit and to Arabic frame drums.
Their music uses elements from Arab music traditions, together with many Jazz, Rock and classical references, particularly to the school of Ornette Coleman and Don Cherry, but also other influences include Frank Zappa, Bela Bartok, and such unexpected musicians as the Mighty Sparrow and Lord Kitchener from Trinidad.
Since ’81 Rabih Abou-Khalil released over 20 albums and contributed to many more.
“Hungry People” it’s a direct reference to the “Arab Spring”. Read more Rabih Abou-Khalil – Hungry People (2012)
Why I bother to write about this? Well, probably because I get into this trilogy and after two bitter pills, the deadly strike it’s unavoidable. While 
Navene Koperweis (aka Navene K), is an American drummer, multi-instrumentalist, composer, and producer, best known as the former drummer of Animosity and Animals as Leaders. Koperweis started drumming when he was eleven years old. He has played for The Faceless, and runs his technical death metal band, Fleshwrought, where he plays all instruments.
Formed in November 1993, the Greece Sorrows Path on their second album delivered powerful, complex, quality Metal merging Heavy and Progressive elements with Death flavored intensity. Think of something like Iron Maiden playing Candlemass songs. Perfect and absolute stainless steel!
When I said a few days back that I’m tired and bored of music because music became only the additional sub-product of an exclusively profit oriented industry and the true values (the music) were replaced by fad, predictable, patterned and instantly forgettable (background) noises. In this world, in this frightening circumstances, Mr. Burdon and his youngster new allies,
Death Metal fueled, massive, powerful Groove Metal easily related to Sepultura, but with roots back to classic Heavy Metal as well, the Belgian KomaH at their second installment seems even more determined and merciless then ever. And honestly, it’s hard to fail when have songs such as “The King of Raptors” which could be placed easily on any Pantera release.








