Consciousness Removal Project it’s a one-man post-metal band from Tampere, Finland. Its only official member Antti Loponen is solely responsible not only for compositions, lyrics and arrangements but also for most instruments and the record production. Although, with the help of a live collective including Arttu Kimmel – guitar, Vesa Ahonen – bass and Artturi Mäkinen – drums, Consciousness Removal Project has also been able to perform live since 2008.
The music of Consciousness Removal Project has been published on the internet for free since 2004. The new album, released on 03 January 2013 and entitled “Tacit” it’s also available for free download (“name your price”) from their Bandcamp page (Click “Buy now” and enter $0 for free download), as well as a limited edition Digipack CD pressing hand numbered with binary digits. Support artists, we need them!!
And the music it’s gloomy, subtle and beautiful. Described perfectly by José at Terrorizer magazine: “It’s not the soundtrack for the eventual apocalypse itself, it’s the soundtrack for sitting on the porch on a quiet evening with a drink, thinking about it.” Read more Consciousness Removal Project – Tacit (2013)
So, this is one of the sickest metal s*it I heard lately, and definitively one of the best releases of the genre in 2012! Anyway, for sure one of my favorites! It’s damn shame this band it’s not world-wide famous yet!! This is much-much better then 99.9% of the s*it that the media and the record labels pushing and selling lately under any (sometimes fake) metal moniker!
Knowing how damn hard it is to independently promote your music in this bought-up and sold-out world, I want to bring to your attention this release before the year it’s over. No electronic shits and dubstep infusions, no “metalcore”, no fake heaviness, but sparking originality and true to the bone Metal as rarely we can listen lately. And even further, this band is formed by two extremely young, 21, respectively 18 year old, but talented and gifted guys. The future of Metal sounds brighter and thunderous now! The old school is the new school!!
Think of Down and Zakk Wylde’s Black Label Society with even more and more intense stoner infusion, add some weight from Kyuss/Queens Of the Stone Age and the right amount of Alice In Chains/Soundgarden flavor to got the essence of what really The Black Widow’s Project it’s about.
Metallers start getting familiar, comfortable with Ethnic infusions in the 90s with the colorful sounds built in the Metal genre by Sepultura. More recently, System Of A Down introduced Oriental and Arab flavored shades into Metal and conquered the whole world with their music. Somewhere between the Thrash/Death gravity of Sepultura and the modern intensity of System Of A Down and revealing the beauty and mystic flavor of Arab music, the Paris, France, based Acyl delivered a brilliant debut album. One of the best and most exciting Metal albums of 2012.
Metalcore it’s definitively epidemic this year. The scene is flooded by hundred (thousands?) of bands and most of them are really good in the butcheries they unleash. But still, too many band sounding almost the same, will bury the genre pretty fast. Identity Crisis? Hope not. Eventually all these youngsters must find their own sound and style or they will just simply disappear in the grind.
This is brutally good! Merging Deathcore with modern flavored Metalcore, but with solid roots back to classy and powerful Heavy Metal, this 5 piece band from Tours, France formed in 2010 are making their debut with a consistent 5 track plus intro EP. It’s almost like August Burns Red would play Manowar covers.
Formed in November 1993, the Greece Sorrows Path on their second album delivered powerful, complex, quality Metal merging Heavy and Progressive elements with Death flavored intensity. Think of something like Iron Maiden playing Candlemass songs. Perfect and absolute stainless steel!
Death Metal fueled, massive, powerful Groove Metal easily related to Sepultura, but with roots back to classic Heavy Metal as well, the Belgian KomaH at their second installment seems even more determined and merciless then ever. And honestly, it’s hard to fail when have songs such as “The King of Raptors” which could be placed easily on any Pantera release.









