Might sound a cliche, but Naïve delivering a colourful sonic journey where powerful Metal riffs are merged with subtle sonic textures; contorted, dark and tensioned moments are combined with smoothly sparkling, melodious hooks and build-ups. It’s like a constant struggle of good and evil, light and shadow, noises and melodies. Trip Hop Metal? Eventually. Labels are unnecessary. But to have an idea, this is sound like an explosive mixture of Deftones and Prong with Massive Attack and Sneaker Pimps. Pounding IDM, hypnotic Trip Hop, dark Alternative Metal, and Industrial flavored noisiness are smartly colored with subtle texture, addictive grooves, mysterious electronic layers and at the bottom line they are all equal ingredients of the unique universe reveled by Naïve. “Illuminatis” it’s an addictive journey, it’s something Magic in there, feels a dream from which you don’t want to wake up. Read more Naive – Illuminatis (2012)
Metal
Byzant At Sunset – No Reason To Remix This, EP (2012)
Although, officially this is considered only an EP, featuring two originals and 13 plus one bonus remixes of “No Reson”, a total of 16 tracks is still a considerable quantity of music to go through. But this is a FREE RELEASE, so, this is one more reason to get “No Reason”! – the official debut of Byzant At Sunset.
“No Reason” have a strong The Clash kind of vibe, but the sound it’s smoothly adjusted to the nowadays expectations, wobbling basses, ska fueled guitars and the tasty saxophone gives a genuine Byzant At Sunset taste to the song. This is a manifest, a statement against modern days consumerism: “No reason is a reason good enough” express both anger and disappointment.
“Wildfire” is more like an improvisation, an eruption, a race through the fire of inspiration and creation. Although Byzant At Sunset it’s exclusively an on-line, world wide collaboration creative collective, some of their members not sharing not the same room, but not even the same continent in their lives, “Wildfire” have the nerve, vibe and wilderness of a genuine rehearsal recording. It’s like someone light up a cigarette but that unleash an unstoppable… wildfire.
And then we have 14 remixes from 13 outstanding producers from the Indaba community: ALBM, @ssic@, Bluetrax, Brushvox, Carda, DaveDaG, JohnnySix, Manu, mSelv, Richard Walker, Richinmusic, The ?uestion Mark, and, last but not least, Ultraglow featuring with two tracks. Read more Byzant At Sunset – No Reason To Remix This, EP (2012)
Kiss – Monster (2012)
If I say this is the best Kiss album in decades, nobody will believe me, but folks, this is the naked, monstrous, true. And what it’s even more monstrous it’s the fact that Kiss are still more ferocious then 99.9% of the self proclaimed Metal-whatever, mainly “core”, bands nowadays. And dudes, we’re talking about a band active since 1973 and this is their 20th studio album so far. And honestly, their previous “Sonic Boom”, released 3 years ago, was also an absolutely fair and classy Kiss material, an ass-kicker mixture of Hard Rock and Heavy Metal. “Monster” sounds even better, sounds as a perfect mix between two of their classic albums, the 1976’s “Destroyer”, respectively the 1992’s “Revenge”.
Sebastian Bach’s – former Skid Row vocalist – reaction regarding one of the new Kiss songs, “The Devil Is Me”, saying “it kicks TOTAL ASS!!” it’s not surprising and not exaggerated. Kiss gonna kick your ass off, or eat your heart out if you’re a girl. 😀 Read more Kiss – Monster (2012)
Enslaved – RIITIIR (2012)
The twelve studio album by Enslaved was declared both by most of the fans and critics “a classic” and a “masterpiece” even before some of them had the chance to listen it. It’s kind of comfortable and alarming simultaneously, on the other hand, yes, Enslaved is one of those bands you always can relay on, they are constantly there “to pushing the envelope” and “cutting the edge”, breaking down walls and wider the horizon. And yes, “RIITIIR” picking up from where they left off with “Axioma Ethica Odini” in 2010 and pushing things further. Some things are stay the same, this is Enslaved 100%, as well as they are still capable to generate new ideas and explore new possibilities, but staying in their own backyard, giving their fans the comfort of the modern Enslaved sounds and trademarks.
Between ferocious growls, deadly screams and cleanly sung choruses Grutle Kjellson find the perfect proportions and balance; Black and Death metal fueled riffs are switched to smooth acoustic moments; Enslaved seems to be still on a perpetual journey and not getting yet to destination and this make this journey exciting, fresh and surprising. Read more Enslaved – RIITIIR (2012)
Ribozyme – Presenting The Problem (2012)
Ribozyme means ribonucleic acid enzyme. A ribozyme is an RNA molecule with a well defined tertiary structure that enables it to perform a chemical reaction. Many ribozymes are catalytic, but some such as self-cleaving ribozymes are consumed by their reactions. It may also be called an RNA enzyme or catalytic RNA. Investigators studying the origin of life have produced ribozymes in the laboratory that are capable of catalyzing their own synthesis under very specific conditions, such as an RNA polymerase ribozyme. Ribozymes may play an important role as therapeutic agents, as enzymes which tailor defined RNA sequences, as biosensors, and for applications in functional genomics and gene discovery.
Since forming in Bergen, Norway, in June 1998, Ribozyme have toured extensively in Norway and throughout Europe, while producing a total of four full length albums. They has signed to Indie Recordings for their new album which was released in Europe on the 10th of February 2012, and in North America on the 14th of February 2012. Moving step by step away from their Hard Rock roots and incorporating modern Rock and Metal influences, but also electronics and Industrial elements, their 5th album, “Presenting The Problem” it’s a colorful, intense and exciting trip to the outer limits of modern/post Rock and Metal boundaries merging genres, styles and influences. Think of something between Tool, Prong and Alice In Chains.
