Horrible cover! Intentionally, I think, I know can not judge a book by its cover, didn’t lost my sense of humor, but still… On the other (bloody) hand, this is PiL!
John Lydon (aka Johnny Rotten, and just for the kids, ex-Sex Pistols) never or rarely is mentioned as a genius, eventually a madman. Odd how people attach the genius label quite easily to guys (or gays?) like Rufus Wainwright, or considering morons like Dildo, sorry, Diplo as “influential music tastemakers”, while really valuable creations are constantly and totally marginalized by the almighty media. This is the Hell we’re in? Not really, not yet anyway, this is only a Lollipop Opera we’re living…. 😆
Their early work is often regarded as some of the most challenging and innovative music of the post-punk era. Their 1979 album “Metal Box” was ranked number 469 on Rolling Stone magazine’s 2003 list of the 500 greatest albums of all time. The NME described PiL as “arguably the first post-rock group”.
Formed in 1978 by vocalist Lydon, guitarist Keith Levene and bassist Jah Wobble, with frequent subsequent personnel changes, the list of PiL contributors include among many others names such as Martin Atkins, Bill Laswell – producer and bass guitarist (Album), Steve Vai – guitar (Album), Ginger Baker – drums (Album), L. Shankar – electric violin (Album), etc. “Album”, the fifth studio album was released in 1986 and Lydon said that Miles Davis came into the studio while the album was being recorded and commented that Lydon sang like Davis played the trumpet. Lydon later said it was “still the best thing anyone’s ever said to me.” Read more Public Image Ltd. – This is PiL (2012)
Trioscapes started in the summer of 2011 when Dan Briggs(Between the Buried and Me) contacted Walter Fancourt (Casual Curious, Brand New Life) and Matt Lynch (Eyris) about working up a rendition of the Mahavishnu Orchestra classic “Celestial Terrestrial Commuters” and messing around with a few original ideas with the intent of playing a one-off show. “Blast Off,” the first song released a few months back impressed both the media and the fans and the expectation of the promised debut album raised to boiling high. Released on 08th May, 2012, by Metal Blade Records, “Separate Realities” will blow your head off. 
In our times of deep turbulence and dissonances, the French Hypno5e re-paint with sounds this shattered world and pushing the musical borders further. This is Metal beyond Metal, fans of Cynic definitively will be delighted by the furious, but technical Death Metal moments, although the whole complex construction is further tripper, sometimes even abstract, quiet, meditative moments are twisted out by raging hurricanes, acrobatic riffs and pounding rhythmic, or the furious moments are break down by schizophrenic, echoing passages of slow, cinematic, but disturbed music.
Generally empires are have this fate of decline and fall and I honestly believe that the Music Industry it’s an empire – and for sure it’s in deep and profound crises.
This is one of the albums of 2012 I really waited for, but on the other hand I was kind of afraid of. When Twiggy Ramirez was often quoted as saying “It’s our best record yet, I think. I mean, everyone always says that, but I think this is our best work so far… It’s kind of like a little more of a punk rock “Mechanical Animals” without sounding too pretentious.”, and since the previous “The High End of Low” it’s an almost four years gap, the expectations are pretty high. “No Reflection” kind of scared me further because it doesn’t actually sound pretty convincing, although it’s a quite fair Rock track.
Sex is probably the most powerful driving force in nature, in arts, implicitly in music. Some people believe that the power behind The White Stripes was the (sexual) tension between Jack and Meg White. When this flame faded out, Jack White moved over, eventually Jack find Alison Mosshart and we’ve got The Dead Weather.