If you enjoyed the Brit Slunq a few weeks back, this new Ribozyme will definitively hit you. Their “Spoiled Portion” and Ribozyme’s “Presenting The Problem” are pushing the Post-Rock envelope at the same spot with pretty same results. Read more Ribozyme – Presenting The Problem (2012)
DaCast – Dedale (2012)
Free stuffs are good stuffs? Not always, trust me, but this one is one of those really murderous shits you must definitively grab it and share it! DaCast coming on the wave of bands such as The Dillinger Escape Plan, Between the Buried and Me, Meshuggah, The Shining, Tomahawk, and they are contemporaries to other edge-cutter French bands such as The Phantom Carriage, merging Extreme Metal with Post-Rock rawness, Jazz aromas and Industrial fueled Hardcore contortions. Where “no boundaries” are the limit, generally there are good chances for creativity and the unique results. And DaCast will satisfy any high demands and expectations. And well, once again, can grab for free “Dédale”, their latest album from their Bandcamp page.
This 35 minutes album split into two sides are the result of almost 2 years of work and recordings, merging improvised and written passages/moments. The material was recorded live them mixed by Francis Caste at The Sainte-Marthe Studio. Read more DaCast – Dedale (2012)
Bagheera – Drift (2012)
Vulgar Metal? More specifically, it probably means related to Pantera’s 1992’s album, “Vulgar Display Of Power” – I guess. And this combo from Lausanne, Switzerland definitively learned that lesson of riffing and brutal (sonic) aggression. Coming out on 5th October 2012, Bagheera’s debut album, “Drift” it’s filled with 10 groovy, intense, energy and anger fueled, classy Groove Metal tracks. This is not about “reinventing the steel”, but delivering flesh tearing and bone cutting riffs, head banger beats, and pogo starter grooves. Merging and invoking sounds and influences from Prong to Pantera and from Corrosion Of Conformity to Pro-Pain, Bagheera find the balance between Thrash roots and Hardcore intensity, Southern flavor and unleashed aggression. Read more Bagheera – Drift (2012)
For You.Earth – The Deathsongs (2012)
Contorted and blunt, dark, but intense, For You.Earth saluting us from Nizhni, Novgorod, Russia.
Formed in 2006 by school friends Victor Murzaev -vocals and Andrey Prokofiev – guitars, and with Sergey Tokarev on drums and Maxim Malygin on bass they record their first demo in 2007. At the end of the same year Dima Lobachev became the new drum player and the band played on “Murder By Carrot” festival. In January 2008 they recorded “Traces Of Alarm Rockets” the song which featured on “Screaming Nation”, the first Russian compilation of independent heavy music which included also other friendly bands such as: .crrust, Follow The White Rabbit, Maria:Abort Chosen, Equal Minds Theory, etc.
Based exclusively on the DIY principles and practices, the band started recording their debut album in the rehearsal room with a mobile studio. The album, entitled “The Oldest Songs” was released on September 5th 2009. The songs on album were written between 2006 and 2009 and recorded between 2008 and 2009, including some re-recoded versions of lost tracks from the band’s very first demo. Having faced the problem of releasing the album, guys established their own independent label Opposing Music. Read more For You.Earth – The Deathsongs (2012)
Aoria – The Constant (2012)
Doom and gloom flavored, overwhelming, heavy and cinematic simultaneously, Aoria merging frozen Nordic melancholy with the strength of modern (post) Metal, building bridges between The Cure, Sigur Rós and the raw power and energy of Tool. We’re entering a realm of shadows, haze and dark despair, but Aoria’s music will lead us through and at the end, possibly, there is a crack of light and hope.
In July 2011, after four years of silence, Erik Nilsson of A Swarm of the Sun – vocals and guitars; Robin Bergh of October Tide – drums and Niklas Sandin of Katatonia – bass; began recording Aoria’s debut album. The album will be released October 10th on LP and CD, and is distributed world-wide through Sound Pollution. The album is recorded at Garaget Studio and produced by band member Erik Nilsson. It is mixed at Studio Riddarborgen by Magnus Lindberg (Cult of Luna, Khoma) who, with his uncompromising sound, has intensified what has become “The Constant”. The result, six complex, epic, disturbing songs, a doorway into a still fully unexplored, scary, but simultaneously tempting, hypnotizing world. Read more Aoria – The Constant (2012)
Between the Buried and Me – The Parallax II, Future Sequence (2012)
This is definitively “Future Metal” with some very “alien” perfumed “Scifi” taste. These guys eventually are form out of space. Offspring s of some killer breed.
After five albums, for for Victory, the debut for Lifeforce, BTBAM singed in 2011 to Metal Blade and shortly after released an EP entitled ” The Parallax: Hypersleep Dialogues”. Set to release on October 9, 2012, originally planned to be another EP, “The Parallax II, Future Sequence” consist of 11 tracks, an extremely contorted, but colorful, spectacular journey over the edge, behind the explored territories of the conventional Metal and the “comfort zone” of most of the people. Think of a musical blender where you can throw in King Crimson, Pink Floyd, Rush and Yes with VoiVod, Pantera, Metallica and Earth Crisis, but came out with an extremely compact, consolidated musical result. Although, they have some extremely biting Metal riffs and intense, brutal grindings, they shifting quite smoothly from extreme, Death flavored Metal to Jazz, Progressive Rock or simple, quiet, acoustic moments. Read more Between the Buried and Me – The Parallax II, Future Sequence (2012)
